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Published by Oxford University Press, 1952
Seller: World of Rare Books, Goring-by-Sea, SXW, United Kingdom
Condition: Fair. 1952. Reprint. 453 pages. Blue dust jacket with black lettering over blue cloth. B&W illustrations throughout. Mild brown staining to pages on occasion. Minimal foxing and tanning to endpapers and page edges. Previous owner's inscription to front endpaper. Mild wear and bumping to spine, board edges and corners, with scuffing and soiling to boards. Unclipped dust jacket. Moderate wear, tear and loss to edges and corners, with tanning to spine and edges. Mild staining and soiling to DJ.
Published by Hardcover
Seller: Langdon eTraders, HARROW, United Kingdom
Condition: Good. Hardcover Good Sold by the Charity Langdon: Supporting men & women with disabilities Dispatched within one working day.
Published by Corner House Publishers, 1978
Seller: Alplaus Books, Alplaus, NY, U.S.A.
Book
Hardcover. Condition: Very Good. Blue cloth hardbound without dust jacket. 1978 facsimile reprint of the original 1905 edition. No markings noted, mild wear.
Published by Alpha Edition, 2020
ISBN 10: 9354176712ISBN 13: 9789354176715
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Oxford University Press, Geoffrey Cumberlege, 1948
Seller: Hammonds Antiques & Books, St. Louis, MO, U.S.A.
Hardcover. Condition: Good+. Dust Jacket Condition: Good. Good with dustjacket.
Published by Oxford University Press, New York, 1925
Book
Hardcover. Condition: Very Good. No Jacket. No wear to the binding. No distortion of the book from reading or improper shelving. Pages are tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. No sun fading. No dust jacket. 453pp.
Published by Alpha Edition, 2020
ISBN 10: 9354176801ISBN 13: 9789354176807
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Kessinger Publishing, 2007
ISBN 10: 1432549324ISBN 13: 9781432549329
Seller: California Books, Miami, FL, U.S.A.
Book
Condition: New.
Published by The Clarendon Press, 1947
Seller: Labyrinth Books, Princeton, NJ, U.S.A.
Hardcover. Condition: Very Good. Oxford, 1947. Reprinted from the sheets of the first edition, 1905, a "new and verbatim text from the manuscript engraved and letterpress originals, with variorum readings and bibliographical notes and prefaces." 8vo. Cloth, dj. xxxvi, 384 p. ; 2 fold. facsim. (incl. front.) ; 23 cm. Ex-library copy from the Oxford University Press archive, with call number on the spine, OUP bookplate, stamps at t. p. and on p. 15, residue. Clipped dj shows light wear, binding sound, leaves roughly 50% unopened at fore-edge. Solid copy all around.
Published by Oxford University Press, 1913
Seller: World of Rare Books, Goring-by-Sea, SXW, United Kingdom
Condition: Fair. 1913. No Edition Remarks. 453 pages. No dust jacket. Blue cloth. Contains black and white plates throughout. Pages remain bright and clear with minimal tanning and foxing. Pencil inscription to front free endpaper. Noticeable creasing to gutter. Cracking to gutters, with exposed netting. Pages remain intact. Boards have mild edge-wear with slight rubbing to surfaces. Soft crushing to spine ends. Visible tanning to spine and edges. Light marks to boards.
Published by Humphrey Milford Oxford University Press, London, 1943
Seller: Adelaide Booksellers, Clarence Gardens, SA, Australia
Hardback. Reprint. Octavo Size [approx 15.5 x 22.8cm]. Very Good condition. No dustjacket. Bookplate to Front Pastedown. Previous owner's details to front free end paper. Illustrated with black & white reproductions of Blake's art. Previous owner has pasted relevant paper clippings to rear endpapers and reverse of front free endpaper. Robust, professional packaging and tracking provided for all parcels. lvi, 453pp.
First edition thus (hardback). 8vo (21cm by 16cm), xxxviii, 344pp. Original white vellum, gilt titling to the front board and the spine, top edge gilt. There is some bowing of the boards, and a gift inscription to the front pastedown; overall, this book is in good condition.
