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PAINTINGS IN PROUST: A Visual Companion to IN SEARCH OF LOST TIME

Karpeles, Eric

Published by Thames and Hudson, New York, 2008
ISBN 10: 0500238545 / ISBN 13: 9780500238547
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Bibliographic Details


Title: PAINTINGS IN PROUST: A Visual Companion to ...

Publisher: Thames and Hudson, New York

Publication Date: 2008

Binding: Hardcover

Book Condition: Fine

Dust Jacket Condition: fine

Signed: Signed by Author(s)

Edition: First American edition

Description:

8vo. Green cloth with black spine titles and blind-stamp design on front cover. 351 pages with End Notes and Index of Painters and Paintings. With 206 illustrations, 196 in color. SIGNED AND INSCRIBED by the author on the title page: "To ____ - in fond memory of _____ + ____ - Best Wishes, Eric Karpeles". Bookseller Inventory # 1622

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Synopsis:

A captivating, colorful examination of the ways in which Proust incorporated artists and the visual arts in his work.

A la recherche du temps perdu by Marcel Proust is one of the most profoundly visual works in Western literature. Not only are there frequent references to specific works of art, notably during the narrator's visits to Venice and in his evaluations of the style of the imaginary painter Elstir, but certain characters are also evoked by comparison to particular paintings. Bloch's appearance as a boy is likened to the portrait of Mohammed II by Gentile Bellini; Odette de Crécy strikes Swann by her resemblance to a figure in a Botticelli fresco. Even the lesser figure of a certain Mme. Blattin becomes the subject of Proustian mischief by being described as "exactly the portrait of Savonarola by Fra Bartolomeo." Eric Karpeles has identified and located the many paintings to which Proust makes reference; in other cases, where only a painter's name is mentioned to indicate a certain style or appearance, Karpeles has chosen a representative work to illustrate the impression that Proust sought to evoke.

With some 200 paintings beautifully reproduced in full color and texts drawn from the Moncrieff/Kilmartin/Enright translation, as well as concise commentaries on the novel's evolving story, this book is an essential addition to the libraries of Proustians everywhere. The book also includes an authoritative introduction examining the various ways in which Proust used paintings and the arts to extend his descriptive vocabulary, and a comprehensive index of artists and paintings mentioned in the novel. 200 full-color paintings

About the Author: Eric Karpeles is a painter who was educated at Haverford College, Oxford University, and The New School. He lives in California.

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