The four short novels in this collection by the author of The Age of Innocence are set in the New York of the 1840s, '50s, '60s, and '70s, each one revealing the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society. Included in this remarkable quartet are False Dawn, which concerns the stormy relationship between a domineering father and his son; The Old Maid, the best known of the four, in which a young woman's secret illegitimate child is adopted by her best friend -- with devastating results; The Spark, about a young man's moral rehabilitation, which is "sparked" by a chance encounter with Walt Whitman; and New Year's Day, an O. Henryesque tale of a married woman suspected of adultery. Old New York is Wharton at her finest.
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America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years, they spent their time in the high society of Newport (Rhode Island), then Lenox (Massachusetts) and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction, in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribners Magazine, and though she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it wasn't until 1905, with the publication of the bestselling The House of Mirth, that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906, Wharton visited Paris, which inspired Madame de Treymes (1907), and made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement, when Ethan Frome (1911 ), The Reef (1912), and The Custom of the Country (1913) were published. During the war, she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and continued, in France, to write about New England and the Newport society she had known so well in Summer (1917), the companion to Ethan Frome, and The Age of Innocence (1920), for which she won the Pulitzer Prize. Wharton died in France in 1937. Her other works include Old New York (1924), The Mother's Recompense (1925), The Writing of Fiction (1925), The Children (1928), Hudson River Bracketed (1929), and her autobiography, A Backward Glance (1934).Excerpt. © Reprinted by permission. All rights reserved.:
Hay, verbena and mignonette scented the languid July day. Large strawberries, crimsoning through sprigs of mint, floated in a bowl of pale yellow cup on the verandah table: an old Georgian bowl, with complex reflections on polygonal flanks, engraved with the Raycie arms between lion's heads. Now and again the gentlemen, warned by a menacing hum, slapped their cheeks, their brows or their bald crowns; but they did so as furtively as possible, for Mr. Halston Raycie, on whose verandah they sat, would not admit that there were mosquitoes at High Point.
The strawberries came from Mr. Raycie's kitchen garden; the Georgian bowl came from his great-grandfather (father of the Signer); the verandah was that of his country-house, which stood on a height above the Sound, at a convenient driving distance from his town house in Canal Street.
"Another glass, Commodore," said Mr. Raycie, shaking out a cambric handkerchief the size of a table-cloth, and applying a corner of it to his steaming brow.
Mr. Jameson Ledgely smiled and took another glass. He was known as "the Commodore" among his intimates because of having been in the Navy in his youth, and having taken part, as a midshipman under Admiral Porter, in the war of 1812. This jolly sunburnt bachelor, whose face resembled that of one of the bronze idols he might have brought back with him, had kept his naval air, though long retired from the service; and his white duck trousers, his gold-braided cap and shining teeth, still made him look as if he might be in command of a frigate. Instead of that, he had just sailed over a party of friends from his own place on the Long Island shore; and his trim white sloop was now lying in the bay below the point.
The Halston Raycie house overlooked a lawn sloping to the Sound. The lawn was Mr. Raycie's pride: it was mown with a scythe once a fortnight, and rolled in the spring by an old white horse specially shod for the purpose. Below the verandah the turf was broken by three rounds of rose-geranium, heliotrope and Bengal roses, which Mrs. Raycie tended in gauntlet gloves, under a small hinged sunshade that folded back on its carved ivory handle. The house, remodelled and enlarged by Mr. Raycie on his marriage, had played a part in the Revolutionary war as the settler's cottage where Benedict Arnold had had his headquarters. A contemporary print of it hung in Mr. Raycie's study; but no one could have detected the humble outline of the old house in the majestic stone-coloured dwelling built of tongued-and-grooved boards, with an angle tower, tall narrow windows, and a verandah on chamfered posts, that figured so confidently as a "Tuscan Villa" in Downing's "Landscape Gardening in America." There was the same difference between the rude lithograph of the earlier house and the fine steel en-graving of its successor (with a "specimen" weeping beech on the lawn) as between the buildings themselves. Mr. Raycie had reason to think well of his architect.
