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Published by Museum of Contemporary Art, Chicago, 1997
ISBN 10: 0933856474ISBN 13: 9780933856479
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. xi, 65 pages, illustrations (some colour); 26 cm. Published in conjunction with the exhibition of the same title, presented by the Museum of Contemporary Art, Chicago, July 19 through September 14, 1997; the New Museum of Contemporary Art, New York, December 4, 1997 through February 22, 1998. Firm binding, clean inside copy. Light edgewear to wraps, age toning. " Mona Hatoum is an internationally renowned Lebanese-born, British-based Palestinian artist whose work is both deeply personal and quietly political. Inspired by her familial connections to war-torn Beirut as well as her sensitivity to contemporary racial and gender-based injustice, she transgresses the boundaries of performance, video, and sculpture while strategically reworking minimalism from a vantage point grounded in a feminist and cross-cultural sensibility." - Publisher. CONTENTS: Being involved, by Ursula Panhans-Buhler; The body and the world, by Volker Adolphs; Epiphanies of the everyday; materiality and meaning in Mona Hatoum's work, by Nina Zimmer; Notes on hair, by Richard Julin, Elisabeth Millqvist; Artist at work: an annotated catalogue Raisonne of the performances, by Christoph Heinrich; A new installation for the Hamburger Kunsthalle Dome. Size: 4to.
Published by Museum of Contemporary Art, Chicago, 1997
ISBN 10: 0933856474ISBN 13: 9780933856479
Manuscript / Paper Collectible
Pamphlet. 65p., wraps, 8.25x10 inches, very good condition. Thoroughly illustrated catalog of works by the Palestinian artist born in Lebanon.
Published by Museum of Contemporary Art, Chicago, 1997
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
First Edition
First Edition. First Edition. Published in conjunction with a traveling exhibition which opened at the Museum of Contemporary Art, Chicago on July 19, 1997 and closed at The New Museum of Contemporary Art on February 22, 1998. Fine and unread in illustrated card wrappers.