Hans Belting
Art History After ModernismHans Belting
ISBN: 9780226041841
Publisher: Univ of Chicago Pr Publication Date: 2003 Binding: Hardcover Other editions: Softcover - 2003 |
|
Bill Viola: The PassionsHans Belting; Bill Viola; John Walsh; Peter Sellars
ISBN: 9780892367139
Publisher: J Paul Getty Museum Pubns Publication Date: 2003 Binding: Hardcover |
|
Quel Corps: Eine Frage Der ReprasentationHans Belting; Dietmar Kamper; Martin Schulz; Zentrum Fur Kunst Und Medientechnologie Karlsruhe
ISBN: 9783770537280
Publisher: W. Fink Publication Date: 2002 |
|
Jakob Broder: Das Grosse Triptychon Katharsis, Gezeitengesang, Kairos 1975-2001Hans Belting; Morat-Institut fur Kunst und Kunstwissenschaft; Jakob Broder
ISBN: 9783922675747
Publisher: Modo Publication Date: 2002 |
|
Ebenbilder: Kopien Von Korpern - Modelle Des MenschenHans Belting; Jan Gerchow; Ruhrlandmuseum Essen
ISBN: 9783775711418
Publisher: Hatje Cantz Publication Date: 2002 |
|
Hieronymus Bosch: Garden Of Earthly DelightsHans Belting; Hieronymus Bosch
ISBN: 9783791326740
Publisher: Prestel Pub Publication Date: 2002 Binding: Hardcover |
|
The Invisible MasterpieceHans Belting; Helen Atkins
ISBN: 9780226042657
Publisher: Univ of Chicago Pr Publication Date: 2001 Binding: Hardcover Other editions: Hardcover - 2001 |
|
Bild-Anthropologie: Entwurfe Fur Eine BildwissenschaftHans Belting
ISBN: 9783770534494
Publisher: W. Fink Publication Date: 2001 |
|
Andrea Pozzo Und Die Videokunst: Neue Uberlegungen Zum Barocken IllusionismusHans Belting; Felix Burda-Stengel; Andrea Pozzo
ISBN: 9783786123866
Publisher: Gebr. Mann Publication Date: 2001 |
|
Museum PhotographsHans Belting
ISBN: 9783888146411
Publisher: Schirmer/Mosel Verlag Gmbh Publication Date: 2001 Binding: Hardcover |
|
Der Zweite Blick: Bildgeschichte Und BildreflexionHans Belting; Dietmar Kamper; Freie Universitat Berlin; Humboldt-Universitat Zu Berlin
ISBN: 9783770533671
Publisher: W. Fink Publication Date: 2000 |
|
Identitat Im Zweifel: Ansichten Der Deutschen KunstHans Belting
ISBN: 9783770148950
Publisher: DuMont Publication Date: 1999 |
|
Das Erbe Der Bilder: Kunst Und Moderne Medien in Den Kulturen Der WeltHans Belting; Lydia Haustein
ISBN: 9783406434563
Publisher: C.H. Beck Publication Date: 1998 |
|
Max Beckmann: Bildwelt Und Weltbild in Den TriptychenHans Belting; Reinhard Spieler
ISBN: 9783770146543
Publisher: DuMont Publication Date: 1998 |
|
Das Unsichtbare Meisterwerk: Die Modernen Mythen Der KunstHans Belting
ISBN: 9783406440571
Publisher: C.H. Beck Publication Date: 1998 |
|
The Germans and Their Art: A Troublesome RelationshipHans Belting
ISBN: 9780300076165
Publisher: Yale Univ Pr Publication Date: 1998 Binding: Hardcover This fascinating book investigates what is specifically German about German art, focusing on the attitudes Germans have had toward their art from the Romantic period to the present and discussing the ways they have tried to find their identity as a nation through this art. Hans Belting proposes that the history of German art criticism has been colored by division -- a split caused both by opposing ideologies and by the contradiction between what the Germans have wanted their art -- and their nation -- to be and the reality of what they were. Belting shows that German art has always been informed by the fear of being taken over by art from abroad and by the Germans' inherent self doubt, based on the outside world's view of them over the centuries as art barbarians. He discusses why the Germans appropriated the Gothic style during the Romantic period and again after World War I; how the division between German art and international modern art symbolized for many Germans the opposition between tradition and materialism; why German Expressionism (the one truly indigenous modern German style) was deemed degenerate by the Nazis, was rehabilitated after World War II, and has been ignored in recent German art history; how the vastly different art created in the two Germanies invalidates any discussion of the nature of German art; and how reunification has created new conflicts and has emphasized the unique nature of the Germans' double burden of inheritance. |
