Fraser Peter Badger Gerry (7 results)

Hardcover. Condition: Fine. 1st Edition. Fine copy in brown cloth with white titles on spine. Square 4to.

Hardcover. Condition: New. 1st Edition. First edition, first and only printing. Hardcover. Fine maroon linen cloth, with title stamped in white on front cover and spine and four-color plate tipped in front cover, no dust jacket as issued. Photographs by Peter Fraser. Essay by Gerry Badger. 60 pp., with 42 four-color plates, and two additional four-color plates with reproductions of all the numbered plates. Includes a brief biography. Beautifully printed on fine matte art paper. 14-1/8 x 14-1/8 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. From the publisher: "In the illuminating essay he has written to accompany this new work by Peter Fraser, Gerry Badger tells of the mix of feelings he had on first seeing one of Fraser's photographs. Moving from surprise, bafflement and incomprehension to admiration and pleasure, he experienced the 'flame of recognition' when, to quote James Joyce, the 'whatness' of a thing is revealed. Fraser himself has described his pictures of static, seemingly mundane objects as 'trying to understand what the world around me is made of.' The results of this quest, which is at once delightfully simple and highly sophisticated, are visually stunning images that, best of all, become more rewarding every time you look at them. Since his work was first exhibited in the early 1980s, Peter Fraser has established himself as one of the most important photographers working in the UK. Drawing inspiration from the work of William Eggleston, with whom he spent a formative two months in 1984, he has become a master in the poetic use of color in his art. In 2004 Fraser was shortlisted for the prestigious Citigroup Photography Prize. An internationally acclaimed photographer, his work has been widely exhibited and is included in many collections in Europe and the United States.".

Hardcover. First edition. Square folio (14-1/4"). (54)pp. Brown cloth lettered in white, color photo mounted on front cover. Illustrated throughout with photographs, most in color. Edition limited to 1000 copies. A fine, as new copy, still in publisher's original shrinkwrap. Fine in publisher's shrink wrap.

HARDCOVER. Condition: New. No Jacket. 1st Edition. Very large square 4to in colour printed boards, unpaginated, approx. 88pp on thick art paper, mainly finely printed full page colour photos. This copy boldly signed by Peter Fraser on the title-page (no other marks or inscriptions) CONDITION: NEW unread and unmarked copy ] __NOTE. Depending on destination, this item may require an extra payment for shipping insurance. If so, orders made by card will be completed only after you have approved the extra cost._ __To see more of our Photo books type DbbPHOTO in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.

First edition, first and only printing. Autographed. Hardcover. Fine maroon linen cloth, with title stamped in white on front cover and spine and four-color plate tipped in front cover, no dust jacket as issued. Signed by Peter Fraser on title page. Photographs by Peter Fraser. Essay by Gerry Badger. 60 pp., with 42 four-color plates, and two additional four-color plates with reproductions of all the numbered plates. Includes a brief biography. Beautifully printed on fine matte art paper. 14-1/8 x 14-1/8 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap.Peter Fraser (born 1953) is a British fine art photographer. Since his work was first exhibited in the early 1980s, Peter Fraser has established himself as one of the most important photographers working in the UK. Drawing inspiration from the work of William Eggleston, with whom he spent a formative two months in 1984, he has become a master in the poetic use of color in his art. An internationally acclaimed photographer, his work has been widely exhibited and is included in many collections in Europe and the United States. In 2002 The Photographers' Gallery (London) showed a 20-year overview of Fraser's work, drawing on photographs from a number of his series making a distinction between very large scale 'Images' which became part of the architecture of the gallery space and framed 'Works' hung from the walls. The photographs included in this collection come from that exhibition and were the outcome of a synthesis between two preoccupations, namely his continuing conviction that small things are important, and that the surface of the earth more than ever looks the way it does because the human brain directs the hand to change the shape and nature of materials. Frazer was shortlisted for the Citigroup Photography Prize (now known as the Deutsche Börse Photography Prize) in 2004.

First edition. Hardcover. 60 pages. Number 3 of only 15 copies. Essay by Gerry Badger. Includes 42 four-color plates. A fine copy in cloth boards with a color plate affixed to the front panel in a fine clamshell box. No dust jacket as issued. Signed by Fraser on the title page. Includes a laid in orignal c-print of plate 24 that is signed and numbered by Fraser on the verso. The photograph is in a 12" wide x 10" high sheet of paper and the image itself measures 11" wide x 7.25" high and is very fine condition.

Hardcover. Condition: New. 1st Edition. This deluxe limited edition includes an original Type-C print of the photograph "Birdhouse" (reproduced on plate 24 of the book), and is limited to 15 signed and numbered copies (this being #13/15). The paper size of the print is 10 x 12 inches; the image sizes is 7-3/8 x 11 inches. Each print is signed and numbered in black ink on verso by Fraser. The print, made on Fujicolor Crystal Archive paper, is protected with an archival (acid-free) Light Impressions sheet of paper and is housed, with a signed copy of the book, in a custom-made clamshell box. ABOUT THE BOOK: Hardcover. Fine maroon linen cloth, with title stamped in white on front cover and spine and four-color plate tipped in front cover, no dust jacket as issued. Photographs by Peter Fraser. Essay by Gerry Badger. 60 pp., with 42 four-color plates, and two additional four-color plates with reproductions of all the numbered plates. Includes a brief biography. Beautifully printed on fine matte art paper. 14-1/8 x 14-1/8 inches. This first edition was limited to 1000 copies. New in publisher's packaging. From the publisher: "In the illuminating essay he has written to accompany this new work by Peter Fraser, Gerry Badger tells of the mix of feelings he had on first seeing one of Fraser's photographs. Moving from surprise, bafflement and incomprehension to admiration and pleasure, he experienced the 'flame of recognition' when, to quote James Joyce, the 'whatness' of a thing is revealed. Fraser himself has described his pictures of static, seemingly mundane objects as 'trying to understand what the world around me is made of.' The results of this quest, which is at once delightfully simple and highly sophisticated, are visually stunning images that, best of all, become more rewarding every time you look at them. Since his work was first exhibited in the early 1980s, Peter Fraser has established himself as one of the most important photographers working in the UK. Drawing inspiration from the work of William Eggleston, with whom he spent a formative two months in 1984, he has become a master in the poetic use of color in his art. In 2004 Fraser was shortlisted for the prestigious Citigroup Photography Prize. An internationally acclaimed photographer, his work has been widely exhibited and is included in many collections in Europe and the United States." Signed by Author.