"There is something special
about the relationship we all have
with our mothers..."
Meet Pat McNab, forty-five years old, and about to embark on a homicidal rampage sparked by matricide. Or is he?
Pat spent endless hours chain-smoking and propping up the counter of Sullivan's Select Bar (not that Mrs. McNab knew anything about it -- she and Timmy the barman didn't get along at all) or sitting on his mother's knee singing away together like some ridiculous two-headed human jukebox. But that was all before the story really began -- Emerald Germs of Ireland is in essence Pat McNab's post-matricide year.
Pat, who now spends many of his waking hours sitting by the window in his old dark house, watching videos and nibbling abstractedly on pieces of toast, reflects on those long-gone days with Mommy, while fending off the persistent interferences of his small-town neighbors: the puritanical Mrs. Tubridy; that irascible seller of turf, the Turf Man; Sgt. "Kojak" Foley, and other unwanted snoops who could soon come to regret their inquisitive, nose-poking ways.
This is Patrick McCabe at his fiendish best. Dark, emotionally powerful, and surreal, Emerald Germs of Ireland is also his funniest work to date, masterfully displaying the anarchic twists and turns that are the hallmarks of his comic genius.
Patrick McCabe was born in Clones, County Monaghan, Ireland, in 1955. His other novels include The Butcher Boy, The Dead School, and Call Me the Breeze. With director Neil Jordan, he co-wrote the screenplay for the film version of The Butcher Boy.