He thought well of most things related to himself by ties of blood or interest. No one had ever been quite sure that he made Mrs. Raycie happy, but he was known to have the highest opinion of her. So it was with his daughters, Sarah Anne and Mary Adeline, fresher replicas of the lymphatic Mrs. Raycie; no one would have sworn that they were quite at ease with their genial parent, yet every one knew how loud he was in their praises. But the most remarkable object within the range of Mr. Raycie's self-approval was his son Lewis. And yet, as Jameson Ledgely, who was given to speaking his mind, had once observed, you wouldn't have supposed young Lewis was exactly the kind of craft Halston would have turned out if he'd had the designing of his son and heir.
Mr. Raycie was a monumental man. His extent in height, width and thickness was so nearly the same that whichever way he was turned one had an almost equally broad view of him; and every inch of that mighty circumference was so exquisitely cared for that to a farmer's eye he might have suggested a great agricultural estate of which not an acre is untilled. Even his baldness, which was in proportion to the rest, looked as if it received a special daily polish; and on a hot day his whole person was like some wonderful example of the costliest irrigation. There was so much of him, and he had so many planes, that it was fascinating to watch each runnel of moisture follow its own particular watershed. Even on his large fresh-looking hands the drops divided, trickling in different ways from the ridges of the fingers; and as for his forehead and temples, and the raised cushion of cheek beneath each of his lower lids, every one of these slopes had its own particular stream, its hollow pools and sudden cataracts; and the sight was never unpleasant, because his whole vast bubbling surface was of such a clean and hearty pink, and the exuding moisture so perceptibly flavoured with expensive eau de Cologne and the best French soap.
Mrs. Raycie, though built on a less heroic scale, had a pale amplitude which, when she put on her best watered silk (the kind that stood alone), and framed her countenance in the innumerable blonde lace ruffles and clustered purple grapes of her newest Paris cap, almost balanced her husband's bulk. Yet from this full-rigged pair, as the Commodore would have put it, had issued the lean little runt of a Lewis, a shrimp of a baby, a shaver of a boy, and now a youth as scant as an ordinary man's midday shadow.
All these things, Lewis himself mused, dangling his legs from the verandah rail, were undoubtedly passing through the minds of the four gentlemen grouped about his father's bowl of cup.
Mr. Robert Huzzard, the banker, a tall broad man, who looked big in any company but Mr. Raycie's, leaned back, lifted his glass, and bowed to Lewis.
"Here's to the Grand Tour!"
"Don't perch on that rail like a sparrow, my boy," Mr. Raycie said reprovingly; and Lewis dropped to his feet, and returned Mr. Huzzard's bow.
"I wasn't thinking," he stammered. It was his too frequent excuse.
Mr. Ambrose Huzzard, the banker's younger brother, Mr. Ledgely and Mr. Donaldson Kent, all raised their glasses and cheerily echoed: "The Grand Tour!"
Lewis bowed again, and put his lips to the glass he had forgotten. In reality, he had eyes only for Mr. Donaldson Kent, his father's cousin, a silent man with a lean hawk-like profile, who looked like a retired Revolutionary hero, and lived in daily fear of the most trifling risk or responsibility.
To this prudent and circumspect citizen had come, some years earlier, the unexpected and altogether inexcusable demand that he should look after the daughter of his only brother, Julius Kent. Julius had died in Italy -- well, that was his own business, if he chose to live there. But to let his wife die before him, and to leave a minor daughter, and a will entrusting her to the guardianship of his esteemed elder brother, Donaldson Kent Esquire, of Kent's Point, Long Island, and Great Jones Street, New York -- well, as Mr. Kent himself said, and as his wife said for him, there had never been anything, anything whatever, in Mr. Kent's attitude or behaviour, to justify the ungrateful Julius (whose debts he had more than once paid) in laying on him this final burden.
The girl came. She was fourteen, she was considered plain, she was small and black and skinny. Her name was Beatrice, which was bad enough, and made worse by the fact that it had been shortened by ignorant foreigners to Treeshy. But she was eager, serviceable and good-tempered, and as Mr. and Mrs. Kent's friends pointed out, her plainness made everything easy. There were two Kent boys growing up, Bill and Donald; and if this penniless cousin had been compounded of cream and roses -- well, she would have taken more watching, and might have rewarded the kindness of her uncle and aunt by some act of wicked ingratitude. But this risk being obviated by her appearance, they could be goodnatured to her without afterthought, and to be goodnatured was natural to them. So, as the years passed, she gradually became the guardian of her guardians; since it was equally natural to Mr. and Mrs. Kent to throw themselves in helpless reliance on every one whom they did not nervously fear or mistrust.
