Title: WHEN WE WERE ORPHANS - Rare Pristine Copy of...
Publisher: London, England: Faber & Faber, 2000
Book Condition: Fine
Dust Jacket Condition: Fine
Signed: Signed by Author
Edition: 1st Edition.
1st Printing. Signed. 330 pages. Published in 2000. The author's fifth novel. Now considered a contemporary classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the American Edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Kazuo Ishiguro's "When We Were Orphans". The novel marks a triumphant return to Ishiguro's strengths as a writer who evokes the painful past and its continuing relevance to the present. "Ishiguro has never been one for verbal pyrotechnics, but the unruffled surface of this haunting novel only adds to its emotional power. An extraordinary feat of sustained, perfectly controlled imagination and in Christopher Banks, the author has created one of his most memorable characters" (Simon Leake). "An original and remarkable genius" (The New York Times). The basis of the brilliant and deeply moving film adaptation, "The White Countess", written by Kazuo Ishiguro, with Ralph Fiennes and Natasha Richardson in career-peak performances. An absolute "must-have" title for Kazuo Ishiguro collectors. This presentation copy is very prominently, beautifully, and uniquely signed, placed, dated, and inscribed in black ink-pen on the title page by the author: "With much gratitude for your part in running such a fine, civilised place - and for that wonderful (and crucial! ) year's teaching you gave Naomi. Warmest wishes, Kazuo Ishiguro [inscription and signature in his cursive handwriting]. KAZUO ISHIGURO 10TH JULY 2003 LONDON [in mostly capital block letters]. The recipient is named, clearly known, personally and professionally, to the author. Naomi is Ishiguro's only child. This title is a contemporary classic. This is the only such signed and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. It is the single best signed copy we have ever seen by Ishiguro: The more a writer writes in his own hand - and therefore leaves a trace of himself - on the page, the more valuable the book becomes (rather than the "simply signed/no other inscription" other way around). A rare signed copy thus. Winner of the Whitbread Prize in 1986 for "An Artist of The Floating World". Winner of the Booker Prize in 1989 for "The Remains of The Day". One of the greatest writers of our time. A fine collectible copy. (SEE ALSO OTHER KAZUO ISHIGURO TITLES IN OUR CATALOG) ISBN 0375410546. Bookseller Inventory # 19530
Synopsis: The maze of human memory--the ways in which we accommodate and alter it, deceive and deliver ourselves with it--is territory that Kazuo Ishiguro has made his own. In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.
Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.
The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.
A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.
Review: When 9-year-old Christopher Banks's father--a British businessman involved in the opium trade--disappears from the family home in Shanghai, the boy and his friend Akira play at being detectives: "Until in the end, after the chases, fist-fights and gun-battles around the warren-like alleys of the Chinese districts, whatever our variations and elaborations, our narratives would always conclude with a magnificent ceremony held in Jessfield Park, a ceremony that would see us, one after another, step out onto a specially erected stage ... to greet the vast cheering crowds."
But Christopher's mother also disappears, and he is sent to live in England, where he grows up in the years between the world wars to become, he claims, a famous detective. His family's fate continues to haunt him, however, and he sifts through his memories to try to make sense of his loss. Finally, in the late 1930s, he returns to Shanghai to solve the most important case of his life. But as Christopher pursues his investigation, the boundaries between fact and fantasy begin to evaporate. Is the Japanese soldier he meets really Akira? Are his parents really being held in a house in the Chinese district? And who is Mr. Grayson, the British official who seems to be planning an important celebration? "My first question, sir, before anything else, is if you're happy with the choice of Jessfield Park for the ceremony? We will, you see, require substantial space."
In When We Were Orphans Kazuo Ishiguro uses the conventions of crime fiction to create a moving portrait of a troubled mind, and of a man who cannot escape the long shadows cast by childhood trauma. Sherlock Holmes needed only fragments--a muddy shoe, cigarette ash on a sleeve--to make his deductions, but all Christopher has are fading recollections of long-ago events, and for him the truth is much harder to grasp. Ishiguro writes in the first person, but from the beginning there are cracks in Christopher's carefully restrained prose, suggestions that his version of the world may not be the most reliable. Faced with such a narrator, the reader is forced to become a detective too, chasing crumbs of truth through the labyrinth of Christopher's memory.
Ishiguro has never been one for verbal pyrotechnics, but the unruffled surface of this haunting novel only adds to its emotional power. When We Were Orphans is an extraordinary feat of sustained, perfectly controlled imagination, and in Christopher Banks the author has created one of his most memorable characters. --Simon Leake
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