Title: Gould's Book Of Fish
Publisher: Grove Press
Publication Date: 2002
Book Condition: Very Good In Dustjacket
Edition: 1st Edition.
New York. 2002. Grove Press. 1st American Edition. Very Good In Dustjacket. 404 pages. April 2002. hardcover. Jacket design by Charles Rue Woods. Signed by The Author. 0802117112. keywords: Literature Australia. inventory # 34435. FROM THE PUBLISHER - ‘The novel from author Richard Flanagan, GOULD’S BOOK OF FISH is a tragicomic tapestry of nineteenth-century Australia, a world of convicts and colonists, thieves and catamites, whose bloody history is recorded in a very unusual taxonomy of fish.’ Once upon a time, when the earth was still young, before all the fish in the sea and all the living things on land began to be destroyed, a man named William Buelow Gould was sentenced to life imprisonment at the Sarah Island penal colony of Van Diemen’s Land - now Tasmania. A talented phony and art forger, Gould was enlisted by the prison doctor Lempriere to get him into the Royal Society by painting a book of fish. He fell in love with the black mistress of the warder and discovered too late that to love is not safe; he attempted to keep a record of the strange reality he saw in prison only to realize that history is not written by those who are ruled. Foolish Billy Gould, invader of Australia, thief, liar, and murderer, lived to bear witness to horror and ridicule, and to miracles. Bookseller Inventory # 34435
Synopsis: The most remarkable novel yet from the internationally acclaimed author of Death of a River Guide and The Sound of One Hand Clapping, Gould's Book of Fish is a marvelous historical epic of nineteenth-century Australia, a world of convicts and colonists, thieves and catamites, whose bloody history is recorded in a very unusual taxonomy of fish. It is the kind of book that comes along once in a very great while -- a book of breathtaking writing and intellectual inquiry that stands out as one of the best novels of recent years. William Buelow Gould was a forger and thief sentenced to life imprisonment in a penal colony in Van Diemen's Land -- now Tasmania. After six months he escaped and boarded a whaler for the Americas, but before long his adventures landed him back in prison. The prison doctor Lempriere utilized Gould's painting talents to create an illustrated taxonomy of the country's exotic sea creatures, which Lempriere madly believed would ensure his place in history and the Royal Society. Gould's book was then lost and re-created, destroyed and hidden, and finally resurfaced in the present day, littered with Gould's scrawls recording his unutterably strange life -- part freewheeling picaresque, part Gothic horror -- and that of his country, a penal colony, settlement, and magical space populated by generals, visionaries, and madmen. This is an exquisitely produced book: each chapter is printed in a different colored ink to re-create its narrator's writing conditions, and each chapter opening will include a reproduction of the original full-color artwork by William Gould. Reminiscent of the richness and historical audacity of Jeanette Winterson's The Passion, Jim Crace's Quarantine, and Thomas Pynchon's Mason and Dixon, Gould's Book of Fish is a tour de force that interrogates the reliability of history and science, and the substance of artistic creation. "An exuberant, splendidly written, hugely ambitious work..." -- Brian Matthews, Australian Book Review
Review: Gould's Book of Fish, an extraordinary work of fact-based fiction by Tasmanian author Richard Flanagan ( Death of a River Guide) is a journey through the fringe madness of Down Under colonialism. Set during the 1830s in a hellish island prison colony off the Tasmanian coast, the novel plucks a real-life thief and prisoner, English forger William Buelow Gould, from the pages of history to act as protagonist-narrator. Through Gould's unique capacity to blend hyperbole, hyperrealism, and self-effacing honesty, the reader acquires a shockingly clear picture of daily torment on the island. Yet more remarkable is Gould's portrait of bizarre ambitions among prison authorities to further principles of art and science amidst so much misery. Key to such plans is Gould's talent as a painter and illustrator. The compound's surgeon, nursing hopes of publishing a definitive guide to the island's fish, leans heavily on Gould's ability to record the taxonomy of various species. Though Gould accommodates his masters, the manuscript, in his hands, becomes testimony to their perverse dreams of civilization and his own quick-witted survival instincts. Throughout, Flanagan never loses the well-imagined voice of Gould's candor or the character's dense descriptive powers, talents that translate into a thrilling text that reads like a blend of Melville and Burgess. --Tom Keogh
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