Published by oxford university press, london - new york - toronto, 1958
Seller: alt-saarbrücker antiquariat g.w.melling, Saarbrücken, Germany
First Edition
Hardcover. Condition: Sehr gut. 1. auflage. oktav hardcover. sehr gutes exemplar. ungelesen, geb.ausgabe mit farbigen kopfschnitt, farb.goldgeprägtes org.leinen mit org.titelvignette, mit mehreren kunstdrucktafeln, 453 seiten, priv.name auf vorsatz / unread, hardcover edition with colored endpapers, color gilt org. cloth with org. title vignette, with several art plates, 453 pages, private name on flyleaf 800 Gramm.
Published by Oxford University Press/Humphrey
Seller: Goldstone Rare Books, Llandybie, CARMS, United Kingdom
Hardcover. Condition: Good. Photograph available on request.
Published by c, 1921
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
HARDCOVER. Condition: GOOD. c. 1921. Brentano's. Hardcover. ACCEPTABLE Gilt titles. Black cloth boards. Spine sunned. Marked. Index pages torn. Paper edges foxed. 9x6.
Published by Oxford University Press, London, 1952
Seller: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, Australia
Octavo, origial cloth boards with gilt title to spine, blindstamped OUP colophon upper board, b&w author frontis plate, b&w plates, pp lvi, 453. A page removed after the title page and before the table of contents, hinge starting ther, o/w very good condition. Blake's complete works, with a biographical introduction, Includes b&w reproductions of his illustrations.
Published by Literary Licensing, LLC, 2014
ISBN 10: 1498111637ISBN 13: 9781498111638
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Oxford University Press, London, 1928
Seller: Beach Hut Books, Lingfield, United Kingdom
Book
Hardcover. Condition: Very Good. No Jacket. Owner's name. Small mark on the spine.
Published by Kessinger Publishing, 2006
ISBN 10: 142861155XISBN 13: 9781428611559
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Book
Condition: Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Also find Softcover
Published by Oxford University Press, 1928
Seller: Suibhne's Rare and Collectible Books, Newbury, OH, U.S.A.
First Edition
Hardcover. Condition: Very Good. No Jacket. 1st Edition. Oxford University Press, 1928. Hardcover. Condition: Very Good. 1st Edition.
Published by Humphrey Milford, London; Oxford at the Clarendon Press, 1916
Seller: McGonigles', Cerne Abbas, United Kingdom
Book
Hardcover. Condition: Very Good. No Jacket. Two uniform green cloth hard covers with gilt decorations on front boards and spines, and no significant cover wear apart from a rather indistinct name written on front of Curzon's volume. 1) Visits to Monasteries in The Levant by the Honourable Robert Curzon with an introduction by D G Hogarth, published 1916, xvi, 423 pages with frontispiece, vignette on title page, numerous woodcuts and folded diagram. 2) The Lyrical Poems of William Blake text by John Sampson with an introduction by Walter Raleigh, published 1921, frontispiece, li, 203 pages and owner's signature inside front cover.
Published by Uwe Löb Bergen-Buch auf Rügen, 2021
Seller: BaRB Bergen auf Rügen Buch, Bergen auf Rügen, MV, Germany
Hardcover. Condition: Neu. John Sampson: The Poetical Works Of William Blake. A new and verbatim text from the manuscript engraved and letterpress originals with variorum readings and bibliographical notes and prefaces. Frontispiece of John Sampson. London 1905. New edition in modern font-type "WM Blake". 2 plates. Additionally designed with 2 Frontispieces by Caitlin Hackett inspired by William Blake. = LÖB LIBRARY VOLUME LL 16. 2021 UWE LÖB BERGEN-BUCH AUF RÜGEN Editor/Herausgeber: Uwe Löb XXXVI, 384 p. (428 p.) 2 plates. Hardcover. paper: 120g/qm. book size: 21.5x30cm. Contents: POEMS FROM THE POETICAL SKETCHES. Songs from 'An Island in the Moon'. Songs of Innocence and of Experience . Poems from the Rossetti Manuscript MS. BOOK. The Pickering Manuscript MS. Poems from Letters. Dedication of 'Blake's Illustrations of Blair's Grave'. Epigrams from Blake's Annotated Copy of Reynolds' Works. Poems from the 'Prophetic Books'. VERSES FROM 'FOR THE SEXES. THE GATES OF PARADISE'. Illustrated with two designs by Caitlin Hackett to William Blake`s Poems: Original canvas "Night" a 11" by 14" piece drawn in ballpoint pen, watercolor, colored pencil and metallic gold acrylic on paper. Inspired by William Blake`s poem "Night" 2014. Original canvas "The Crow Wished Everything Was Black, The Owl, That Everything was White" a 11" by 15" commission painting based on the line from William Blake`s poem "The Marriage of Heaven and Hell" 2014. