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Sammlung verschiedener alter Holzschnitte, grosstentheile nach Albrecht Dürers Zeichnungen, wovon sich kie Originalplatten auf der K. K. hofbibliothek befinden.

DÜRER, Albrecht and BARTSCH, Adam Von

Published by auf Kosten und im Verlage Josephs Edlen von Kurzbeck, K.K. illyrisch und orientalischen Hofbuckdruckern, Wien, (1781)

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Item Description: auf Kosten und im Verlage Josephs Edlen von Kurzbeck, K.K. illyrisch und orientalischen Hofbuckdruckern, Wien, 1781. Map - 655 by 857mm (25.75 by 33.75 inches). A rare Dürer portfolio including Dürer's rare map of the world Folio, 13 woodcuts (of which are six are single sheet, two are on one sheet, and five are folding), world map with some wear at folds, reinforced, a few stains, portrait cropped to printed margin, chipped, mounted, top and bottom margins extended as issued, light toning to a few sheets, large royal genealogical plate partially toned, manuscript inscription inside of back cover dated 1795. This extremely rare portfolio of printed works by, and associated with, Albrecht Dürer was published in 1781, some 250 years after the great artist's death. The various woodblocks, from which these impressions were taken, had recently been discovered at Castle Ambras in the Tyrol, and the former Jesuit College in Graz. The majority of the woodblocks were found to be extremely rare, with many having no extant example from the sixteenth century. Due to their rarity it was decided to publish a limited edition. Joseph Elden von Kurzbeck, the well known publisher, was approached to fund the project, with editing being carried out by Johann Adam von Bartsch. Von Bartsch (1757-1821), a noted scholar and artist, was then in the employ of the Royal Court Library in Vienna - he would later become head curator of the library's print collection. The finished work comprised of 14 woodcuts with an introduction by von Bartsch. The centrepiece of the portfolio is a striking two sheet world map, dated 1515. Although not signed by Dürer, it is most certainly the work of the artist. The map was produced in collaboration with Johann Stabius, the court astronomer to Maximillian I. The pair had previously worked upon a set of star charts - the first printed charts of the heavens - which also bear the date 1515. It is hard not to assume that these two works were meant as companion pieces. With the world map's rather unsuccessful attempt to render the globular world as a flat sphere, the pieces certainly bear a uniformity of design. The map features are essentially Ptolemaic, with Europe and East Asia appearing on the extreme left and right of the map. The only nod to modernity is the acknowledgement of the circumnavigation of Africa, which was taken from Martin Behaim's globe of 1492. To the bottom right is the priviledge dated 1515, with the arms of Johann Stabius lower left. The borders also bear the arms of, and dedication to, the work's patron, Cardinal Matthaus Lang, Archbishop of Salzburg. However, it is in the depiction of twelve winds that Dürer's hand is most evident. Each wind is depicted as a head borne upon a cloud with a winged headdress, a few bearing peacock feathers.Although the present folio lacks one of the woodcuts and the introduction, only two out of the six known institutional examples are complete. No copies of the folio have appeared at auction in the last thirty years and we are only aware of one coming to market in that time. The woodblocks for all the woodcuts remain in the National Library of Austria. As for the world map, no sixteenth century example exists. Apart from the 1781 re-strikes, a few impressions were pulled in 1864. The OCLC records five institutional examples (Herzogin Ann Amalia Biblothk; Staats Bibliothk Zu Berlin; Bibliotheque Nationale De France (possibly just text); Danish Union Catalogue & National Library; British Library).List of woodcuts in the portfolio:1. The frontispiece is a portrait of Dürer, which is believed to be a copy of an original by Dürer.2.& 3. Two versions of the coat-of-arms of Stabius, both by Dürer. Kurth 322. Both not published until 1781. Both are single page.4. Arms of the Archduke Charles by Dürer. Single sheet.5. Horoscopion omni generaliter (Attributed to Hans Springinklee). The horoscope of Stabius. Dated 1512; no 1781 date, thus possibly the original edition.6. & 7. On single sheet: A. Judith with the head of Holofernis. From a copper etching by Israels von Mecheln. B. Small, fine woodcut of the visitation of a saint. With unid. Bookseller Inventory # 1661

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Institutionum Geometricarum

DÜRER, Albrecht

Published by Paris Christian Wechel 1532. (1532)

