Family Romance: A Love Story - Hardcover
A memoir by the acclaimed novelist The Wall Street Journal called “blessed with a sense of history, a feeling for place, an observant eye for detail, and an elegant no-frills style.”
After three acclaimed novels, John Lanchester turns to non-fiction is this absorbing memoir of his family. This is not your standard family whine but a memoir filled with love, insight, and humour – and as always, it’s wonderfully well written and thoughtful. Family Romance is a book that will make you think about your own family interactions.
In their particulars, the Lanchesters were not Every Family. The father was an international banker, the mother a former nun. Yet in the dynamic of family life, their patterns are instantly recognizable. The heart of that dynamic is a built-in tug-of-war: to a young child, a sense of loving protection becomes, as he matures, a set of barriers to be overcome. In his richly told story, John Lanchester brings this dynamic to life, and in the process makes us think about our own family story and about the legacy – emotional, social, intellectual – our parents pass on to us, generation to generation, the bitter with the best.
Part detective work, part remarkable evocation of character, Family Romance is, above all, compelling storytelling.
After three acclaimed novels, John Lanchester turns to non-fiction is this absorbing memoir of his family. This is not your standard family whine but a memoir filled with love, insight, and humour – and as always, it’s wonderfully well written and thoughtful. Family Romance is a book that will make you think about your own family interactions.
In their particulars, the Lanchesters were not Every Family. The father was an international banker, the mother a former nun. Yet in the dynamic of family life, their patterns are instantly recognizable. The heart of that dynamic is a built-in tug-of-war: to a young child, a sense of loving protection becomes, as he matures, a set of barriers to be overcome. In his richly told story, John Lanchester brings this dynamic to life, and in the process makes us think about our own family story and about the legacy – emotional, social, intellectual – our parents pass on to us, generation to generation, the bitter with the best.
Part detective work, part remarkable evocation of character, Family Romance is, above all, compelling storytelling.
"synopsis" may belong to another edition of this title.
About the Author:
John Lanchester is the prize-winning author of three novels: The Debt to Pleasure, Mr Phillips, and Fragrant Harbour. His writings have appeared in The New Yorker, The New York Review of Books, the London Review of Books, and The New York Times Book Review. He lives in London, England.
Excerpt. © Reprinted by permission. All rights reserved.:
One of the most famous things ever written about family life is the opening sentence of Anna Karenina. “All happy families resemble one another, each unhappy family is unhappy in its own way.” It’s a magnificent line, so sonorous and resonant that it makes it easy for us not to notice it isn’t true. Part of its falsehood lies in the fact that happy families aren’t especially alike, any more than unhappy ones are unalike. But at a deeper level, the falsehood lies in the idea that a family is either happy or unhappy. Life, family life, just isn’t that simple. Most families are both happy and unhappy, often intensely so, and often at the same time. A sense of safety can be a feeling of trappedness; a delight in routine can be suffocating boredom; a parent’s humor and unpredictability can be a maddeningly misplaced childlikeness–and in many cases, the feeling is simultaneous. I was both happy and unhappy as a child, just as my parents were both happy and unhappy, and just as almost everyone else is.
Another way in which our family resembled everyone else’s was that we had secrets. All families have secrets. Sometimes they are of the variety that a family keeps from outsiders; sometimes they are the sort that a family keeps from itself; sometimes they are the sort to whose presence no one consciously admits. But they are almost always there. People have a deep need for secrets. The question is what to do with them and about them, and when to let them go.
My parents’ ashes are interred in the graveyard of All Saints’ Church at Manfield in North Yorkshire. Neither of them had any connection with the place in life, and it is in that sense an arbitrary place for them to have ended up. My mother was born in Ireland, my father in Africa, and neither of them ever lived anywhere near Manfield. But they moved around a lot, and came to be people who didn’t have too strong a link with anywhere, so I don’t think the arbitrariness of the location is inappropriate. Besides, Manfield is where the Lanchesters’ grave is: my father’s father and great-grandparents, and then back again for two more generations, are all buried there. His grandfather is the only immediate ancestor to be elsewhere. Some of the graves have been shifted over the years, pushed up against the church wall to–among other things–make the graveyard easier to mow. But the Lanchesters’ grave was spared that, and lies where it always has, under the south wall of the high-windowed, grim eighteenth-century church.
“It’s a cold place,” my mother said to me, the day that we buried my father’s ashes in the summer of 1984, several months after his death. “I don’t like the idea of him being cold.”
“It’s where he wanted to be,” I said, which was true.
I didn’t, and don’t, have the same consolation about my mother’s ashes ending up at All Saints’. I interred them there in the summer of 1998, and it was a mistake. She didn’t want her ashes to go there, because she didn’t want to be cremated. In the immediate aftermath of her death, though, I was so upset that I didn’t read the will closely enough to notice its very first sentence: “I ask that my body be buried.” It used to be an important piece of Catholic doctrine, that cremation was wrong because it prevented the body’s rising from death at the Last Judgment. But I am not a Catholic, and in my distress simply missed the statement and its importance. So I interred her ashes in the summer of 1998, in the same grave where she and I had put my father’s ashes fourteen years before.
