Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by 1997 The Museum of Contemporary Art, Los Angeles & Chicago First Edition, 1997
Seller: Et Al's Read & Unread Books, Wausau, WI, U.S.A.
Book First Edition
Soft cover. Condition: Fine. 1st Edition. Fine glossy quarto wraps. Bright, snug & unmarked first printing.
Published by Museum of Contemporary Art Chicago and Los Angeles, and Thames and Hudson, 1997
ISBN 10: 0933856490ISBN 13: 9780933856493
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 220 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Published by Thames & Hudson / Museum of Contemporary Art of Chicago and Los Angeles, London, Chicago, IL and Los Angeles, CA, 1997
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition and first printing. Softcover. 219 pages. The catalog for a major retrospective show on Sherman that started in Los Angeles and traveled to Chicago and a number of additional international locations. Essays by Amada Cruz, Elizabeth A.T. Smith, and Amelia Jones. Includes numerous color and black and white photographs. A clean and tight very near fine copy in French style wrappers.
Published by Annandale-on-Hudson: Bard College, Center for Curatorial Studies, 2002
ISBN 10: 1931493014ISBN 13: 9781931493017
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 64 pages, very good condition; light rubbing to covers and laminate starting to peel at edges; a few pages have light rubbing to right edge; no internal marks, clean and crisp. Foreign shipping may be extra.
Published by Center for Curatorial Studies, Bard College, NY, 2002
Seller: Feldman's Books, Menlo Park, CA, U.S.A.
Book
Paper Bound. Condition: Fine.
Published by Thames and Hudson, London and New York, 1997
ISBN 10: 050027987XISBN 13: 9780500279878
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. ix, 219 pages, illustrations (some colour); 31 cm. Published on the occasion of the exhibition of the same name jointly organized by the Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. Sherman became famous (as a postmodernist) in the 1980s for her "Untitled Film Stills," deconstructing the representation of women in the mass media and problematizing the genre of self-portraiture in an age of simulation. She is, undoubtedly, one of the most influential American artists of the last quarter century. This publication accompanied the first major retrospective of her work. "American artist Cindy Sherman creates staged and manipulated photographs that draw on popular culture and art history to explore female identity. Her art embodies two developments in the art world: the impact of postmodern theory on art practice; and the rise of photography and mass-media techniques as modes of artistic expression." - Publisher. Size: 4to. Collectible.
Published by Museum of Contemporary Art Chicago and Los Angeles, and Thames and Hudson, 1997
ISBN 10: 050027987XISBN 13: 9780500279878
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 220 pages; very good condition; spine faded; no internal marks. Foreign shipping may be extra.
Published by Thames & Hudson Ltd, 1997
ISBN 10: 050027987XISBN 13: 9780500279878
Seller: Librairie chemin des arts, PARIS, France
Book
Couverture souple. Condition: Très bon.
Paperback, 219 pages, ENG, 305 x 235 x 16 mm, as good as new, illustrated in colour. ISBN 9780500279878. Cindy Sherman is one of the leading American artists of our time, creating staged and manipulated photographs that draw upon popular culture and art history to explore female identity. By visually examining the ways in which gender is dressed, made up and culturally enforced, Sherman has for many become an icon of feminism and postmodernism. Provocative and engaging, the visceral physicality of her photographs is the key to their dramatic power. In this retrospective, essayists Amada Cruz, Elizabeth A.T. Smith and Amelia Jones offer key insights from several distinct vantage points, positioning Sherman's work within the trajectory of feminist art history as well as revealing her influence on the art of the last twenty years. More than 270 images show the breadth of Sherman?s body of work, from the Untitled Film Stills of the 1970s to series such as Centrefolds, Fashion, Disasters, Fairy Tales and History Portraits, as well as photographs influenced by surreal artists. Also included are intriguing excerpts from Sherman?s notebooks, selections from her contact sheets and numerous Polaroid studies, all of which shed light on the artist's process. Cindy Sherman: Retrospective is an essential reference and guide to the work and ideas of this extraordinary artist 1230 g.