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Joachim Rees

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Kunstform Capriccio: Von Der Groteske Zur Spieltheorie Der Moderne

Joachim Rees; Ekkehard Mai

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Das Capriccio Als Kunstprinzip: Zur Vorgeschichte Der Moderne Von Arcimboldo Und Callot Bis Tiepolo Und Goya Malerei, Zeichnung, Graphik

Joachim Rees; Ekkehard Mai; Kunsthaus Zurich; Kunsthistorisches Museum Wien; Wallraf-Richartz-Museum

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