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". While Blake had a significant role to play in the art and poetry of figures such as Rossetti, it was during the Modernist period that this work began to influence a wider set of writers and artists. William Butler Yeats, who edited an edition of Blake's collected works in 1893, drew on him for poetic and philosophical ideas, while British surrealist art in particular drew on Blake's conceptions of non-mimetic, visionary practice in the painting of artists such as Paul Nash and Graham Sutherland. His poetry came into use by a number of British classical composers such as Benjamin Britten and Ralph Vaughan Williams, who set his works. Blake's thoughts on human nature greatly anticipate and parallel the thinking of the psychoanalyst Carl Jung. In Jung's own words: "Blake a tantalizing study, since he compiled a lot of half or undigested knowledge in his fantasies. According to my ideas they are an artistic production rather than an authentic representation of unconscious processes." Similarly, although less popularly, Diana Hume George claimed that Blake can be seen as a precursor to the ideas of Sigmund Freud. Buch.
Published by The Cygnet Press, Burford, Oxfordshire, 1975
Seller: The Bookshop at Beech Cottage, Newbury, United Kingdom
Book First Edition
Soft cover. Condition: Fine. No Jacket. 1st Edition. 18pp. Printed on mould-made paper by Simon Rendall at the Cygnet Press in a limited numbered edition of 375 copies. This is copy #336. Untrimmed fore edge and lower page edges. Plain white card inner covers with brown paper outer wrappers - black lettering. Slight shelf wear to top edge of paper covers. Hint of crease to tip of tail of spine. Clean inside pages, tightly bound. In fine condition.
Published by Uwe Löb Bergen-Buch auf Rügen, 2021
Seller: BaRB Bergen auf Rügen Buch, Bergen auf Rügen, MV, Germany
Hardcover. Condition: Neu. Schutzumschlag. 2. Auflage. John Sampson: The Poetical Works Of William Blake. A new and verbatim text from the manuscript engraved and letterpress originals with variorum readings and bibliographical notes and prefaces [INCLUDING ROSSETTI MS. BOOK, PICKERING MS. and A CHRONOLOGICAL BIBLIOGRAPHY Blake Newsletter and Blake/An Illustrated Quarterly (BAIQ) on John Sampson 36 REFERENCE TEXTS. Frontispiece of John Sampson. London 1905. New edition in modern font-type "WM Blake". 5 plates. Additionally designed with 2 Frontispieces by Caitlin Hackett inspired by William Blake. = LÖB LIBRARY VOLUME LL 16. 2021 UWE LÖB BERGEN-BUCH AUF RÜGEN SECOND, REVISED AND ENLARGED EDITION Editor/Herausgeber: Uwe Löb XXXVI, 384 p. (483 p.) 5 plates. Hardcover. paper: 80g/qm. book size: 21.5x30cm. Umweltpapier premiumweiss und klimaneutral. Contents: POEMS FROM THE POETICAL SKETCHES. Songs from 'An Island in the Moon'. Songs of Innocence and of Experience . Poems from the Rossetti Manuscript MS. BOOK. The Pickering Manuscript MS. Poems from Letters. Dedication of 'Blake's Illustrations of Blair's Grave'. Epigrams from Blake's Annotated Copy of Reynolds' Works. Poems from the 'Prophetic Books'. VERSES FROM 'FOR THE SEXES. THE GATES OF PARADISE'. Illustrated with two designs by Caitlin Hackett to William Blake`s Poems: Original canvas "Night" a 11" by 14" piece drawn in ballpoint pen, watercolor, colored pencil and metallic gold acrylic on paper. Inspired by William Blake`s poem "Night" 2014. Original canvas "The Crow Wished Everything Was Black, The Owl, That Everything was White" a 11" by 15" commission painting based on the line from William Blake`s poem "The Marriage of Heaven and Hell" 2014. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". While Blake had a significant role to play in the art and poetry of figures such as Rossetti, it was during the Modernist period that this work began to influence a wider set of writers and artists. William Butler Yeats, who edited an edition of Blake's collected works in 1893, drew on him for poetic and philosophical ideas, while British surrealist art in particular drew on Blake's conceptions of non-mimetic, visionary practice in the painting of artists such as Paul Nash and Graham Sutherland. His poetry came into use by a number of British classical composers such as Benjamin Britten and Ralph Vaughan Williams, who set his works. Blake's thoughts on human nature greatly anticipate and parallel the thinking of the psychoanalyst Carl Jung. In Jung's own words: "Blake a tantalizing study, since he compiled a lot of half or undigested knowledge in his fantasies. According to my ideas they are an artistic production rather than an authentic representation of unconscious processes." Similarly, although less popularly, Diana Hume George claimed that Blake can be seen as a precursor to the ideas of Sigmund Freud. Buch.
