Amelia Jones

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It's Time for Action

Amelia Jones; Mercedes Bunz

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A Companion to Contemporary Art Since 1945

Amelia Jones

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Stelarc: The Monograph

Amelia Jones; Marquard Smith; Timothy Druckrey; Jane Goodall; Arthur Kroker; Marilouise Kroker; Brian Massumi; Stelarc

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Irrational Modernism: A Neurasthenic History of New York Dada

Amelia Jones

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Other editions: Hardcover - 2004

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Whiteness: A Wayward Construction

Amelia Jones; Tyler Stallings; David R. Roediger

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Paul McCarthy: Pinocchio

Amelia Jones; Jean-Charles Massera; Anthony Vidler; Paul McCarthy; Villa Arson (France)

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Angel of Histories: Dorit Cypis Sweeney Art Gallery, University of California, Riverside, March 8-April 30, 2000

Amelia Jones; Dorit Cypis; Vince Leo; Nicole Gringras; Sweeney Gallery (Riverside, Calif.)

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Body Art/Performing the Subject

Amelia Jones

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Cindy Sherman: Retrospective

Amelia Jones; Amanda Cruz; Cindy Sherman; Elizabeth A.T. Smith; Calif.) Museum of Contemporary Art (Los Angeles; Ill.) Museum of Contemporary Art (Chicago

This comprehensive catalogue traces the career of Cindy Sherman, examining her achievements as one of the leading American artists of our time. By exploring the myriad constructions of female identity and the body in our culture, Sherman imitates and confronts assorted representational stereotypes, becoming for many an icon of the contemporary concerns of feminism and postmodernism. Essayists Amada Cruz, Elizabeth A. T. Smith, and Amelia Jones offer keen insight and observations from several distinct vantage points, demonstrating that Sherman's work is a lens through which to view contemporary art and its ongoing concern with the profound issues of the structures of the self. More than 200 images show the breadth of Sherman's body of work, from the Untitled Film Stills of the 1970s to series such as Centerfolds, Fashion, Disasters, Fairy Tales, and History Portraits, as well as photographs influenced by surrealist artists. Also included are intriguing excerpts from Sherman's notebooks, selections from her contact sheets, and numerous Polaroid studies, all of which shed light on the artist's process.

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Making Mischief: Dada Invades New York

Amelia Jones; Francis M. Naumann; Robert Rosenblum; Molly Nesbit; Barbara Zabel; Dickran Tashjian; Rosalind Krauss; Steven Watson; Jay Bochner; Beth Venn

Making Mischief: Dada Invades New York, the catalogue for the landmark exhibition at the Whitney Museum of American Art in 1996, proposes that Dada was not only important to the growth of American modernism, but that the ferment of New York played a critical role in the continuing photographs, and related documentary material records the achievements of the French emigres Marcel Duchamp and Francis Picabia, the American expatriate Man Ray, as well as American artists Charles Demuth, Katherine Dreier, Charles Sheeler, Joseph Stella, Florine Stettheimer, Clara Tice, and Beatrice Wood.

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Feminist Directions: 1970/1996 Robin Mitchell, Mira Schor, Faith Wilding, Nancy Youdelman

Amelia Jones; Laura Meyer; Sweeney Art Gallery

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Postmodernism and the En-Gendering of Marcel Duchamp

Amelia Jones

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Politics of Difference: Artists Explore Issues of Identity

Amelia Jones

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