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Item Description: Paris Christian Wechel 1532., 1532. (4) ff., recto of last leaf blank, woodcut of man with lute on verso, 185 pp., (verso blank), (1) f. (printer’s device on verso, recto blank); folding extensions on P6 & Q1 as required by Mortimer. Bound in 18th-century calf over boards, spine with raised bands re-backed, later red morocco title label. Title dusty; occasional toning; small wormtrack through much of volume, generally in blank margin but occasionally grazing a partial letter or printed border on plates. Withal a fresh copy, very good.[Bound with:]DÜRER, Albrecht. De Urbibus, Arcibus, castellisque condendis, ac muniendis rationes aliquot, praesenti bellorum necessitati accomodatissimae . Paris, Christian Wechel, 1535. (40) ff., including 10 double-page/extended leaves as described by Mortimer. First Latin edition of Dürer’s first book on the theory of art, the Unterweisung der Messung, bound with the first Latin edition of his treatise on fortification, "strictly speaking the first treatise dealing exclusively with this subject" (Krufft), with important material on urban planning and utopianism.1) Illustrated by Dürer himself, the Institutionum Geometricarum outlines the artist’s theory of "the work of art as a natural object", which became an accepted aesthetic dogma until the 19th century. Far more than the German original of 1525, this translation by the humanist Camerarius brought the treatise to the attention of the whole of Europe. As a theoretical statement by "the last major painter to be counted a significant geometer" (Kemp), the work is naturally of interest for applications in Dürer’s own oeuvre as well as for the history of perspective. After his encounter with Luca Pacioli in Italy, Dürer became convinced of how close the links are between art and mathematics and devoted himself to the study of form through the resources offered by arithmetic and geometry. The result was the present work. In this work Dürer teaches the principles of perspective and explains the application of practical geometry to drawing and painting. It became a very influential text as its audience broadened from artists to architects, sculptors, and different craftsmen and was translated and reprinted several times.Panofsky describes the treatise’s importance as three-fold: for the technical innovation in the construction of a perspective apparatus in which the eye of the observer is dispensed with entirely; for being the first literary document "in which a strictly representational problem received a strictly scientific treatment at the hands of a Northerner"; and for emphasizing that "perspective is not a technical discipline destined to remain subsidiary to painting or architecture, but an important branch of mathematics, capable of being developed into what is now known as general projective geometry" (Panofsky, p. 252).Book Three contains Dürer’s famous treatise on the just shaping of Roman capital letters and gothic or ‘Textur’ letters built up by means of small geometrical forms, a method original with Dürer. (This text was translated into English by R.T. Nichol for publication by the Grolier Club, Of the Just Shaping of Letters, New York, 1917.)2) Inspired by the artist’s witnessing the siege of Hohenasperg in 1519 and by fear of the advancing Turkish armies, Krufft writes, De Urbibus "employs a dual approach. On the one hand Dürer develops various alternatives for the construction of bastions to defend existing cities; this is the contemporary aspect. At the heart of the treatise, he outlines a utopian city, in which the nature of fortification merely serves as a spur to the depiction of a social structure organized on the ground. Related trades are placed side by side; Bookseller Inventory # 2727

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Reformacion der Stat Nuremberg.

Nuremberg; Durer, Albrecht

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Item Description: 1522. With a Full-Page Allegorical Frontispiece by Albrecht Durer [Nuremberg]. [Durer, Albrecht (1471-1528)]. Reformacion der Stat Nuremberg. [Nuremberg: Fridrichen Peypus, 1522]. [xxxvi], 30, 208 ff. Folio (12" x 8"). Contemporary panel-stamped reversed calf (with traces of gilt stamping), early repairs to spine ends, clasps present and intact, endpapers renewed at some point. Some rubbing to extremities, chipping to head of spine, a few scuffs and stains to boards, small crack to front joint, rear hinge cracked due to worming, minor worming to fol. 208. Allegorical frontispiece by Durer featuring Lady Justice and a female figure representing charity, attractive woodcut decorated initials throughout. Light toning to text, some leaves lightly browned, faint stains and foxing to a few leaves, wide margins. "1522/ jahre" to title page in near-contemporary hand, interior otherwise clean. * First edition. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. The Reformation, or civic legal code, of Nuremberg is known for its humanistic orientation, straightforward language and elegant production. It revised the code enacted in 1498. The 1522 issue by Peypus is notable for its splendid full-page frontispiece by the great Nuremberg artist Albrecht Durer. The bottom half depicts two putti displaying the arms of the city and empire. The upper half depicts Lady Justice, holding scales and a sword, and a female figure representing charity, who is pouring coins from a purse and opening her bodice to bear her heart, which is represented by a flame. The woodcut initials are finely carved and possibly the work of Durer or his workshop. OCLC locates 4 copies in North America, 1 in a law library (Harvard). Verzeichnis der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2027. Meder, Durer-Katalog 285. Bookseller Inventory # 60609

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De Symmetria partium in rectis formis humanorum corporum / De varietate figurarum et flexuris partium ac gestibus imaginum.

DÜRER, Albrecht

Published by Hieronymus Formschneyder, Nürnberg (1532)