Published by Uwe Löb Bergen-Buch auf Rügen, 2021
Seller: BaRB Bergen auf Rügen Buch, Bergen auf Rügen, MV, Germany
Hardcover. Condition: Neu. Schutzumschlag. John Sampson: The poems of William Blake. At the Florence Press, Chatto & Windus, and A CHRONOLOGICAL BIBLIOGRAPHY Blake Newsletter and Blake/An Illustrated Quarterly (BAIQ) on John Sampson 36 REFERENCE TEXTS. London 1921. New edition in modern font-type "WM Blake". 1 plate. Additionally designed with 2 Frontispieces by Caitlin Hackett inspired by William Blake. = LÖB LIBRARY VOLUME LL 53. by Blake, William, 1757-1827; Sampson, John, 1862-1931 Publication date 1921 Publisher London : At the Florence Press, Chatto & Windus 2021 UWE LÖB BERGEN-BUCH AUF RÜGEN Editor/Herausgeber: Uwe Löb XXXVIII, 344 p. (448 p.) 1 plate. Hardcover. paper: 80g/qm. book size: 21.5x30cm. Naturpapier und klimaneutral. Illustrated with two designs by Caitlin Hackett to William Blake`s Poems: Original canvas "Night" a 11" by 14" piece drawn in ballpoint pen, watercolor, colored pencil and metallic gold acrylic on paper. Inspired by William Blake`s poem "Night" 2014. Original canvas "The Crow Wished Everything Was Black, The Owl, That Everything was White" a 11" by 15" commission painting based on the line from William Blake`s poem "The Marriage of Heaven and Hell" 2014. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". While Blake had a significant role to play in the art and poetry of figures such as Rossetti, it was during the Modernist period that this work began to influence a wider set of writers and artists. William Butler Yeats, who edited an edition of Blake's collected works in 1893, drew on him for poetic and philosophical ideas, while British surrealist art in particular drew on Blake's conceptions of non-mimetic, visionary practice in the painting of artists such as Paul Nash and Graham Sutherland. His poetry came into use by a number of British classical composers such as Benjamin Britten and Ralph Vaughan Williams, who set his works. Blake's thoughts on human nature greatly anticipate and parallel the thinking of the psychoanalyst Carl Jung. In Jung's own words: "Blake a tantalizing study, since he compiled a lot of half or undigested knowledge in his fantasies. According to my ideas they are an artistic production rather than an authentic representation of unconscious processes." Similarly, although less popularly, Diana Hume George claimed that Blake can be seen as a precursor to the ideas of Sigmund Freud. Buch.
Published by Oxford University Press - Humphrey Milford, London, 1934
Seller: The BiblioFile, Rapid River, MI, U.S.A.
First Edition
Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Blake, William (illustrator). First Edition Thus. 1934 at title page. Fine, coated, smooth, navy buckram (cloth) boards, blind-stamped borders at front and back, gilt embossed spine titles and Oxford cover insignia, lt. shelf wear. Pages fine, navy top edge; vintage decorative bookplate of Douglas R. Vining at frt. endp. Bind fine, straight; hinges intact. Dj moderate wear; protected in new clear sleeve. Beige matte texture w/wrap-around band pictorial design w/cover, spine titles. Near fine, well preserved example. Includes the unpublished "French Revolution" together with the "Minor Prophetic Books" and Selections from "The Four Zoas, Milton and Jerusalem". Includes sixteen illustrations by Blake at title-pages of respective pieces. With this remarkable work Sampson produced the first scholarly edition of William Blake's work, in which he returned to the original texts, taking into account Blake's own handwritten corrections. At copyright: "Henry Frowde, M.A., Publisher to the University of Oxford, London, Edinburgh, New York and Toronto". Printed in Great Britain. 453 pages and lvi (56) introductory pages at front. Insured post. Size: 8vo - over 7ž - 9ž" Tall.
