Art, Power, and Patronage in Renaissance Italy - Hardcover

Paoletti, John; Radke, Gary

4.26

442 ratings by Goodreads

9780131938267: Art, Power, and Patronage in Renaissance Italy

Hardcover

ISBN 10: 0131938266 ISBN 13: 9780131938267

Publisher: Discontinued 3PD, 2005

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Art, Power, and Patronage in Renaissance Italy has a freshness and breadth of approach that sets the art in its context, exploring why it was created and who commissioned the palaces, cathedrals, paintings, and sculptures. For, as the authors claim, Italian Renaissance artists were no more solitary geniuses than are most architects and commercial artists today.
This book covers not only the foremost artistic centers of Rome and Florence. Here too are Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino, and Naples - each city revealing unique political and social structures that influenced its artistic styles.
The book includes genealogies of influential families, listings of popes and doges, plans of cities, a time chart, a bibliography, a glossary, and an index.

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From the Publisher:

"Art mattered in the Renaissance... People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives," write the authors of this importand new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. Also discussed is how men and women of the Rena issance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. Unlike other books on the subject, this one covers not only Florence and Rome, but also covers Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy. T hroughout, special features evoke and document the people and places of this dynamic age.

From the Back Cover:

Key Benefit: This book accounts the art and artists of Italy during the time period from the mid-thirteenth century to c. 1600. Key Topics: Unlike similar books, which tend to overemphasize Florentine art, this book introduces new material and more extensive discussion of artists from Milan, Venice, Naples and other regions, in addition to coverage of the innovations and critical importance of Florentine art. The authors consider the times, places and conditions in which artists worked in concert with issues of style, thus broadening the scope of coverage to include the dynamics of interaction between artist and patron; artist and topological tradition.

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