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Item Description: Hieronymus Formschneyder, Nürnberg, 1532. Hardcover. Book Condition: Very Good. 1st Edition. Folio - over 12 - 15" tall. De Symmetria partium in rectis formis humanorum corporum, Libri in Latinum conversi (per J. Camerarium). Nürnberg: in aedib. viduae Durerianae, 1532. Folio (313x206 mm). 80 unnumbered leaves (last blank), Dürer's woodcut monogram on title - [Bound with]: De varietate figurarum et flexuris partium ac gestib(us) imaginum, libri duo, qui priorib(us) de symmetria quondam editis, nunc primum in Latinum conversi (per eodem) accesserunt. Nürnberg: Hieronymus Formschneyder (i.e. Andreä) for Dürer's Widow, 1534. 55 (of 60, including 1 blank) unnumbered leaves. Both works with 145 full-length outline woodcut illustrations (4 folding) of human figures and human figures in motion, many diagrams of heads and other illustrations. Some spotting and mainly marginal browning, some dust-staining in places, few restorations, leaves E3-4 and M3-4 of first work supplied and somewhat smaller in size, leaves A3-4 and K2 trimmed in upper and lower margins (w/o loss). The second work is lacking leaves d3-4, e6 and f6 (both form the second part of a folding leaf and here supplied in facsimile) and the last blank. Recent vellum (stained, new endpapers) with Dürers monogram in manuscript to spine. ---- Adams D-1044 and D-1049; Fairfax Murray German Books 152 and 153; Bohatta 20 & 21 . - Two works in one volume in first Latin edition. "De Symmetria" comprises books I/II, "De varietate" books III/IV of the "Vier Bücher der menschlichen Proportion", the woodcuts are derived from the German edition of 1528. "These two works should, of course accompany one another, but they are often found apart and separately bound" (Murray). Unlike his Italian contemporary, Leonardo da Vinci, who published nothing, Dürer lived and worked in the world of printing and engraving. Dürer's treatise on human proportion was the earliest of the three theoretical works written in his later years. Dürer began formulating mathematical rules for the proportions of the human form soon after his first trip to Venice in 1494-5. For his mathematical formulations he drew upon the works of antiquity as well as the Italian rediscoveries; as for his other theoretical works, his goal was to establish a scientific basis for aesthetics and to provide practical guidelines for draftsmanship. "The book is the synthesis of Dürer's solutions to his self-imposed formal problems; in it he sets forth his formal aesthetic. Dürer's aesthetic rules are based firmly in the laws of optics--indeed, he even designed special mechanical instruments to aid in the measurement of human form. He used the height of the human body as the basic unit of measurement." (DSB). Book IV is of the greatest interest as it presents for the first time many "new, difficult, and intricate considerations of descriptive spatial geometry. Dürer's chief accomplishment as outlined in the Four Books is that in rendering figures.he first solved the problem of establishing a canon, then considered the transformation of forms within that canon. In so doing he considered the spatial relations of form and the motions of form within space" (DSB). Bookseller Inventory # 001823

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WELTCHRONIK (THE CHRONICLES OF NUREMBERG) Fine Facsimile Edition of Hand Coloured Encyclopedia

Hartmann Schedel; Albrecht Durer

Published by Il Bulino

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Item Description: Il Bulino. Hardcover. Book Condition: New; New; IlThe bookof world historyThis sumptuouswork is the resultof the largestpublishing companyin the historyof the pressin the age ofincunabula. Output fromthe printingpressesKobergerinJuly 1493in Latinunder the titleLiberchronicarum, was reprintedin Decemberof the same yearin Germanunder the titleWeltchronik, thenwidely known andsought after in Italyandin Europe asthe NurembergChronicles. Authorwas HartmannSchedel, a famousGerman humanist, who, with the publisherand sponsors, created apool of scholars, illustrators (including the youngAlbrechtDürer) , pressmenand bookbindersto equip theGermanand Europeancultureofan encyclopediaonhistory of the worldfrom the Creationuntil the eveof thediscovery of America. The work consistsof596 pagesin sizeof 30,8×40.3cmand contains1809woodcut illustrations(including645fromoriginal timbers) entirelyhand colored, as wasrequired forthe most luxuriouspiecesintended fortheprincelylibraries. Themappingsystemis one of themost important features: allthe then known worldis represented withmore or lessfantasy. Standfortruth, however, large plantstopographicalareaof thecity ofFranco-GermanandItalian citiesmost important and famous: Rome, Venice, Florenceand Genoa. Thefacsimile editionIt was builtinGermany to celebratethe 500th anniversaryof the work. Theinternationaleditionof 800numbered copies, bound in parchmentandkept in abox. The commentaryis inGerman. There is also anabstract inItalian. Bookseller Inventory # 51746

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Preces ac meditationes piae in mysteria passionis ac resurrectionis D.N. Iesu Christi

Dürer Albrecht

Published by Friessem, Köln (1680)

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Item Description: Friessem, Köln, 1680. Cuir. Book Condition: Très bon. Dust Jacket Condition: Très bon. Dürer (illustrator). 1ère Édition. In-12. Preces ac meditationes piae in mysteria passionis ac resurrectionis D.N. Iesu Christi collectae per Georgium Scherer ~ A Cologne, Wilhelmi Friessem, 1680. ~ Indiqué 1580 sur frontispice pour édition de 1680. ~ In-12, 176 pp., reliure d'époque en pleine basane, dos à 4 nerfs Janséniste, plats ornés de fleurons angulaires sur les plats et roulette d'encadrement, tranches dorées ~ Illustré d'un frontispice de Goossens et de 15 fines figures de Dürer sur la Passion du Christ, portant et des dates différentes allant de 1506 à 1512. ~ 1.Frontispice 2.Le Christ au Mont des Oliviers 3.Le baiser de Judas 4.Le Christ devant Ponce Pilate 5.Le Christ devant Hérode 6.La flagellation 7.Le couronnement d'épines 8.Le Christ présenté au people 9.Ecce Homo 10. Ponce Pilate se lave les mains 11.Sainte Véronique essuyant le visage du Christ montant au Golgotha 12.Le Christ sur la croix 13.La descende de croix & lamentations 14.La mise au tombeau 15.La descente aux Limbes 16.La Résurrection ~ Brunet V, 198 :"Recherché à cause des gravures ~ Très rare. Bookseller Inventory # 000063

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Die Beschneidung Christi" (The Circumcision of Christ).

DÜRER, ALBRECHT].

