At the end of his tether, a writer travels to Key West with his wife. She's hoping to cheer him up, but he's hoping for something more fatal....
Every schoolboy in America knows the work of Wilkie Walker. A pioneering naturalist, he won fame and fortune with his accessible nature books. But by the time he turns 70, his renown is nearly gone. Late at night, he sits up torturing himself with fears that his career was a waste, his talent is gone, and his body is shot through with cancer. His wife Jenny, 25 years younger than Wilkie, can tell only that he is out of sorts. She has no idea her husband is on the verge of giving up on life.
When Jenny suggests spending the winter in Key West, Wilkie goes along with it. After all, if you need to plan a fatal "accident", Florida is a perfectly good place to do so. And when they touch down in the sunshine state, the Walkers find it's not too late to live life—or end it—however they damn well please.
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For the irascible Wilkie, the trip turns out to be a blessing in disguise. Convinced that he's no longer in ecological vogue and certain that he's suffering from cancer, he's finally free to plan a tragic swimming accident. Alas, each of his attempts is foiled: once he can't get rid of a hanger-on, and another time someone else has the audacity to kill himself, thereby stealing his limelight. What's worse, the man was suffering from AIDS, and Wilkie certainly doesn't want that sort of information to sully his own obit. The Last Resort is a hilarious--and merciless--look at social and sexual desire and literary reputation. Jenny is well aware, for example, "that to refuse to look at a writer's work is always a deadly insult," whether the writer is her husband or an ex-beatnik poet. As one character reasonably remarks, "You don't have to be intellectually brilliant to be a famous American poet. It's a handicap, sometimes. Innocent egotism, good looks, romantic sensibility, a thrilling speaking voice, and a nice little lyric gift, that's what makes it with the reviewers and the public."
Lurie is always keen to prick any human vanity or fashionable ism--and does so exquisitely. In addition to its infinitely satisfying ironies and indelible characters, The Last Resort, though far from Arcadia, offers up a serious call for us to seize the "bright full present" while we can.
Alison Lurie (b. 1926) is a Pulitzer Prize–winning author of fiction and nonfiction. Born in Chicago and raised in White Plains, New York, she joined the English department at Cornell University in 1970, where she taught courses on children’s literature, among others. Her first novel, Love and Friendship (1962), is a story of romance and deception among the faculty of a snowbound New England college. It won favorable reviews and established her as a keen observer of love in academia. It was followed by the well-received The Nowhere City (1966) and The War Between the Tates (1974). In 1984, she published Foreign Affairs, her best-known novel, which traces the erotic entanglements of two American professors in England. It won the Pulitzer Prize in 1985. Her most recent novel is The Last Resort (1998). In addition to her novels, Lurie’s interest in children’s literature led to three collections of folk tales and two critical studies of the genre. Lurie officially retired from Cornell in 1998, but continues to teach and write. In 2012, she was awarded a two-year term as the official author of the state of New York. Lurie lives in Ithaca, New York, and is married to the writer Edward Hower. She has three grown sons and three grandchildren.
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