Published by Uwe Löb Bergen-Buch auf Rügen, 2022
Seller: BaRB Bergen auf Rügen Buch, Bergen auf Rügen, MV, Germany
Hardcover. Condition: Neu. Schutzumschlag. John Sampson: Poetical works, including the unpublished French Revolution, together with the Minor Prophetic Books, and selections from The four Zoas, Milton, & Jerusalem. Edited with an introd. and textual notes by John Sampson, and A CHRONOLOGICAL BIBLIOGRAPHY Blake Newsletter and Blake/An Illustrated Quarterly (BAIQ) on John Sampson 36 REFERENCE TEXTS. London 1913. New edition in modern font-type "WM Blake". 27 plates. Additionally designed with 2 Frontispieces by Caitlin Hackett inspired by William Blake. = LÖB LIBRARY VOLUME LL 52. 2022 UWE LÖB BERGEN-BUCH AUF RÜGEN Editor/Herausgeber: Uwe Löb LVI, 453 p. (608 p.) 27 plates. Hardcover. paper: 80g/qm. book size: 21.5x30cm. Umweltpapier premiumweiss und klimaneutral. Illustrated with two designs by Caitlin Hackett to William Blake`s Poems: Original canvas "Night" a 11" by 14" piece drawn in ballpoint pen, watercolor, colored pencil and metallic gold acrylic on paper. Inspired by William Blake`s poem "Night" 2014. Original canvas "The Crow Wished Everything Was Black, The Owl, That Everything was White" a 11" by 15" commission painting based on the line from William Blake`s poem "The Marriage of Heaven and Hell" 2014. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". While Blake had a significant role to play in the art and poetry of figures such as Rossetti, it was during the Modernist period that this work began to influence a wider set of writers and artists. William Butler Yeats, who edited an edition of Blake's collected works in 1893, drew on him for poetic and philosophical ideas, while British surrealist art in particular drew on Blake's conceptions of non-mimetic, visionary practice in the painting of artists such as Paul Nash and Graham Sutherland. His poetry came into use by a number of British classical composers such as Benjamin Britten and Ralph Vaughan Williams, who set his works. Blake's thoughts on human nature greatly anticipate and parallel the thinking of the psychoanalyst Carl Jung. In Jung's own words: "Blake a tantalizing study, since he compiled a lot of half or undigested knowledge in his fantasies. According to my ideas they are an artistic production rather than an authentic representation of unconscious processes." Similarly, although less popularly, Diana Hume George claimed that Blake can be seen as a precursor to the ideas of Sigmund Freud. Buch.
Published by Florence Press, London, 1921
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. Octavo, 344 pages. In Very Good condition. Bound in full contemporary vellum with gilt lettering on spine and front cover. Minor shelf wear. Bowing to vellum boards. Top edge of textblock gilt. Age-toning to interior pages. Textblock uncut. Shelved under Front Counter. 1380454. Shelved Dupont Bookstore.
Seller: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, U.S.A.
Oxford: Clarendon Press, 1905. 8vo, xxxvi, 384pp.Folding frontispiece of facsimile manuscript. Very good in original brick-red cloth, with tiny chip to paper spine label, spare label bound in at end. § First Edition. Bentley, Blake Books 300 ".a work of pioneer scholarly importance. meticulously accurate, well-balanced and intelligent".
Seller: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, U.S.A.
Oxford: Clarendon Press, 1905. 8vo, xxxvi, 384 pp. Folding frontispiece of facsimile manuscript. Very good in original brick-red cloth, with tiny chip to paper spine label, spare label bound in at end. § First Edition. Bentley, Blake Books 300 ".a work of pioneer scholarly importance. meticulously accurate, well-balanced and intelligent".