Published by (Germany c. 1511) (1511)

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Item Description: (Germany c. 1511), 1511. Woodcut measures 12 1/4 by 9 inches, in a handsome 18 1/2 by 15 1/4-inch frame. This original woodcut print by one of the masters of the Northern Renaissance is part of a series of illustrations depicting scenes from The Life of the Virgin. According to Meder, this separate print was made after the 1511 Latin text edition of The Life of the Virgin. The print’s paper bears the fischblase (fish bladder) watermark, which indicates that the print dates to the sixteenth century; this is Meder's state e. In "The Circumcision," a sorrowful Mary watches as Christ, her child, undergoes the sacred rite. A man carrying a tall, braided candle stands on the left side, while Mary and the crowd of people in attendance fill the right side of the temple nave. Dürer’s signature monogram is incorporated into the design, located on a slate in the bottom right of the scene. Dürer is known for his masterful, detailed wood engraving, and is recognized as one of the first European landscape artists. A few faint crease marks present. A rare, extremely fine example of the artist’s virtuosic technique. (Bartsch 86, Meder 198). Bookseller Inventory # 22858

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La Vie de la Vierge

DÜRER (Albrecht) / RAIMONDI (Marcantino)

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Item Description: 1550. Couverture rigide. Book Condition: Bon. Dust Jacket Condition: Bon. Livre ancien Suite de 16 planches sur 17 gravées au burin en beau tirage ancien. La Vie de la Vierge a été gravée par Raimondi d’après les bois d’Albrecht Dürer (Bartsch, 621 à 637). Cette remarquable suite de 16 planches (sur 17, il manque la planche 8 représentant la Visitation) gravées au burin (environ 210 x 290 mm) en très beau tirage ancien a été montée dans un recueil in-4 en plein vélin à l’imitation des vélins estampés du XVIe siècle. Elles sont monogrammées et numérotées, légères rousseurs sur certaines d'entre elles, elles sont rognées au trait carré et montées sur un feuillet réglé à l'encre brune, chacun monté sur onglets. Condition : In-4 en plein vélin à l’imitation des vélins estampés du XVIe siècle. Livre ancien. Bookseller Inventory # 1816

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Les Quatre Livres . de la proportion des parties & pourtraicts des corps humains. Traduicts par Loys Megret.

DURER, ALBRECHT

Published by Arnhem, Jean Jeanszoon 1614 (1614)

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Item Description: Arnhem, Jean Jeanszoon 1614, 1614. Rilegato. Book Condition: buono. In folio (cm 30), early 18th's cent. brown calf with golden supralibros on both covers, showing a crossed shield held by two lions with a duke's crown on top, and motto " In Sperantia ", red edges, contemporary marbled paper flyleaves, inside lightly browned for the own quality of the paper, but a genuine copy. Woodcut printer's device on title-page, ff. (2), 124 num., completely illustrated with woodcuts (somewhere slighlty shaved). A close reprint of the 1557 french version of this famous work by Durer, originally edited in german(Von Menschlicher Proportion) in 1528; this translation is by Louis Meigret and is based on the latin version by Joachim Camerarius. Graesse II, 452; Meder p. 289; Bohatta, Kunsttheor. Werke Durers n. 27. Autografato dall'autore. Bookseller Inventory # REsf440041

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Item Description: Il Bulino. Hardcover. Book Condition: New; New; The Small Passion is one of the most famous works of Albrecht Dürer. Madebetween 1509 and 1511, when it was published in a book by the same artist, publisher himself of his great graphic works. The work consists of 36 woodcut plates, plus the title page, "vir dolorum", and a further table, already repudiated by Dürer, but included for documentation, the average size of the woodcuts is 128 x 96 mm, printed onsheets of 21 x 15 cm. The original volume was completed with the comment to the tables of Philip Chelidonio. A few years after, the entire suite was sold by Dürer to the engraver Marcantonio Raimondi in Bologna, with whom Dürer then came into conflict, accusing him of plagiarism. In fact, Raimondi used the tables to do the same work in etching, as well as copied other works - particularly the leaves of the "Life of the Virgin" - to sell them on the Italian and European market. Such was the popularity of Dürer's work in the first decades of the sixteenth century, that many artists were inspired fortheir works: Romanino by Pontormo, but also many German and Flemish illuminators, as Nicolaus Glockendon and Simon Bening. The original drawings reappeared in Venice, and after an edition in the mid-sixteenth century, in 1600 the work on the initiative of the cartographer and engraver Donato Rasciotti, was reprinted by the publisher Venetian Daniele Bisuccio with a dedication to the Archduke of Austria, with a newtitle and with the new commentary in Italian by Maurizio Moro. The facsimile edition of the work wak taken by one of the rare examples of test printing of the seventeenth century, from a private collection, withaout the text by Maurizio Moro, but with all the original woodcut apparatus: the title "Vir dolorum", the36 tablets of the Passion, preceded by two woodcuts dedicated to Progenitors in Eden, and the first version of the table "Christ on the Mount of Olives", then repudiated by Dürer and replaced with the new one . The format (21 x 15) and the number of pages (76 + VIII endpapers and imprint) are similar to the original work. The work is printed on Fabriano Gentile paper, the leather binding with a frame engraved on the plates, is by Ancient Bookbinding Gozzi of Modena. Facsimile editione is completed by a volume (in Italian) about life and work of Albrecht Dürer. The author is the same publisher, Mauro Bini, who has re-read the story of the artist of Nuremberg in an innovative way: a long journey to the "modernity." Since its first youth in Germany, the two journeys in Italy and Venice, to the last stay in Flanders in 1520-21, Dürer went to the discovery of new trends in the Renaissance and the new dimension of man and of scientific knowledgeas in Anversa, capital of trade and balance of political world, discovered the new European bourgeois society. The Small Passion wood and this commentary volume are kept in a brown silk box. The print run consists of 199 copies, numbered and certified, + 26 signed from A to Z reserved for Bulino. S friends. Bookseller Inventory # 51727

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Albrecht Dürer. Das druckgraphische Werk. The Graphic Work. 3 Volumes.