That day, the day I interred my mother’s ashes, I had a sense of being oppressed by things I wanted to talk about and could not. The mistake I had made in having her cremated was on my conscience, but since I did not know the priest–had met him right there and then for the first time–I felt it would be too much to explain in the fifteen or so minutes we had together. There was also the fact, not at all important but very hard to get out of my mind, that the priest was wearing army boots and combat trousers under his cassock. I noticed this as we stood beside the grave, reading a shortened form of the burial service. No doubt I wouldn’t have spotted it if I hadn’t already been looking down at the small hole in the grave, just big enough to cover the little wooden box that contained my mother’s ashes. I began to wonder whether it would seem out of turn to ask why he was wearing combat clothes. Was it some new thing that priests did, making some point about being a soldier for Christ? I did hope not. And he seemed a nice, mild-mannered, gentle man, not the sort for wild evangelical gestures. Or perhaps it was me? Funeral rites often have an air of strangeness and unreality about them; sometimes you lose your hold on what is normal and what isn’t. I had a sudden, vivid memory of the day after my father died, when the local Church of England vicar came to the door to offer comfort. Because my parents had only just moved into the house, he had no idea who we were. My mother was somewhere upstairs, so I made tea. In a very English way we made small talk. Then he picked up a photograph of my father from the bookcase.
“I hope you don’t mind me asking,” he said, “but are you Jewish?”
It was about twelve hours since my father had died. I had been up all night dealing with police, ambulance men, and the doctor. I was numb to my bones, so numb I didn’t know quite what to say other than:
“I don’t mind you asking, but no, I’m not Jewish.”
“Oh,” he said. Pause. “Because you look Jewish.” Pause. “I hope you don’t mind my asking again, but was your father Jewish?”
By now wondering where this was going, I said, “No . . .”
“Oh,” he said. Pause. “Because he looks Jewish.” Pause. “Because I’m Jewish.”
At this point he was visibly expecting me to break down and admit that I, too, was Jewish but had been too shy to admit it.
Another way in which our family resembled everyone else’s was that we had secrets. All families have secrets. Sometimes they are of the variety that a family keeps from outsiders; sometimes they are the sort that a family keeps from itself; sometimes they are the sort to whose presence no one consciously admits. But they are almost always there. People have a deep need for secrets. The question is what to do with them and about them, and when to let them go.
My parents’ ashes are interred in the graveyard of All Saints’ Church at Manfield in North Yorkshire. Neither of them had any connection with the place in life, and it is in that sense an arbitrary place for them to have ended up. My mother was born in Ireland, my father in Africa, and neither of them ever lived anywhere near Manfield. But they moved around a lot, and came to be people who didn’t have too strong a link with anywhere, so I don’t think the arbitrariness of the location is inappropriate. Besides, Manfield is where the Lanchesters’ grave is: my father’s father and great-grandparents, and then back again for two more generations, are all buried there. His grandfather is the only immediate ancestor to be elsewhere. Some of the graves have been shifted over the years, pushed up against the church wall to–among other things–make the graveyard easier to mow. But the Lanchesters’ grave was spared that, and lies where it always has, under the south wall of the high-windowed, grim eighteenth-century church.
“It’s a cold place,” my mother said to me, the day that we buried my father’s ashes in the summer of 1984, several months after his death. “I don’t like the idea of him being cold.”
“It’s where he wanted to be,” I said, which was true.
I didn’t, and don’t, have the same consolation about my mother’s ashes ending up at All Saints’. I interred them there in the summer of 1998, and it was a mistake. She didn’t want her ashes to go there, because she didn’t want to be cremated. In the immediate aftermath of her death, though, I was so upset that I didn’t read the will closely enough to notice its very first sentence: “I ask that my body be buried.” It used to be an important piece of Catholic doctrine, that cremation was wrong because it prevented the body’s rising from death at the Last Judgment. But I am not a Catholic, and in my distress simply missed the statement and its importance. So I interred her ashes in the summer of 1998, in the same grave where she and I had put my father’s ashes fourteen years before.
That day, the day I interred my mother’s ashes, I had a sense of being oppressed by things I wanted to talk about and could not. The mistake I had made in having her cremated was on my conscience, but since I did not know the priest–had met him right there and then for the first time–I felt it would be too much to explain in the fifteen or so minutes we had together. There was also the fact, not at all important but very hard to get out of my mind, that the priest was wearing army boots and combat trousers under his cassock. I noticed this as we stood beside the grave, reading a shortened form of the burial service. No doubt I wouldn’t have spotted it if I hadn’t already been looking down at the small hole in the grave, just big enough to cover the little wooden box that contained my mother’s ashes. I began to wonder whether it would seem out of turn to ask why he was wearing combat clothes. Was it some new thing that priests did, making some point about being a soldier for Christ? I did hope not. And he seemed a nice, mild-mannered, gentle man, not the sort for wild evangelical gestures. Or perhaps it was me? Funeral rites often have an air of strangeness and unreality about them; sometimes you lose your hold on what is normal and what isn’t. I had a sudden, vivid memory of the day after my father died, when the local Church of England vicar came to the door to offer comfort. Because my parents had only just moved into the house, he had no idea who we were. My mother was somewhere upstairs, so I made tea. In a very English way we made small talk. Then he picked up a photograph of my father from the bookcase.
“I hope you don’t mind me asking,” he said, “but are you Jewish?”
It was about twelve hours since my father had died. I had been up all night dealing with police, ambulance men, and the doctor. I was numb to my bones, so numb I didn’t know quite what to say other than:
“I don’t mind you asking, but no, I’m not Jewish.”
“Oh,” he said. Pause. “Because you look Jewish.” Pause. “I hope you don’t mind my asking again, but was your father Jewish?”
By now wondering where this was going, I said, “No . . .”
“Oh,” he said. Pause. “Because he looks Jewish.” Pause. “Because I’m Jewish.”
At this point he was visibly expecting me to break down and admit that I, too, was Jewish but had been too shy to admit it.
"About this title" may belong to another edition of this title.
- PublisherMcClelland & Stewart
- Publication date2007
- ISBN 10 0771046081
- ISBN 13 9780771046087
- BindingHardcover
- Edition number1
- Number of pages384
- Rating
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