Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.
The essays: Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
"synopsis" may belong to another edition of this title.
Thierry de Duve is a frequent contributor to October and is the editor of The Definitely Unfinished Marcel Duchamp and Pictorial Nominalism.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. NEAR FINE in dust wrapper with small wrinkle to lower rear panel. Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art.". Seller Inventory # 24-1 huds art history blu/green
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484 pp.; 23.5 x 18.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Kant After Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgement that replaced the classical "this is beautiful" with 'this is art.' De Duve employs this shift (replacing the word 'beauty' by the word 'art') in a rereading of Kant's 'Critique of Judgement' that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism." --publisher's statement. Includes index. Very Good. Discrete small rubber stamp logo inside rear endpapers, otherwise contents clean and unmarked. 3 mm. and 2.5 cm. pen marks to edge of text block. Due to size and weight additional shipping charges may be required. Seller Inventory # 8136
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Third printing. Softback; [xv] + 484pp, indexed, with black and white illustrations. NB: pp17 - pp48 have been bound in upside down. Previous owner's ink name to inside of front cover. Slight handling wear to covers, overall a VG copy. (Shelf 200 FOX) ISBN: 0262041510 PLEASE NOTE: Heavy BOOK (1.2kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. Seller Inventory # 57975
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Hardcover. Color-illustrated DJ with black, light green and white lettering; black cloth over boards with silver lettering; xv, 484 pp.; illustrations. Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism. The essays, all updated for this book, are divided into four parts. Part I revolves around Duchamp's famous/infamous Fountain. Part II explores Duchamp's passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Critique of Judgment. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition. -- DJ. Good DJ, VG+ book (Ex art library, indicated only by a sticker on DJ spine and on rear pastedown; DJ is sunned/toned with light edgewear and scuffing; boards have light edgewear and scuffing; interior is in excellent condition.). Seller Inventory # 200765
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Hardcover. Dust Jacket Included. 8vo. pp. xv, [1], 484. several illus. index. cloth. dw. First Edition. Seller Inventory # ADntDE D36
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First edition first impression 1996. xvi+484 pages. Illustrated. Cloth, some little shelf wear to tail edge. Very good indeed in dustjacket with a little light sunning to spine and rear cover. Ask to see our other Marcel Duchamp titles. Seller Inventory # 31188
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Hardcover. Condition: Like New. Like New. book. Seller Inventory # D8S0-3-M-0262041510-6
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