Schoch, Mende and Scherbaum; Durer, Albrecht.

Published by Nürnberg: Germanischen National Museum-2004. (2001)

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Item Description: Nürnberg: Germanischen National Museum-2004., 2001. Book Condition: Good. Das druckgraphische Werk. Band I. Kupferstiche, Eisenradierungen and Kaltnadelblätter. (Engravings, Etchings and Drypoints). Das druckgraphische Werk. Band II. Holzschnitte und Holzschnittfolgen. (Woodcuts). Das druckgraphische Werk. Band III. Buchillustrationen. (Book Illustrations). Fine. Bookseller Inventory # 05-0160

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Portrait. Halbfigur in pelzbesetztem Mantel nach rechts, darunter Textsockel. Kupferstich von Lucan Kilian nach Hans Rottenhammer.,

Dürer, Albrecht (1471-1528):

Published by Augsburg, datiert 1608. (1608)

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Item Description: Augsburg, datiert 1608., 1608. Book Condition: Gut. Blattgröße: 338 x 200 mm - Plattengröße: 338 x 200 mm. *Nagler 45. Hollstein 178. Eines der schönsten und klassischen Dürerbildnisse, gestochen von Lukas Kilian nach dem Bildnis welches Rottenhammer nach einem Selbstporträt in einem Gemälde Dürers schuf, im vorliegenden Originalabzug recht selten. "Dies ist eines der besten Bildnisse von Dürer, ganz wie der Mann war. Es wurde öfter kopiert" (Nagler). - "Although this image became one of the best known representations of Dürer to posterity, it is in fact, twice removed from Dürer's own work. As the inscription states, it was engraved by Kilian after Johann Rottenhammer's copy of Dürer's Feast of the Rose Garlands painting of 1506 which was commissioned by the German merchants of the Confraternity of the Rosary for the church of San Bartolommeo in Venice (Anzelewsky 93)" (Bartum in Dürer catalogue British Museum 2002). - Guter und klarer Abzug. - Bis an den Plattenrand beschnitten (Einfassungslinie noch sichtbar), um 1850 alt aufgezogen und an den Ecken auf Trägerpapier montiert. Die rechte obere und untere Ecke mit ganz kleinem Papierverlust im weißen Rand (wenige Millimeter). Insgesamt gut erhalten. - Provinienz: Aus der berühmten Kunstsammlung Max Speck von Sternburg (kleiner Blindstempel im Unterrand). Sprache: de Gewicht in Gramm: 1000. Bookseller Inventory # 119463

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THE LITTLE PASSION

DURER, Albrecht

Published by Editiones Officinae Bodoni Verona 1971 First Edition Thus. Hardback. (1971)

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From: Any Amount of Books ABA (LONDON (56 Charing Cross Road), ., United Kingdom)

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Item Description: Editiones Officinae Bodoni Verona 1971 First Edition Thus. Hardback., 1971. [218pp]. 8vo [23 x 18cm]. Published to commemorate the 500th anniversary of Durer's birth, a superb edition of the artist's 1511 Passio Christi with the woodcuts re-engraved by Leonardo Farina, the eminent Italian master in the field. Woodcuts preceded by the Latin poems of Brother Benedictus Chelidonius (Benedikt Schwalbe); these followed by a literal prose version in English by Robert Fitzgerald. A postscript by Giovanni Mardersteig deals with the printing of Durer's woodcuts and gives the first survey of the life and poetic work of Benedictus Chelidonius. One, number 132, of 140 copies printed on the hand-press on Managni handmade paper of Pescia. Dante type. Textured brown paper-covered boards quarter bound with brown pigskin lettered gilt. Gilt design to front board. Top edge gilt; other page edges untrimmed. Original flyer loosely inserted. Bookplate (v sl smudged) of Gerald Goldberg, Lord Mayor of Cork (1997-78), to ffep. Otherwise fine. Bookseller Inventory # C7188

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Ritter, Tod u. Teufel.

Dürer, Albrecht (1471-1528):

Published by 0, O.O.,

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From: EOS Buchantiquariat Benz (Zuerich, CH, Switzerland)

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Item Description: 0, O.O., Bildgrösse: 59 x 75 cm. Reprint des 20. Jahrhunderts nach dem Kupferstich von 1513, gerahmt. O.O., o. J. Bildgrösse: 59 x 75 cm. Blattgrösse: 75 x 96 cm. Leicht stockfleckig. Bookseller Inventory # 285BG

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Records of journeys to Venice and the Low Countries by Albrecht Dürer. Edited by Roger Fry.

DÜRER, Albrecht.

Published by The Merrymount Press,, Boston, (1913)

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Item Description: The Merrymount Press,, Boston, 1913. 8vo. Contemporary green morocco, gilt title on spine with raised bands, both covers blind tooled, bound by R.R. Donnelley & Sons Co. Chicago. Title printed in red & black, marginalia and initials printed in red. XXVI, 117, (2) pp. English translation of the letters by Albrecht Dürer (1471-1528) written to Willibald Pirkheimer during his travels, and a diary of his journey (1520-1521) to the Netherlands. The book is very elegantly printed and published in the series The Humanists Library, vol. VI, and edited by Roger Fry (1866-1934). The title page is designed by W.A. Dwiggins. Fine copy with the bookplate of Neva and Guy Littell, president of the binding company R.R. Donnelley, with postcard to C.G. Littell.- (Spine sl. rubbed; front hinge sl. loose). One copy listed in British Library. Bookseller Inventory # 7B4A2U01U79O

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Albrecht Dürer. Das druckgraphische Werk. Band I. Kupferstiche, Eisenradierungen and Kaltnadelblätter. (Engravings, Etchings and Drypoints).

