Title: SHAKESPEARE: THE INVENTION OF THE HUMAN - ...
Publisher: New York City, NY: Riverhead Books, 1998
Book Condition: Fine
Dust Jacket Condition: Fine
Signed: Signed by Author
Edition: 1st Edition.
1st Printing. Signed. 745 pages. Published in 1998. Massive collection of essays on subject. One of the greatest books of the 20th century. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. "Autographed Copy" round white sticker pasted in front. The First Edition is now rare. Presents Harold Bloom's "Shakespeare: The Invention of The Human". The crowning achievement of Bloom's genius, it is a 745-page celebration ("commentary" does not quite do justice in this context) of the one writer that he, controversially, regards as the greatest literary artist of all time. The central narrative/theme of Harold Bloom's life-work is the literary (rather than philosophical) struggle between "authority" and "personality". Whether it's specifically between orthodoxy versus heresy, The Holy Bible versus The Book of J, normative Judaism/Christianity versus mystical Kabbalah/Gnosticism, "personality" is triumphant because it is more expressive, more subtle, and more multitudinous whereas "authority" inevitably becomes predictable, rigid, and ossified. The idea of "personality" is not just articulated but sublimely dramatized by Bloom. But he credits Shakespeare with inventing it, and devotes a definitive essay to each of the plays, emphasizing their "personality" and influence on all subsequent literature, feeling, and thought. "Before Bloom is done with us, he has made us wonder whether his vision of Shakespeare's influence on the whole of our lives might not simply be the sobering truth. A feast of arguments and insights, written with engaging frankness and affecting immediacy. Filled with literally thousands of insights" (Daniel Hintzsche). Bloom is as inexhaustible as Shakespeare. While he has all but turned Shakespeare into his personal vision of God, the one personality-turned-authority he can believe in and revere, only a genius of his stature could engage in such "hero-worship" without ever surrendering his critical faculties. He has made Bardolatry possible again. "The ultimate use of Shakespeare is to let him teach you to think too well and towards whatever truth you can sustain without perishing" (Harold Bloom). An absolute "must-have" title for Harold Bloom and William Shakespeare collectors. This Autographed Copy is very prominently and beautifully signed in black ink-pen on the publisher's tipped-in page by Harold Bloom. The publisher issued a limited number of tipped-in signed copies, which promptly vanished from bookstore shelves (as we recall, within a day of their release in 1998). We note this only because very few such signed copies have resurfaced since then, almost twenty years later, which means that reader/collectors have held on to them all this time. This title is a great book. This is one of very few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Most copies available online are subsequent printings or have major flaws. A rare signed copy thus. The greatest literary critic of our time on the greatest writer of all time. A fine collectible copy. (SEE ALSO OTHER HAROLD BLOOM TITLES IN OUR CATALOG) ISBN 1573221201. Bookseller Inventory # 19622
Synopsis: Shakespeare: The Invention of the Human is the culmination of Harold Bloom's life's work in reading, writing about, and teaching Shakespeare. It is his passionate and convincing analysis of the way in which Shakespeare not merely represented human nature as we know it today, but actually created it: before Shakespeare, there was characterization; after Shakespeare, there was character, men and women with highly individual personalities--Hamlet, Falstaff, Iago, Cleopatra, Macbeth, Rosalind, and Lear, among them. In making his argument, Bloom leads us through a brilliant and comprehensive reading of every one of Shakespeare's plays. According to a New York Times report on Shakespeare last year, "more people are watching him, reading him, and studying him than ever before." Shakespeare: The Invention of the Human is a landmark contribution, a book that will be celebrated and read for many years to come. It explains why Shakespeare has remained our most popular playwright for more than four hundred years, and in helping us to understand ourselves through literature, it restores the role of critic to one of central importance to our culture.
Review: "Personality, in our sense, is a Shakespearean invention, and is not only Shakespeare's greatest originality but also the authentic cause of his perpetual pervasiveness." So Harold Bloom opines in his outrageously ambitious Shakespeare: The Invention of the Human. This is a titanic claim. But then this is a titanic book, wrought by a latter-day critical colossus--and before Bloom is done with us, he has made us wonder whether his vision of Shakespeare's influence on the whole of our lives might not be simply the sober truth. Shakespeare is a feast of arguments and insights, written with engaging frankness and affecting immediacy. Bloom ranges through the Bard's plays in the probable order of their composition, relating play to play and character to character, maintaining all the while a shrewd grasp of Shakespeare's own burgeoning sensibility.
It is a long and fascinating itinerary, and one littered with thousands of sharp insights. Listen to Bloom on Romeo and Juliet: "The Nurse and Mercutio, both of them audience favorites, are nevertheless bad news, in different but complementary ways." On The Merchant of Venice: "To reduce him to contemporary theatrical terms, Shylock would be an Arthur Miller protagonist displaced into a Cole Porter musical, Willy Loman wandering about in Kiss Me Kate." On As You Like It: "Rosalind is unique in Shakespeare, perhaps indeed in Western drama, because it is so difficult to achieve a perspective upon her that she herself does not anticipate and share." Bloom even offers some belated vocational counseling to Falstaff, identifying him as an Elizabethan Mr. Chips: "Falstaff is more than skeptical, but he is too much of a teacher (his true vocation, more than highwayman) to follow skepticism out to its nihilistic borders, as Hamlet does."
In the end, it doesn't matter very much whether we agree with all or any of these ideas. What does matter is that Bloom's capacious book sends us hurrying back to some of the central texts of our civilization. "The ultimate use of Shakespeare," the author asserts, "is to let him teach you to think too well, to whatever truth you can sustain without perishing." Bloom himself has made excellent use of his hero's instruction, and now he teaches us all to do the same. --Daniel Hintzsche
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