Publisher: Soho Press
Publication Date: 1995
Book Condition: Very Good In Dustjacket.
Edition: 1st Edition.
New York. 1995. Soho Press. 1st American Edition. Very Good In Dustjacket. 226 pages. hardcover. Cover by Konbit Kreyol. Inscribed by The Author. 1569470251. keywords: Literature Black America Haiti. inventory # 32163. FROM THE PUBLISHER - When Haitians tell a story, they say ‘Krik?’ and the eager listeners answer ‘Krak!’ In Krik? Krak! In her second novel, Edwidge Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty. Since the publication of her debut work Breath, Eyes, Memory in 1994, Edwidge Danticat has won praise as one of America’s brightest, most graceful and vibrant young writers. In this novel, and in her National Book Award-nominated collection of stories, Krik? Krak!, Danticat evokes the powerful imagination and rich narrative tradition of her native Haiti, and in the process records the suffering, triumphs, and wisdom of its people. Author Paule Marshall has said of Danticat, ‘A silenced Haiti has once again found its literary voice.’. Born in Haiti in 1969, Danticat, like the protagonist of her novel Breath, Eyes, Memory, at the age of twelve left her birthplace for New York to reunite with her parents. She earned a degree in French Literature from Barnard College, where she won the 1995 Woman of Achievement Award, and later an MFA from Brown University. More recently, she has received an ongoing grant from the Lila Wallace-Reader’s Digest Foundation. Critical acclaim and awards for her first novel included a Granta Regional Award for the Best Young American Novelists, a Pushcart Prize and fiction awards from Essence and Seventeen magazines. She was chosen by Harper’s Bazaar as one of 20 people in their twenties who will make a difference, and was featured in a New York Times Magazine article that named ‘30 Under 30’ creative people to watch. This winter, Jane magazine named her one of the ‘15 Gutsiest Women of the Year.’. Bookseller Inventory # 32163
Synopsis: Arriving one year after the Haitian-American's first novel ( Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more." The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection.
From the Back Cover:
"Steeped in the myths and lore that sustained generations of Haitians, Krik? Krak! demonstrates the healing power of storytelling." --San Francisco Chronicle
"Virtually flawless. . . . If the news from Haiti is too painful to read, read this book instead and understand the place more deeply than you ever thought possible." --Washington Post Book World
"Spare, luminous stories that read like poems. . . . These. . . tales more than confirm the promise of her magical first novel. A silenced Haiti has once again found its literary voice." --Paule Marshall, author of Daughters
"The voices of Krik? Krak!. . . encapsulate whole lifetimes of experience. Harsh, passionate, lyrical." --Seattle Times
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