Schoch, Mende and Scherbaum; Durer, Albrecht.

Published by Nürnberg: Germanischen National Museum. (2001)

ISBN 10: 3791324349 ISBN 13: 9783791324340

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Item Description: Nürnberg: Germanischen National Museum., 2001. Book Condition: Good. 288 pp. Fully illustrated. Cloth in dust jacket. Fine. Bookseller Inventory # 01-1067

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Durer Album

Albrecht Durer

Published by Nurnberg -Verlag von J. Zeiser's Buch- und Kunsthandlung (1856)

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From: Rooke Books PBFA (Bath, ., United Kingdom)

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Item Description: Nurnberg -Verlag von J. Zeiser's Buch- und Kunsthandlung, 1856. Hardcover. Book Condition: Very Good. A collection of engravings by Durer. Albrecht Durer (21 May 1471 6 April 1528) was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. Condition: In a half morocco binding with marbled boards. Externally, rather worn. Both boards detached. Loss to leather of spine and lifting to some of the remaining leather. Internally, generally firmly bound, bright with the odd handling mark. Overall: GOOD (ONLY). Bookseller Inventory # 022041

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Item Description: No Binding. Book Condition: Good. 30 x 21 cm. Houtsnede uit de reeks "Marienleben/ Life of the Virgin / La vie de la Sainte Vierge Marie, door Dürer gemaakt in 1501 - 1502. Deze houtsneden werden een tiental jaren later opgenomen in het boek "Epitome in Divae Parthenices Mariae Historiam" van Chelidonius Benedictus. Monogram in het blok. Ref: Albertina, Wien. Zwarte lijnen als omkadering op ongeveer 0,5 cm van de randen. Goede toestand. Bookseller Inventory # 90913

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TAGEBUCH DER REISE IN DIE NIEDERLANDE.

Albrecht DÜRER / Fedja ANZELEWSKY

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Item Description: Zürich, seefeld, 1988, 33x26. Reliure en demi maroquin brun-vert, dans un emboîtage cartonné, Monogramme d'Albrecht Dürer sur le premier plat. Richement illustré. Texte en allemand. Magnifique exemplaire, à l'état neuf. L'un des 185 exemplaire (105). Bookseller Inventory # 3456

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CONSTRUCTION OF ROMAN LETTERS.|THE

Durer, Albrecht

Published by Dunster House, Cambridge (1924)

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From: Oak Knoll Books, ABAA, ILAB (New Castle, DE, U.S.A.)

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Item Description: Dunster House, Cambridge, 1924. Rogers, Bruce (illustrator). 12mo. later quarter leather with blue cloth covers. 40 pages. Limited to 350 copies and designed by Bruce Rogers. (Warde no. 178). Printer's note in Centaur type and reproductions within red rules. Three page introduction by Rogers followed by the reproduction of the 16th-century writing manual showing how D?rer constructed his letters. An exquisite book. Original fragile covers have been replaced with a modern tasteful binding. later quarter leather with blue cloth covers. Bookseller Inventory # 121412

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Aquarelle und Zeichnungen von Albrecht Dürer. Albertina - Facsimiles.

Dürer, Albrecht.

Published by Wien. Verlag Anton Schroll & Co., o.J.

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From: Leipziger Antiquariat e.K. (Leipzig, SACH, Germany)

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Item Description: Wien. Verlag Anton Schroll & Co., o.J. 30 von 42 Blatt, meist in Farbe, Folio. 61,3 x 45,5 cm. 31 + Doppelblatt Seiten, Albertina - Facsimiles, Albertina - Facsimiles In gutem Zustand. die kassettenartige Flügelmappe etwas angestaubt und fleckig und leicht beschädigt, die Blätter alle unter Passepartout und in Originalgröße abgebildet, meist mit einer kleinen Eckstauchung außerhalb der Darstellung, die Abbildungen im Lichtdruck von "hohen Reizen", nicht vollständig, 12 Blätter fehlen, ES FEHLEN 12 BLÄTTER: Tafel 2, 8, 10, 20, 21, 23, 25, 34, 36, 37, 38, 39. enthält die Tafeln: 1, 3, 4, 5, 6, 7, 9, 11, 12, 13, 14, 15, 16, 17, 18, 19, 22, 24, 26, 27, 28, 29, 30, 31, 32, 33, 35, 40, 41, 42. Flügelmappe mit papierbezogenen Pappdeckeln, Hardcover in Halbleinwand, Bookseller Inventory # 109041

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Treibendes Szenario

Dürer, Albrecht

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From: Celler Versandantiquariat (Eicklingen, Germany)

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Item Description: Orig. Kupferstich, (17. Jahrhundert). 21 cm x 28,5 cm unter Passepartout. Bookseller Inventory # 515aa

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Item Description: Dietikon-Zürich, Verlag Bibliophile Drucke von Josef Stocker, 1971. 4°. Book Condition: Gut. 145 Seiten, 1 Bl., mit zahlr. Abbildungen im Faksimiletei Gut erhaltenes Exemplar., Erschienen in einer Auflage insgesamt 700 numerierten Exemplaren. Hier Nr. 400 Der Druck erfolgte auf Weiss Büttenkupferdruck der Hahnemühle Dassel. 3580 Sprache: de Gewicht in Gramm: 1160. Bookseller Inventory # 416404

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Apocalypse. Introduction by Erwin Panofsky.

