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Published by Hyperion, 1993
ISBN 10: 1562827650ISBN 13: 9781562827656
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by The Texas Journal of Science., 1991
Seller: Eryops Books, Stephenville, TX, U.S.A.
No Binding. Condition: Very Good. ORIGINAL articles, disbound from journal; no covers; in very good condition. Journal.
Published by The Texas Journal of Science., 1991
Seller: Eryops Books, Stephenville, TX, U.S.A.
No Binding. Condition: Very Good. ORIGINAL articles, disbound from journal; no covers; in very good condition. Journal.
Seller: Fenrick Books, Queens, NY, U.S.A.
First Edition
No Binding. Condition: Very Good. 1st Edition. Köln, Germany: Galerie Ricke, 1970. Exhibition Invitation. 5 13/16 x 8 4/16 . Very good. Faint edge wear and two creases: one top left and the other top right/middle. Exhibition card for Galerie Ricke group show drawing by American artists. Carl Andre, Richard Artschwager, Jo Baer, Bollinger, Breer, Christiansen, Cote, Duff, Dan Flavin, Graves, Michael Heizer, Eva Hesse, Humphrey, Donald Judd, Korman, Kuehn, Barry Le Va, Sol LeWitt, Lee Lozano, Robert Mangold, Brice Marden, Walter De Maria, Robert Morris, Bruce Nauman, James Rosenquist, Robert Ryman, Fred Sandback, Saret, Richard Serra, Keith Sonnier, di Suvero, Stafford, Stein, Richard Tuttle, and Young.
Published by Routledge, 2023
ISBN 10: 1032251174ISBN 13: 9781032251172
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Casino Luxembourg, Luxembourg, 2000
ISBN 10: 2919893300ISBN 13: 9782919893300
Seller: Librairie-Galerie Dorbes Tobeart, PARIS, France
Book First Edition
Couverture souple. Condition: Comme neuf. Edition originale. Luxembourg, Casino - Forum d'art Contemporain, 2000, broché sous couverture titrée à rabats, 272 pp., (28,5 x 21,6 cm). Exposition octobre 2000 - février 2001. Nombreuses reproductions et illustrations couleurs et noir et blanc autour des artistes exposés : Marcel BROODTHAERS, Niel TORONI, Mario MERZ, A.R. PENCK, Richard LONG, Luciano FABRO, Gerhard RICHTER, Daniel BUREN, Robert RYMAN, Joseph KOSUTH, Robert BARRY, Bruce NAUMAN, Sol LEWITT, Donald JUDD, Ed RUSCHA, Martin KIPPENBERGER. Texte de Jan Debbaut. Table des illustrations. Textes d'artistes. Etat neuf / As new (envoi suivi sous emballage cartonné).
Published by Australian Scholarly Publishing, 2008
ISBN 10: 1921509023ISBN 13: 9781921509025
Seller: RWL GROUP (Booksellers), Desert Hot Springs, CA, U.S.A.
Book
Softcover. Condition: New. New softcover, book is clean and tight.
Published by Taylor & Francis 2013-07-22, London, 2013
ISBN 10: 0415582695ISBN 13: 9780415582698
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
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Published by Emerald Group Publishing Limited 2013-07-19, United Kingdom, 2013
ISBN 10: 1781905916ISBN 13: 9781781905913
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
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Published by N.p., N.p., 1953
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the 1953 film serial, showing actor Judd Holdren in costume as Commando Cody. From the archive of film historian and author Joel Finler. The series followed the titular masked super-scientist as he investigated of a string of climate disasters on Earth, eventually uncovering a nefarious plot to take over the planet by aliens from Venus. Originally intended to be broadcast on television as a 12-episode weekly series, the series was first released theatrically in 1953 as a 12-chapter weekly serial, and was syndicated to television in 1955 on NBC. 10 x 8 inches. Very Good plus, lightly and evenly age toned.
Published by MACBA Museu d'Art Contemporani de Barcelona / Kunsthaus Graz Barcelona / Graz, Spain / Austria, 2006
ISBN 10: 8489771200ISBN 13: 9788489771208
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
425 pp.; 23.5 x 17.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at MACBA Museu d'Art Contemporani de Barcelona, Spain, February - April, 2006. Traveled to Kunsthaus Graz, Austrua, June - September, 2006. Essays by Diedrich Diederichsen, Anne Rorimer, Hans-Jochen Müller, Manuel J. Borja-Villel, Peter Pakesch, and Anton Herbert. Artists include Carl Andre, Giovanni Anselmo, Art & Language, John Baldessari, Robert Barry, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Jean-Marc Bustamonte, André Cadere, Hanna Darboven, Jan Dibbets, Luciano Fabro, Gilbert & George, Dan Graham, Douglas Huebler, Donald Judd, Rodney Graham, On Kawara, Mike Kelley, Martin Kippenberger, Joseph Kosuth, Jannis Kounellis, Sol LeWitt, Richard Long, Mario Merz, Reinhard Mucha, Bruce Nauman, Giulio Paolini, Michelangelo Pistoletto, Gerhard Richter, Edward Ruscha, Robert Ryman, Thomas Schütte, Robert Smithson, Niele Toroni, Jan Vercruysse, Didier Vermeiren, Lawrence Weiner, Franz West, and Ian Wilson. Includes illustrations and lists of works and documents from the collection. Texts in English. Reference : No. 224 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 127. Very Good. Bumping of top right corner of covers, overall soiling of dust-jacket with additional 2.2 cm. area of spotty yellow soiling to recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.