Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by München, Knesebeck, 2003, 1. Aufl., 2003
ISBN 10: 3896601857ISBN 13: 9783896601858
Book Signed
Hardcover. BITTE BEACHTEN: HÖHERE VERSANDKOSTEN AUSSERHALB DEUTSCHLAND - PLEASE NOTE: HIGHER SHIPPING CHARGE OUTSIDE GERMANY - ASK BEFORE ORDER. Mit einem Essay von Carlos Fuentes. Rotes Leinen, Fadenheftung, 222 Seiten, durchgehend illustriert, 34 x 28,5 cm. Einband (Titelbuchstaben) teilweise abgerieben, Markierung am Fußschnitt. Auf dem Titelblatt von Botero signiert. Gewicht: 2400.
Seller: Antiquariat Lorang, Bamberg, BY, Germany
Signed
Eigenverlag, Eltville - Bamberg, 1998. Original-Karton, 50 Seiten, Lex.8° (28 x 23 cm). Von Botero im Jahre 1998 auf dem Schmutztitel signiert. Kunstdruckpapier. Einband mit kleinen Gebrauchsspuren, Ecken minimal berieben, Papier ohne Bräunungsspuren, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Sehr schönes, unikales Exemplar. [INTERNER HINWEIS - STANDORT halbhohes weißes Regal].
Published by Galerie Hopkins Custot, Paris, 2004
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Hardcover without dustjacket as issued, 122 pages; in French; very good condition except small crease to lower right coner of last 20 pages and rear cover; inscribed on limitation page and signed by Botero in black marker in a numbered edition of 175; no other internal marks. Foreign shipping may be extra.
Published by Marlborough galleria d'arte, Roma., 1973
Seller: Ardengo Studio Bibliografico, Roma, RM, Italy
Signed
Condition: Usato. cm 29,5x21, pag (32), br edit ill, acetato con tit, comp.te ill a col e in b/n. Un margine leggermente piegato per l'acetato che si è ristretto. Con invio autografo dell'A. a importante gallerista.
Published by Abbeville, New York, 1980
ISBN 10: 0896591468ISBN 13: 9780896591462
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Book First Edition Signed
hardcover. Condition: near fine. Dust Jacket Condition: near fine. Botero, Fernando (illustrator). First. Profusely illustrated with 228 plates, including 150 in color, several folding. 272 pages. Short square folio, red cloth, d.w. New York: Abbeville Press, (1980). First edition. Upper corner a bit bumped, still near fine in near fine dust wrapper. Inscribed by the artist on the flyleaf: "To Audrey. Cordially Botero". A lavishly illustrated study of the Columbian artist.
Published by Rizzoli, New York, 1997
ISBN 10: 0847820645ISBN 13: 9780847820641
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Book First Edition Signed
hardcover. Condition: near fine. Dust Jacket Condition: very good(+). Fernando Botero (illustrator). Illustrated in color throughout. 221 pages. 4to, red cloth, dust wrapper (very minor edgewear). New York: Rizzoli, (1997). First edition. A near fine copy in a very good(+) dust wrapper. Boldly inscribed by the artist on the title page "To Margot, Botero 97".
Published by Galerie Hopkins. Custot, Paris, 2004
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
First Edition Signed
hardcover. Condition: fine. First. Text by Gilbert Lascault. Illustrated with full-page plates. 124 pages. 4to, white silk cloth with large pictorial label. Paris: Galerie Hopkins-Custot, 2004. Cloth is a bit dust-soiled, else fine. Limited edition of this exhibition catalog. Number 35 of 175 numbered copies. This one is a presentation copy, signed by Botero. Without jacket, as issued.
Published by Rizzoli Intl Pubns, New York, New York, U.S.A., 1997
ISBN 10: 0847820645ISBN 13: 9780847820641
Seller: michael diesman, Fresh Meadows, NY, U.S.A.
Book Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Plates (illustrator). First Edition. Signed by Botero on free end page. The drawings and paintings illustrated in this newly revised and beautifully designed volume provide a wonderful chronicle of Fernando Botero's creative life from 1982 to the present. Culled from extensive conversations, the accompanying text brings to the reader the voice of an artist who regards painting as a "physical necessity" declaring that "when I think of reality, I think of a painted reality." Many of these images of generals and prostitutes, lovers and solitary men, horses and cows, bishops and ladies gathered in gardens-have never been published before. Impassive and seemingly mute, Botero's people nevertheless inhabit their world with a fullness and sensuousness that is unforgettable and powerful. The matches and groups of works on these pages have been made by the artist himself, who has attended to the book with the same affection brought to each painting and drawing. In the process of creating this volume he has joined forces with Paola Gribaudo, the Turin-based designer who has collaborated with him for thirteen years. In oil or pastel on canvas, each stroke of the brush or movement of the hand is made with the knowledge that it will create another small but important part of the rich and enigmatic world for which he is so well known. Rounding out the volume are a list of illustrated works, list of exhibitions, and selected bibliography. As the reader turns these pages, a portrait of the artist as inventor of his own life emerges that is every bit as compelling as the pictures he has brought into being. How was this young Colombian transformed into an international artist who lives and works in new York, Paris, Monte Carlo, and Tuscany? We learn of the "journey within the journey." Of Botero drawing "like a painter, creating the volumes from the inside out." His studies of Caravaggio, Ingres, Van Eyck, and Goya inform his view that it is finally the familiar, local world that is universal and memorable. Signed by Author(s).