Dürer, [Albrecht]:

Published by Eugrammia Press,, London, (1964)

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From: Rainer Kurz - Antiquariat (D-83080 Oberaudorf, ., Germany)

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Item Description: Eugrammia Press,, London, 1964. Ca. 43,5 x 30 cm. 2 Bände (Faksimile und Kommentarband). London, Eugrammia Press, 1964. Ca. 43,5 x 30 cm. (32) unpagin. Seiten mit 15 ganzseitigen Illustrationen; 8 Seiten Text. Original-Halblederband mit reicher Deckelgoldprägung (Faksimile); Original-Broschur mit reicher Deckelgoldprägung (Kommentarband). In Original-Leinenschuber mit reicher Deckelgoldprägung. Exemplar 162/535. Faksimile von "Die heimliche Offenbarung Johannis". Text des Kommentarbandes in englisch. Rücken der Broschur berieben. Sonst tadelloser Zustand. Original-Halblederband mit reicher Deckelgoldprägung (Faksimile); Original-Broschur mit reicher Deckelgoldprägung (Kommentarband). In Original-Leinenschuber mit reicher Deckelgoldprägung. Bookseller Inventory # 32670AB

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Di Alberto Durero : Della simmetria dei corpi Humani libri quattro / nouamente tradotti dalla lingua latina nella italiana da M. Gio. Paolo Gallucci .

Dürer, Albrecht 1471 to 1528 / Durer / Italia Venecia / Gallucci, Giovanni Paolo, Ca.1538 to 1621 Translation / Traducción

Published by Italia Venecia : In Venetia : appresso Roberto Meietti, 1594 : Appresso Domenico Nicolini 1591 / 1594, A Bound / Flex Cover / Reprint / FBRE, Ltd. (1594)

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Item Description: Italia Venecia : In Venetia : appresso Roberto Meietti, 1594 : Appresso Domenico Nicolini 1591 / 1594, A Bound / Flex Cover / Reprint / FBRE, Ltd., 1594. Soft Cover / Cloth Binding. Book Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). Clean and Unmarked Text. Facsimile Bound Reprint Edition. 290 pages. Paper / Soft cover reprint edition in very good or better condition, slight wear to edges. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Archival reprint. Art History / Reference. Bookseller Inventory # 5026928

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Auferstehung

Hollander, Eugen

Published by S. Fontane & Co., Berlin, Germany (1923)

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From: Certain Books, ABAA (Westhampton, NY, U.S.A.)

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Item Description: S. Fontane & Co., Berlin, Germany, 1923. Leather. Book Condition: Good. Albrecht Durer (illustrator). First Edition. Limited edition, Number 74 of 1000; this being one of 200 very nicely done, printed on Holland van Gelder paper with hand--colored decorations and illustrations; being the play recounting the Resurrection of Jesus Christ; with 3 tipped-on colored illustrations, artwork of Albrecht Durer; German text; approx. 10 1/4" x 13" size; small booksellers ticket of B. Westermann Co. Inc. New York on the front endpaper; original illustrated and titled paper-covered boards; red leather spine, gilt spine titles; rubbing and wear to spine and board edges, darkened; text and plate pages generally very good and clean, occasional finger-soiling; in good condition overall. Bookseller Inventory # 22686

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DONALD JUDD. Complete Writings 1959-1975.

JUDD, DONALD / ALBERS, JOSEPH / APPEL, KAREL / ARAKAWA, SHUSAKU / ARNESON, ROBERT / ARP, JEAN (HANS) / ARTSCHWAGER, RICHARD / HACMANN, HERMANN / BARDONE, GUY / BASSINE, BEULAH / BEAL, JACK / BEAL, SONDRA / BEARDEN, ROMARE / BIEDERMAN, CHARLES / BIRILLO, BEN / BODIN, PAUL / BRECHT, GEORGE / BRIGGS, ERNEST / BUCKMINSTER, FULLER R. / BYARS, JAMES LEE / CADORET, MICHEL / CALDER, ALEXANDER / CARLBERG, NORMAN / CARRACIOLO, GIOVANNI BATTISTA / CHAMBERLAIN, JOHN / CHRISTO / CONNER, BRUCE / CORNELL, JOSEPH CURTIS, RONALD / DE KOONING, ELAINE / DE KOONING, WILLEM / DELAUNAY, ROBERT / DE MARIA, WALTER / DOYLE, TOM / DUCHAMP, MARCEL / DURER, ALBRECHT / EARLE, BILL / ERNST, JIMMY / EVANS, JAN / FABRICANT, DONALD / FELDMAN, JOSEPH / FERBER, HERBERT / FLA

Published by The Press of the Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada and New York University Press, New York, NY (1975)

