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Published by Laughing Elephant, 2007
ISBN 10: 1595831916ISBN 13: 9781595831910
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: Good. Gooden, Stephen (illustrator).
Published by Liveright, New York, 1969
Seller: Weller Book Works, A.B.A.A., Salt Lake City, UT, U.S.A.
Very good with lightly bumped edges. Infrequent, neat marginalia in red ink Very good with rubbing and a short, closed tear in head of front panel that has been repaired with tape. 8vo.
Published by George G Harrap and co ltd, 1940
Seller: Ivan's Book Stall, Reading, United Kingdom
Book First Edition
Hardcover. Condition: Good. 1st Edition. 62 pages.
Published by George G. Harrap, 1940
Seller: Chapter 1, Johannesburg, GAU, South Africa
Book
Hardcover. Condition: Fair. No Jacket. first edition of this version, illustrated by Gooden. 5,5cm of the spine has been lost and has been replaced by a small strip of matching leather.the front end page has been removed and the book is foxed throughout. original brown boards with gold gilt are shelf worn. complete with all 4 tipped in plates as called for. the binding is excellent. Our orders are shipped using tracked courier delivery services.
second impression of this edition, pp. 62 with four tipped in illustrations by Stephen Gooden. The text is the first Edward Fitzgerald version. Ink inscription on first blanck, else very good in the original cloth.
Published by Published by George G. Harrap & Co. Ltd., 182 High Holborn, London First Edition Thus . 1940., 1940
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
First edition thus Stephen Gooden illustrated hard back binding in publisher's original straw buckram covers, black title and author lettering to the spine and to the front cover. 8vo. 7½'' x 5¼''. Rubáiyát over 62 pages carrying the 75 quatrains of Edward FitzGerald's version enriched with 4 mounted plates and 4 decorations by Stephen Gooden. Marks to the boards, contents in Very Good clean condition, no dust wrapper. Gooden's work can be found in the collections of the British Museum and the Victoria and Albert Museum in London, the Fitzwilliam Museum, Cambridge and the Museum of Fine Arts, Boston, USA. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.
Published by Published by George G. Harrap & Co. Ltd., 182 High Holborn, London Third Impression . 1947., 1947
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
Stephen Gooden illustrated hard back binding in publisher's original straw buckram covers, black title and author lettering to the spine and to the front cover. 8vo. 7½'' x 5¼''. Rubáiyát over 62 pages carrying the 75 quatrains of Edward FitzGerald's version enriched with 4 mounted plates and 4 decorations by Stephen Gooden. Very Good clean condition book, in Very Good condition dust wrapper with small rubs to the spine ends and corners, not price clipped, 5/-. Gooden's work can be found in the collections of the British Museum and the Victoria and Albert Museum in London, the Fitzwilliam Museum, Cambridge and the Museum of Fine Arts, Boston, USA. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.
Published by Everymans Library, 1992
ISBN 10: 0679417907ISBN 13: 9780679417903
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. Gooden, Stephen (illustrator). 336 pages. 8.50x6.50x1.00 inches. In Stock.
Published by Harrap, London, 1946
Seller: Old Hall Bookshop, ABA ILAB PBFA BA, Brackley, United Kingdom
Signed
Condition: Very Good. Stephen Gooden (illustrator). A PERFECT PRESENT FOR A CAT LOVER Limited edition, number 93, of 110 copies, signed by the editor and illustrator, engraved title page and engraving on final page, printed on handmade paper, top edge gilt other edges uncut, endpapers lightly foxed, ¼ black calf and white buckram, original white card slip case foxed and rubbed but very sound, George G Harrap London, 1946.
Published by William Heinemann, London, 1929
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
First Edition Signed
Hardcover. Condition: Very Good+. First Edition. 8vo; publisher's full vellum; slightly bowed boards and darkened along spine, but still much better than most copies. With twelve engravings by Stephen Gooden. Limited edition #369 of 375, signed by both Moore and Gooden. Although nothing in the book explicitly indicates as much, this copy from the library of Nelson Doubleday. Doubleday purchased a controlling stake in the English publishing house, Heinemann, in 1921.
Published by William Heinemann, London, 1929
Seller: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, U.S.A.
265 x 170 mm. (10 3/8 x 6 1/2"). 4 p.l., 362 pp. Publisher's full vellum, smooth spine with gilt titling, partially unopened, edges untrimmed. In a later marbled paper slipcase. WITH 12 ENGRAVINGS BY STEPHEN GOODEN (nine of these full-page), with original tissue guards. â Vellum with a little natural yellowing and a couple of small nicks and other imperfections, but the contents pristine. This is a beautiful, limited edition of Irish novelist George Moore's controversial retelling of the life of Jesus Christ, illustrated by Stephen Gooden. First published in 1916, the novel was nearly banned for blasphemy, and encouraged Moore (1852-1933) to publish his future works in limited editions. The copper engravings of Gooden (1892-1955) are among the most beautiful book illustrations of his day. Horne says that he was a "literary" artist who was sensitive to the form of the book, aware of the possibilities of its page for decoration, and able "to appreciate the quality of the books he illustrated." He had "an imaginative grasp of the subject matter, and his witty and elegant illustrations are finely engraved and inventive in design." The present work is in excellent condition, and signed by both the artist and the writer. No. 8 OF 375 COPIES, SIGNED by Stephen Gooden and George Moore.
Limited editions, the Apocrypha number 1024 of 1250, the others one of 1,000 unnumbered copies; 5 vols; copper engraved pictorial titles, head and tailpieces by Stephen Gooden, tissue guards, faint spotting to endpapers, otherwise fine; publisher's decorated boards, faint spotting to upper cover (vol. III only), slight bumping to corners and spine extremities, toned, otherwise very good. The second Nonesuch commission for the engraver Stephen Gooden (after the Anacreon of 1923), and one of the most significant productions of the Nonesuch Press. Sensitively illustrated by the often under rated Stephen Gooden, one of the leading British line-engravers of the 20th century, most renowned perhaps for this work and the Fables of Jean de La Fontaine; he was also a prolific bookplate designer and even had banknote designs taken up by the Bank of England in the 1930s & '50s.
Published by Published by George G. Harrap & Co. Ltd., 182 High Holborn, London First Edition Thus . 1940., 1940
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition Signed
First edition thus Stephen Gooden illustrated hard back binding in publisher's special quarter green leather binding over emerald green cloth boards, gilt title lettering to the spine, top edge gilt. 8vo. 8'' x 5½''. Hand written number 36 of 125 Limited Edition copies SIGNED by the artist 'Stephen Gooden'. Rubáiyát over 63 pages carrying the 75 quatrains of Edward FitzGerald's version enriched with 4 full-page plates and 4 decorations by Stephen Gooden. The trade edition published in the same year contained the same plates, albeit were tipped-in and not full-page. Slight sun fading down the spine. Very Good condition book in Very Good peppermint green paper covered slip case carrying the correct limited edition number 36 for this book. Gooden's work can be found in the collections of the British Museum and the Victoria and Albert Museum in London, the Fitzwilliam Museum, Cambridge and the Museum of Fine Arts, Boston, USA. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.