A fresh approach to the study of Romantic Literature edited by scholars in the field. This volume presents extensive selections from a wide range of underrepresented female writers like Mary Wollstonecraft, Dorothy Wordsworth, and Mary Robinson. “Perspectives” sections shed light on the period as a whole. Examples include a “Perspectives” section on “The Wollstonecraft Controversy and the Rights of Women” and on “Popular Prose and the Problems of Authorship”
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Volume 2A: The Romantics and Their Contemporaries of The Longman Anthology of British Literature is a comprehensive and thoughtfully arranged anthology that offers a rich selection of major British authors throughout the Romantic period. The text includes Perspectives, Companion Readings, and "and Its Time" sections which show how major literary writings interrelate with and respond to various social, historical, and cultural events of Great Britain in the Romantic period. With a generous representation of fiction, drama, and poetry, the second edition includes major additions of important works and an expanded illustration program. Fresh and up-to-date introductions and notes are written by an editorial team whose members are all actively engaged in teaching and in current scholarship, and illustrations show both artistic and cultural developments of the period. For those interested in British Literature of the Romantic Period.About the Author:
David Damrosch is Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books include What Is World Literature? (2003), The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh (2007), and How to Read World Literature (2009). He is the founding general editor of the six-volume Longman Anthology of World Literature, 2/e (2009) and the editor of Teaching World Literature (2009).
Kevin J. H. Dettmar is W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association. He is the author of The Illicit Joyce of Postmodernism and Is Rock Dead?, and the editor of Rereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics; the Barnes & Noble Classics edition of James Joyce’s A Portrait of the Artist as a Young Man and Dubliners; and The Blackwell Companion to Modernist Literature and Culture, and co-general editor of The Longman Anthology of British Literature.
Peter J. Manning is Professor at Stony Brook University. He is the author of Byron and His Fictions and Reading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-edited Selected Poems of Byron, and Selected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association.
Susan J. Wolfson is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies include The Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry, Formal Charges: The Shaping of Poetry in British Romanticism, and Borderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation. She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers.
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