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Item Description: The Press of the Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada and New York University Press, New York, NY, 1975. Exhibition catalog. Yellow and black and white. Wrappers. Stitch bound and glued. Artists included: D. Judd, J. Albers, K. Appel, S. Arakawa, R. Arneson, J. Arp, R. Artschwager, H. Hacmann, G. Bardone, B. Bassine, J. Beal, S. Beal, R. Bearden, C. Biederman, B. Birillo, P. Bodin, G. Brecht, E. Briggs, F.R. Buckminster, J.L. Byars, M. Cadoret, A. Calder, N. Carlberg, G.B. Carraciolo, J. Chamberlain, Christo, B. Conner, J. Cornell, R. Curtis, E. De Kooning, W. De Kooning, R. Delaunay, W. De Maria, T. Doyle, M. Duchamp, A. Durer, B. Earle, J. Ernst, J. Evans, D. Fabricant, J. Feldman, H. Ferber, D. Flavin, P. Forakis, J. Forsberg, H. Frakenthaler, A. Giacometti, M. Goldberg, A. Gorky, A. Gottlieb, D. Grossblatt, J. Guevara, A. Gussow, J. Hendrick, E. Hesse, E. Higgins, H. Hoffman, H. Hossdork, D. Iannone Upham, R. Indiana, S. Iwata, J. Johns, M.L. Jones, W. Kandinsky, E. Kelly, E. Kienholz, R.B. Kitaj, Y. Klein, F. Kline, S. Kusuda, R. Lichtenstein, M. Loew, H. Lohmer, H. Mack, R. Mangold, A. Martin, E. McFadden, J. Miro, T. Mihashita, R. Moreno, R. Morris, R. Motherwell, S. Motonaga, F. Myers, G. Napoli, J.M. Nattier, K. Noland, K. Okada, C. Oldenburg, G. O'Keefe, N. Oliveira, G. Ortman, J.C. Orozco, M. Pan, L. Picard, P. Picasso, J. Pollock, J. Rabinowitz, R. Rauschenberg, A. Reinhardt, D. Rivera, J. Rosenquist, F. Roth, M. Rothko, S. Rothstein, N. Saint-Phalle, L. Samaras, M. Schapiro, A. Schmidt, G. Segal, R. Selavy, M. Shapior, T. Shinoda, S. Shiraki, D. Simpson, T. Smith, M. Snow, J. Sonnenberg, M. Spooner, T. Stearns, F. Stella, T. Stickland, M. Strider, J. Suzuki, Y. Tanguy, W. Thiebaud, J. Tinguely, M. Strider, J. Suzuki, W. Thiebaud, J. Tinguely, M. Tobey, J. Treiman, C. Twombly, G. Uecker, G. Unicini, K. Van Bohemen, E. Vincente, A. Warhol, R. Watts, L. Weiner, R. Wiegand, J. Willenbecher, S. Wilson, M. Yoshimura, C. Yu-Tian, G. Zigaina, R. Smithson, I. Sandler and others. Very good condition minus some sunning to spine. 11 x 8.5". 229 pages."The job with Arts provided most of my money until the last year. I wrote criticism as a mercenary and would never have written it otherwise. Since there were no set hours and since I could work at home it was a good part time job. It took three or four days to see the shows and perhaps a week or so off and on to write the reviews, which I always put off until the deadline. I can't type, which was a nuisance to everyone."Reference: DONALD JUDD. Complete Writings 1959-1975. The Press of the Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada and New York University Press, New York, NY. May 24 - July 6, 1975. Minimalism. Bookseller Inventory # 12487w

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Hauptblatter Graphischer Kunst Des XV. Bis XVIII Jahrhunderts. Zweite Folge, Enthalend Die Nummern 101 Bis 150

Albrecht Durer, Cranach, Rembrandt, Others

Published by Fischer & Franke, Berlin (1910)

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Item Description: Fischer & Franke, Berlin, 1910. Hard Cover. Book Condition: Very Good. Folio - over 12" - 15" tall. Undated, ca. 1910. In German. Third in series of portfolios, each containing fifty prints each of works by noted artists of the fifteenth through eighteenth centuries. This one contains 41 (of fifty) plates by Durer, Cranach, Rembrandt, many others. Boards printed in red and black, 42.5 x 31.5 cm, cord ties, plates laid loosely with title page at front (list of contents on the back), each plate numbered and with explanatory text at the bottom corner of the reverse side. Of the fifty plates, ten are good quality prints directly on the pages, the other forty are printed on tan paper and tipped onto the pages. Missing plates are: 104-6, 108, 116, 119, 122, 131, 135. Some cover wear and rubbing, ties intact with some wear, plates very good with some minimal edgewear to a few, no tears, foxing or markings. Bookseller Inventory # 012799

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Apocalypse : Faksimile und Kommentarband,

Dürer, Albrecht and Erwin Panofsky:

Published by London, Eurgrammia Press (1964)

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From: Petra Gros (Koblenz, ., Germany)

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Item Description: London, Eurgrammia Press, 1964. Hardcover-Großformat; Book Condition: Gut. 8 / 30 Seiten 2 Bände mit Deckelgoldprägung im Schmuckschuber, Faksimile als Halblederband, Rückensignatur, ordnungsgemäß vorne und hinten ausgestempelt, ansonsten gepflegter, gut erhaltener Bildband aus aufgelöster Bibliothek einer großen deutschen Medienanstalt. Sprache: en Gewicht in Gramm: 1700. Bookseller Inventory # 1010524

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La Vierge à la couronne d?étoiles

DURER Albrecht) Guillaume de Haen

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From: Librairie Seigneur (Avignon, ., France)

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Item Description: "Très belle épreuve de ce graveur de Cologne, connu uniquement par ses copies de Durer. Copie de B. 31. Annotations en marge. 11,1 x 8,3. Bookseller Inventory # 5764

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