Finally Twenty Years After by Alexandre Dumas is available to read anytime and anywhere you like. No more hassling with carrying bulky books around, this easy to read copy of Twenty Years After allows you to read at your own pace, anytime, anywhere. This copy is perfect for reading for class, while traveling, or during free time. It's also cheaper than buying the printed book.
Our innovative reader allows you to, at anytime, jump to any chapter of the book. Perfect for reading assignments. Easy to read fonts and text allow a seamless experience to allow you to immerse yourself in Twenty Years After.
Twenty Years After (French: Vingt ans après) is a novel by Alexandre Dumas, père. This sequel to The Three Musketeers and a book of the so-called D'Artagnan Romances (the third and last book being The Vicomte de Bragelonne, including the famous volume, The Man in the Iron Mask) was serialized from January to August, 1845. The novel follows events in France during La Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Dumas comes out on the side of the monarchy in general, or at least he supports the idea of a well-meaning, liberal monarchy. His musketeers are valiant and right in their efforts to protect young Louis XIV and the doomed Charles I from their attackers. Readers learn as much about Dumas and mid-19th century politics from reading this work as they do about the mid-17th century. This book is the least well-known of the Musketeer saga but works effectively as a sequel, with reappearances by most main characters (or children of main characters) and an interesting set of subplots.
[taken from wikipedia.org]
Here is a sample excerpt from 2. a nightly patrol of Twenty Years After:
2. A Nightly Patrol
In ten minutes Mazarin and his party were traversing the street "Les Bons Enfants" behind the theatre built by Richelieu expressly for the play of "Mirame," and in which Mazarin, who was an amateur of music, but not of literature, had introduced into France the first opera that was ever acted in that country.
The appearance of the town denoted the greatest agitation. Numberless groups paraded the streets and, whatever D'Artagnan might think of it, it was obvious that the citizens had for the night laid aside their usual forbearance, in order to assume a warlike aspect. From time to time noises came in the direction of the public markets. The report of firearms was heard near the Rue Saint Denis and occasionally church bells began to ring indiscriminately and at the caprice of the populace. D'Artagnan, meantime, pursued his way with the indifference of a man upon whom such acts of folly made no impression. When he approached a group in the middle of the street he urged his horse upon it without a word of warning; and the members of the group, whether rebels or not, as if they knew with what sort of a man they had to deal, at once gave place to the patrol.
*** End of Sample ***
*The views expressed in this book are solely those of the author and do not necessarily reflect those of PTAJ Marketing, Inc.*
"synopsis" may belong to another edition of this title.
In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights. Any one who happened at that moment to contemplate that red simar--the gorgeous robe of office--and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt. It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers--all proved the great Richelieu no longer in existence. In truth, that the red simar which occupied the wonted place was his no longer, was still more strikingly obvious from the isolation which seemed, as we have observed, more appropriate to a phantom than a living creature--from the corridors deserted by courtiers, and courts crowded with guards--from that spirit of bitter ridicule, which, arising from the streets below, penetrated through the very casements of the room, which resounded with the murmurs of a whole city leagued against the minister; as well as from the distant and incessant sounds of guns firing--let off, happily, without other end or aim, except to show to the guards, the Swiss troops and the military who surrounded the Palais Royal, that the people were possessed of arms. The shade of Richelieu was Mazarin. Now Mazarin was alone and defenceless, as he well knew. "Foreigner!" he ejaculated, "Italian! that is their mean yet mighty byword of reproach--the watchword with which they assassinated, hanged, and made away with Concini; and if I gave them their way they would assassinate, hang, and make away with me in the same manner, although they have nothing to complain of except a tax or two now and then. Idiots! ignorant of their real enemies, they do not perceive that it is not the Italian who speaks French badly, but those who can say fine things to them in the purest Parisian accent, who are their real foes.Product Description:
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
"About this title" may belong to another edition of this title.
(No Available Copies)
If you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added. If it is added to AbeBooks by one of our member booksellers, we will notify you!Create a Want