'Good morning' said Emily politely. 'Smells like an earthquake,' said Margaret. Life for the Bas-Thorton children was like this: shooting humming birds, swimming naked in the bathing-hole, trapping rats, scaring the locals, earthquakes, hurricanes, riding ponies under the fierce Jamaican sun. Nothing of much importance. Until the day they are sent back to England by their parents and captured by pirates...This isn't a book for you if you're just after a regular adventure story. This is a tale of piracy, murder, wild animals, wild men, innocence and growing up. Above all, it's about survival.
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A story which opens in the 1920s, telling of the idyllic Jamaican childhood enjoyed by four children, but their parents decide to send them to England for their education. En route, however, their ship is intercepted by pirates, and the children learn to survive at all costs. From the author of THE WOODEN SHEPHERDESS.Review:
A High Wind in Jamaica is not so much a book as a curious object, like a piece of driftwood torqued into an alarming shape from years at sea. And like driftwood, it seems not to have been made, exactly, but simply to have come into being, so perfectly is its form married to its content. The five Bas-Thornton children must leave their parents in Jamaica after a terrible hurricane blows down their family home. Accompanied by their Creole friends, the Fernandez children, they board a ship that is almost immediately set upon by pirates. The children take to corsair life coolly and matter-of-factly; just as coolly do they commit horrible deeds, and have horrible deeds visited upon them. First published in 1929, A High Wind in Jamaica has been compared to Lord of the Flies in its unflinching portrayal of innocence corrupted, but Richard Hughes is the supreme ironist William Golding never was. He possesses the ability to be one moment thoroughly inside a character's head, and the next outside of it altogether, hilariously commenting.
Irony finds a happy home indeed in the book's mixture of the macabre and the adorable. The baby girl, Rachel, "could even sum up maternal feelings for a marline-spike, and would sit up aloft rocking it in her arms and crooning. The sailors avoided walking underneath: for such an infant, if dropped from a height, will find its way through the thickest skull (an accident which sometimes befalls unpopular captains)." In that "such an infant" lies a world of mordant wit. In fact, throughout, Hughes's wildly eccentric punctuation and startling syntax make just the right verbal vehicle for this dark-hearted pirate story for grownups.
Hughes enjoys some coy riffing on the child mind, as with this description of the way Emily handles an uncomfortable social situation: "Much the best way of escaping from an embarrassing rencontre, when to walk away would be an impossible strain on the nerves, is to retire in a series of somersaults. Emily immediately started turning head over heels up the deck." Even so, Hughes never sentimentalizes his subject: "Babies of course are not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes." Children, as a race, are given rough treatment: "their minds are not just more ignorant and stupider than ours, but differ in kind of thinking (are mad, in fact)." That madness is here isolated, prodded, and poked to chilling effect. But Hughes never loses sight of his ultimate objective: A High Wind in Jamaica is, above all, a cracking good yarn. --Claire Dederer
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Book Description Harper & Row Publishers, 1972. Paperback. Book Condition: New. book. Bookseller Inventory # 0060830999