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A destination chosen arbitrarily, at the suggestion of a fellow traveler, the elusive Lingshan becomes rich with meaning for the narrator of Soul Mountain. Meanwhile, the narrator himself shows a tendency to go forth and multiply. First he divides into You and I. Then You generates yet a third voice, a somewhat simple but intense young woman named She, followed by He--and none of these personae can resist the elemental lure of the sacred site. Indeed, the search for Lingshan becomes a metaphor for all spiritual striving:
Would it be better to go along the main road? It will take longer travelling by the main road? After making some detours you will understand in your heart? Once you understand in your heart you will find it as soon as you look for it? The important thing is to be sincere of heart? If your heart is sincere then your wish will be granted?Along the way, I and You mourn the devastations of the Cultural Revolution, when thousands of monuments, temples, and graves were reduced to rubble. The obliteration of these reminders of the dead becomes a torment to the narrators of the novel, who struggle to assert their individuality--itself a proscribed act in Communist China--against what they see as a false and brutal ideal that has swept away history, literature, and tradition as decisively as it has destroyed the ancient forests. (At one point Gao describes the sad spectacle of the few remaining pandas, who wander a shrinking woodland wearing electronic transmitters.) Seamlessly translated by the Australian scholar Mabel Lee, Soul Mountain is a masterpiece of self-observation set against a soulful denunciation of "progress" and practicality. --Regina Marler
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