"Yes, he's off on Monday," Mr. Raycie said, nodding sharply at Lewis, who had set down his glass after one sip. "Empty it, you shirk!" the nod commanded; and Lewis, throwing back his head, gulped down the draught, though it almost stuck in his lean throat. He had already had to take two glasses, and even this scant conviviality was too much for him, and likely to result in a mood of excited volubility, followed by a morose evening and a head the next morning. And he wanted to keep his mind clear that day, and to think steadily and lucidly of Treeshy Kent.
Of course he couldn't marry her -- yet. He was twenty-one that very day, and still entirely dependent on his father. And he wasn't altogether sorry to be going first on this Grand Tour. It was what he had always dreamed of, pined for, from the moment when his infant eyes had first been drawn to the prints of European cities in the long upper passage that smelt of matting. And all that Treeshy had told him about Italy had confirmed and intensified the longing. Oh, to have been going there with her -- with her as his guide, his Beatrice! (For she had given him a little Dante of her father's, with a steel-engraved frontispiece of Beatrice; and his sister Mary Adeline, who had been taught Italian by one of the romantic Milanese exiles, had helped her brother out with the grammar.)
The thought of going to Italy with Treeshy was only a dream; but later, as man and wife, they would return there, and by that time, perhaps, it was Lewis who would be her guide, and reveal to her the historic marvels of her birthplace, of which after all she knew so little, except in minor domestic ways that were quaint but unimportant.
The prospect swelled her suitor's bosom, and reconciled him to the idea of their separation. After all, h...
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Book Description Scribner, 1995. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Bookseller Inventory # ABE_book_new_0020383142
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Book Description SIMON SCHUSTER, United States, 1995. Paperback. Book Condition: New. 203 x 135 mm. Language: English . Brand New Book. Edith Wharton made the world of Old New York her own, the wealthy high society so powerfully depicted in these three elegantly ironic novels. Revolving around the marriage question, they explore the dilemma of women and men held within the rigid bounds of social convention. Thus in The House of Mirth, the novel that first brought Edith Wharton to fame, the complex, poignant heroine Lily Bart must either break away and find a more meaningful existence, or become a part of the superficial values of the nouveaux riches; in The Custom of the Country, the energetic and ambitious Undine Spragg works her way to wealth anti power through a succession of marriages; while Newland Archer in The Age of Innocence is caught in an agony of indecision: whether he should choose the duty of a socially approved marriage, or the love of a woman frowned upon by decent society. Bookseller Inventory # BZV9780020383147
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Book Description SIMON SCHUSTER, United States, 1995. Paperback. Book Condition: New. 203 x 135 mm. Language: English . Brand New Book. Edith Wharton made the world of Old New York her own, the wealthy high society so powerfully depicted in these three elegantly ironic novels. Revolving around the marriage question, they explore the dilemma of women and men held within the rigid bounds of social convention. Thus in The House of Mirth, the novel that first brought Edith Wharton to fame, the complex, poignant heroine Lily Bart must either break away and find a more meaningful existence, or become a part of the superficial values of the nouveaux riches; in The Custom of the Country, the energetic and ambitious Undine Spragg works her way to wealth anti power through a succession of marriages; while Newland Archer in The Age of Innocence is caught in an agony of indecision: whether he should choose the duty of a socially approved marriage, or the love of a woman frowned upon by decent society. Bookseller Inventory # AAS9780020383147
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Book Description Scribner, 1995. Paperback. Book Condition: New. Bookseller Inventory # 0020383142
Book Description Simon & Schuster. Paperback. Book Condition: new. BRAND NEW, Old New York: Four Novellas, Edith Wharton, Edith Wharton made the world of Old New York her own, the wealthy high society so powerfully depicted in these three elegantly ironic novels. Revolving around the marriage question, they explore the dilemma of women and men held within the rigid bounds of social convention. Thus in The House of Mirth, the novel that first brought Edith Wharton to fame, the complex, poignant heroine Lily Bart must either break away and find a more meaningful existence, or become a part of the superficial values of the nouveaux riches; in The Custom of the Country, the energetic and ambitious Undine Spragg works her way to wealth anti power through a succession of marriages; while Newland Archer in The Age of Innocence is caught in an agony of indecision: whether he should choose the duty of a socially approved marriage, or the love of a woman frowned upon by 'decent' society. Bookseller Inventory # B9780020383147