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Seestucke: Von Max Beckmann Bis Gerhard Richter

Hamburger Kunsthalle; Felix Kramer; Hubertus Gassner; Martin Faass; Hubertus-Wald-Forum

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Kunstlerinnen Der Avantgarde in Hamburg Zwischen 1890 Und 1933

Hamburger Kunsthalle; Ulrich Luckhardt; Maike Bruhns; Martin M. Blumenthal

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Other editions: 2006

Satire En Vermaak: Schilderkunst in De 17e Eeuw Het Genrestuk Van Frans Hals En Zijn Tijdgenoten 1610-1670

Hamburger Kunsthalle; P. Biesboer; Frans Hals Museum; Martina Sitt; Marvin Altner

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Other editions: Hardcover - 2003

Paul Klee 1933

Hamburger Kunsthalle; Pamela Kort; O. K. Werckmeister; Paul Klee; Helmut Friedel; Andreas Huneke; Stefan Frey; Kunstmuseum Bern; Stadtische Galerie Im Lenbachhaus Munchen; Schirn Kunsthalle Frankfurt

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Jacob Van Ruisdael: Die Revolution Der Landschaft

Hamburger Kunsthalle; Karsten Muller; P. Biesboer; Frans Hals Museum

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Other editions: Hardcover - 2002

Erschaffung, Fall Und Wiederbringung Des Lichts: Zum Bildprogramm Des St.-Petri-Altars in Der Hamburger Kunsthalle

Hamburger Kunsthalle; Heimo Reinitzer; Joachim Jungius-Gesellschaft der Wissenschaften

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Die Masken Der Schonheit: Hendrick Goltzius Und Das Kunstideal Um 1600 ; Hamburger Kunsthalle, [19. Juli Bis 29. September 2002]

Hamburger Kunsthalle; Hendrik Goltzius; Jurgen Muller; Andreas Stolzenburg; Petra Roettig

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Von Durer Bis Goya: 100 Meisterzeichnungen Aus Dem Kupferstichkabinett Der Hamburger Kunsthalle

Hamburger Kunsthalle; Petra Roettig

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Edouard Vuillard: Les Tasses Noires Arbeiten Auf Papier 1903-1928

Hamburger Kunsthalle; Michael Semff; Neue Pinakothek (Munich, Germany); Staatliche Graphische Sammlung Munchen

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Eduard Bargheer: Retrospektive Zum 100. Geburtstag Gemalde, Aquarelle, Zeichnungen, Druckgraphik

Hamburger Kunsthalle; Eduard Bargheer; Herwig Guratzsch; Thomas Gadeke; Schleswig-Holsteinisches Landesmuseum; Schloss Cappenberg

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Private Schatze: uber Das Sammeln Von Kunst in Hamburg Bis 1933

Hamburger Kunsthalle; Uwe M. Schneede

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Absolute Windstille: Jurgen Klauke--Das Fotografische Werk

Hamburger Kunsthalle; Jurgen Klauke; Peter Weibel; Kunst- Und Ausstellungshalle Der Bundesrepublik Deutschland; Gosudarstvennyi russkii muzei (Saint Petersburg, Russia)

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Pieter Bruegel Invenit: Das Druckgraphische Werk

Hamburger Kunsthalle; Pieter Bruegel; Uwe M. Schneede; Jurgen Muller; Petra Roettig; Bertram Kaschek

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Rembrandt, Oder Nicht

Hamburger Kunsthalle; Kunsthalle Bremen; Thomas Ketelsen

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Emil Nolde: Legende, Vision, Ekstase Die Religiosen Bilder

Hamburger Kunsthalle; Emil Nolde; Stiftung Seebull Ada und Emil Nolde; Jenns Eric Howoldt; Annabelle Gorgen

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Other editions: 2000

Einraumen: Arbeiten Im Museum

Hamburger Kunsthalle; Friederike Wappler

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Surreale Welten: Meisterwerke Aus Einer Privatsammlung Piranesi, Goya, Redon, Klinger, Kubin, Ernst, Dali, Magritte, Klee, Bellmer, Wols, Dubuffet

Hamburger Kunsthalle; Karin Schick; Ulrich Luckhardt; Kunsthalle Tubingen; Von der Heydt-Museum

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Richard Oelze: 1900-2000

Hamburger Kunsthalle; Karin Schick; Uwe M. Schneede; Alfred Hentzen; Richard Oelze

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Reiner Ruthenbeck: Zeichnungen Hamburger Kunsthalle, [14. Juli-24. September 2000] Westfalisches Landesmuseum Fur Kunst Und Kulturgeschichte, Munster, [7. Oktober 2000-1. Januar 2001] Kunstmuseum Winterthur, [3. Marz-29. April 2001]

Hamburger Kunsthalle; Reiner Ruthenbeck; Hanna Hohl; Ortrud Westheider

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Zeichen Und Wunder: Weissagungen Um 1500

Hamburger Kunsthalle; Petra Roettig; Uwe M. Schneede

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Horst Janssen, Fruhe Meisterschaft: Zeichnungen Aus Privaten Sammlungen

Hamburger Kunsthalle; Horst Janssen; Michael Sauer

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James Mc Neill Whistler: Die Graphik Im Hamburger Kupferstichkabinett

Hamburger Kunsthalle; Hanna Hohl; James McNeill Whistler

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Baltic Light: Early Open-Air Painting in Denmark and North Germany

Hamburger Kunsthalle; Catherine Johnston; Kasper Monrad; Helmut Borsch-Supan; National Gallery of Canada; Helmut R. Leppien; Thorvaldsens Museum

During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.

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Sigmar Polke: Works on Paper 1963-1974

Hamburger Kunsthalle; Margit Rowell; Bice Curiger; Sigmar Polke; Michael Semff; N.Y.) Museum of Modern Art (New York

One of the most significant artists of his generation, Sigmar Polke (b. 1941) came of age creatively around 1963 in Dusseldorf. His earliest expressive idiom was crude and humorous, its images outrageous, and its content seemingly trivial, but embedded in these works were subversive and parodic commentaries on consumer society, German postwar politics, and classic artistic conventions. Few of Polke's works demonstrate more vividly his imagination, sardonic wit, and eclectic creative process than the drawings, watercolors, and gouaches of the 1960s and early 1970s. This book accompanies the first American museum exhibition of these drawings. More than 300 works are illustrated, including small sketches in pen, larger watercolors and gouaches, others stamped with a dot-screen process, and pages from about 15 small sketchbooks. Several important and monumental works on paper from the early 1970s are illustrated in color for the first time.

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Bohmen Liegt Am Meer: Die Erfindung Der Landschaft Um 1600

Hamburger Kunsthalle; Thomas Ketelsen; Uwe M. Schneede; Stefan Bartilla

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