Title: The Voice in the Closet / La Voix Dans le ...
Publisher: Coda Press
Publication Date: 1979
Binding: trade paperback
sm sq 4to. small number stamped on front end paper [and removed from spine] else a very good copy. Bookseller Inventory # 43892
Synopsis: Fiction. In occupied France, an adolescent boy, pushed into a closet as his family is taken by Nazi soldiers, accidentally escapes the death camps. As an adult, "Federman," at once the novelist himself and a literary character, wonders what it means to re-tell this experience, if it can be re-told, or if the reduction of one's story or life to a single moment isn't the greatest of all horrors. Since its initial publication in 1979, THE VOICE IN THE CLOSEThas been hailed as one of the great experiments of prose ficiton: a single sentence, concrete recit of wrenching emotional impact. The new bilingual edition of the text features French and English versions newly revised by the author, with an introduction by Gerard Bucher and an end note by Theodore Pelton.
About the Author: Raymond Federman (1928-2009) was one of the most significant fiction writers of recent generations. Federman emigrated to the US in 1947 following the deaths of his mother, father, and two sisters in the extermination camp at Auschwitz. His early experiences in the US included being a American paratrooper in Korea, a saxophone player in Detroit, and a dishwasher and student in Columbia University, before earning a PhD at UCLA and becoming one of the first American critical promoters of the work of Samuel Beckett. Federman taught literature and creative writing at SUNY-Buffalo for 35 years. His numerous experience, exploits, and linguistic inventions have become the basis for nearly than thirty books of fiction, poetry, and criticism, translated into German, Italian, French, Hungarian, Polish, Serbian, Rumanian, Hebrew, Dutch, Greek, Japanese, Chinese, and Swahili. Federman has also been the recipient of numerous awards in the US and abroad, including the American Book Award for Smiles on Washington Square. An important theorist of contemporary writing, Federman always insisted on the integration and inseparability of memory and imagination, fact and fiction. "I have to still believe," he once said in an interview, "as I often do, that one of these days around a street corner I'm going to meet my sisters."
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