In Stephanie Barden’s The More the Merrier, middle-grade readers will root for Cinderella Smith the same way they do for Junie B. Jones, Judy Moody, and Clementine.
Cinderella takes on mean girls in the second book in the Cinderella Smith series. A clique has formed in her third-grade class, and they don’t want Cinderella in the group. Cinderella and her best friend, Erin, try to figure out what to do about the popular girls while making time to study for the big spelling bee.
Parents will appreciate the way the chapter book takes on the serious subject of bullying with a light touch, while emphasizing the importance of having true friends. The book also shows that studying pays off.
Engaging illustrations by Caldecott Honor Award winner Diane Goode bring Cinderella to life.
"synopsis" may belong to another edition of this title.
Vexylent.
V-E-X-Y-L-E-N-T.
Vexylent.
Okay, okay, "vexylent" isn't a real word! Cinderella Smith made it up as a combination of "very" and "excellent." But Cinderella and Erin are hard at work learning to spell real words, because whoever wins first place in the spelling bee gets to pick the theme of the class party!
Speaking of words, Rosemary T. has been using some pretty mean ones lately. So Cinderella decides to give her the silent treatment. But Cinderella's aunt Flora tells her that it's time to have a "what's what" with Rosemary.
Will Cinderella be able to say, and spell, everything she needs?
In between tripping over abandoned shoes, chasing after escaped pets, and searching for lost belongings, Stephanie Barden wrote her first book, Cinderella Smith, which was followed by Cinderella Smith: The More the Merrier. The author teaches classes at Woodland Park Zoo in Seattle, where she lives with her husband, Tom; son, Joe; and eighty-pound lapdog, Otis.
Diane Goode is the illustrator of more than fifty beloved and critically acclaimed picture books, including the Caldecott Honor Book When I Was Young in the Mountains by Cynthia Rylant. Inspired by the handwritten letters of the Founding Mothers, she begins with their quill and sepia handwriting and spins out the line to re-create their images and the remarkable events of their lives for a new generation of young readers.
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