A stunningNew York Timesbestselling novel that intertwines the stories of an escaped slave in 1852 Virginia and an ambitious young lawyer in contemporary New York and asks: is it ever too late to right a wrong?
Lynnhurst, Virginia, 1852. Seventeen-year-old Josephine Bell decides to run away from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell.
New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: finding the "perfect plaintiff" to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves.
It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy rocking the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine'sâif Lina can locate one-would be the perfect face for the reparations lawsuit. While following the runaway house girl's faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: how did Lina's mother die? And why will he never speak about her?
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A New York Times Bestseller A Barnes & Noble Bestseller A #1 Indie Next Pick The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia. Weaving together the story of an escaped slave in the pre?Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.Review:
Author One-on-One: Maria Semple and Tara Conklin
Maria Semple is the bestselling author of Where'd You Go, Bernadette.
Maria Semple: Tara, huge congratulations on The House Girl. How did this novel come into being?
Tara Conklin: Thanks, Maria. The novel began as a short story that I wrote about six years ago. I came across the term “slave doctor” in a book I was reading and the words made me stop. I became curious as to why a person dedicated to healing would take on such a role. From that initial spark of curiosity, I wrote a short story about a slave doctor, Caleb Harper, and two women appeared in his story. I say “appeared” because that’s really how it seemed to happen – Josephine and Dorothea just showed up and demanded my attention. I couldn’t stop wondering about these two characters and so I started writing separate stories about them, and I just kept writing.
MS: Josephine, a house slave in 1852 Virginia, became one of your narrators. The other, Lina, is a lawyer in present day New York. You practiced law before you became a novelist. Did Lina’s voice come easily by comparison?
TC: No, I actually found Lina’s sections tougher to get right. I think because Lina’s external world is more similar to mine, it was more difficult to imagine her – I kept bumping up against my own experience.
MS: That’s so surprising, that Josephine was the easier voice to get right.
TC: Josephine came to me very organically – I felt that I knew who she was and what she wanted early on in the writing. Her character was inspired by two people: one was an African-American artist named Mary Bell and the other was a former slave, Elizabeth Mumbet Freeman, who lived in my hometown during the 18th century. Mumbet said that if she could have one minute of freedom, only to die afterwards, she would make the trade. That strength of purpose helped me understand Josephine.
MS: While she's not a narrator, the character of Lu Anne Bell looms large over the story. She's quite mysterious and wonderful. I'm curious if she, too, is partly based on a real person.
TC: No, she is entirely fictional, but I’m glad that you thought otherwise! I wrote quite a bit of back story for Lu Anne that never made its way into the novel: her childhood in Mississippi, how she met Mister, why they fell in love. I see Lu Anne as an essentially tragic figure – I think she wants to break out of the world she’s been born into, but she can’t quite transcend it.
MS:You were born in St. Croix and grew up in Stockbridge, MA. Did growing up in these two vastly different environments influence you as a writer?
TC: Both places are steeped in history, so they’ve given me an appreciation for and curiosity about the past and how it helps shape the present. Both places also have substantial ties to slavery. I don’t remember much about St. Croix, but I grew up with my parents’ stories of the island’s racial tension, the horrible legacy of the sugar fields. When I was in elementary school in Stockbridge, I learned about the Underground Railroad and Mumbet (mentioned above), a slave who sued for her freedom in a Massachusetts court and won. These stories really stayed with me over the years.
MS: What are you reading now?
TC: I always have several novels on the go at once – right now I’m reading Zone One by Colson Whitehead, Wolf Hall by Hilary Mantel and I’m re-reading A Thousand Acres by Jane Smiley, one of my all-time favorites.
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Book Description William Morrow & Company, 2013. Paperback. Book Condition: New. book. Bookseller Inventory # 006231730X