|
Likeness and Presence: A History of the Image Before the Era of ArtHans Belting
ISBN: 9780226042152
Publisher: Univ of Chicago Pr Publication Date: 1997 Binding: Softcover Before the Renaissance and Reformation, holy images - the only independent images then in existence - were treated not as "art" but as objects of veneration. The faithful believed that these images, through their likeness to the person represented, became a tangible presence of the Holy and were able to work miracles, deliver oracles, and bring victory on the battlefield. In this magisterial book, one of the world's leading scholars of medieval art traces the long history of the image and its changing role in European culture. Belting's study of the iconic portrait opens in late antiquity, when Christianity reversed its original ban on images, adapted the cult images of the "pagans", and began developing an iconography of its own. The heart of the work focuses on the Middle Ages, both East and West, when images of God and the saints underwent many significant changes either as icons or as statues. The final section of Likeness and Presence surveys the Reformation and Renaissance periods, when new attitudes toward images inaugurated what Belting calls the "era of art" that continues to the present day - an era during which the aesthetic quality has become the dominant aspect of the image. Belting neither "explains" images nor pretends that images explain themselves. Rather, he works from the conviction that images reveal their meaning best by their use. Likeness and Presence deals with the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images. Recognizing the tensions between image and word inherent in religion, Belting includes in an appendix many important historical documents that relate to the history and use of images. Profuselyillustrated, Likeness and Presence presents a compelling interpretation of the place of the image in Western history. Other editions: Hardcover - 1994 |
|
Sigmar Polke: The Three Lies of PaintingHans Belting; Sigmar Polke; Rudi Fuchs; Charles W. Haxthausen; Martin Hentschel
ISBN: 9783893229253
Publisher: Distributed Art Pub Inc Publication Date: 1997 Binding: Hardcover |
|
Gary Hill: Imagining the Brain Closer Than the EyesHans Belting; Gary Hill; Gottfried Boehm; Cantz; Birgit Kempker; Karlheinz Ludeking; Friedmann Malsch
ISBN: 9783893227730
Publisher: Distributed Art Pub Inc Publication Date: 1996 Binding: Softcover |
|
Das Ende Der Kunstgeschichte: Eine Revision Nach Zehn JahrenHans Belting
ISBN: 9783406385438
Publisher: C.H. Beck Publication Date: 1995 |
|
Gary Hill: Imagining the Brain Closer than the EyesHans Belting; Gary Hill; Theodora Vischer; Museum fur Gegenwartskunst Basel
ISBN: 9783893227143
Publisher: Museum fur Gegenwartskunst Publication Date: 1995 |
|
Thomas Struth: Museum PhotographsHans Belting; Thomas Struth; Hamburger Kunsthalle
ISBN: 9783888144967
Publisher: Schirmer/Mosel Publication Date: 1993 |
|
Die Deutschen Und Ihre Kunst: Ein Schwieriges ErbeHans Belting
ISBN: 9783406371691
Publisher: C.H. Beck Publication Date: 1992 |
|
The Image and Its Public in the Middle Ages: Form and Function of Early Paintings of the PassionHans Belting; Raymond Meyer; Mark Bartusis
ISBN: 9780892414031
Publisher: Aristide d Caratzas Pub Publication Date: 1990 Binding: Hardcover |
|
Bild Und Kult: Eine Geschichte Des Bildes Vor Dem Zeitalter Der KunstHans Belting
ISBN: 9783406343674
Publisher: C.H. Beck Publication Date: 1990 |
Portions of this page may be (c) 2006 Muze Inc. Some database content may also be provided by Baker & Taylor Inc. Copyright 1995-2006 Muze Inc. For personal non-commercial use only. All rights reserved. Content for books is owned by Baker & Taylor, Inc. or its licensors and is subject to copyright and all other protections provided by applicable law.
Portions of this page may be Copyright VNU Entertainment Media (UK) Ltd., 2006, Georg Lingenbrink GmbH & Co., Tite Live, S.A or Informazioni Editoriali S.p.A. All rights reserved.

