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Collectible Attributes
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Published by The Beliot Poetry Journal), (Beloit, Washington, 1982
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Very Good. First edition. Introduction by Ricardo Pau-Llosa. 47pp. Stapled printed wrappers. Text in Spanish and English. Front wrap with a small abrasion, spine slightly sunned, very good. Contributions by Manuela Fingueret, Roberto Juarroz, Enrique Gómez-Correa, Raúl Henao, Belkis Cuza Malé, Heberto Padilla, David Escobar Galindo, Jorge Ruiz Dueñas, Carlos Montemayor, Augusto Tamayo Vargas, Vincente Gerbasi and more.
Published by Aguilar., Madrid., 1963
Seller: Joachim Stosch Versandantiquariat, Hamburg, Germany
1824 Seiten 14 x 18 Gut, sauber. Einband etwas berieben. Sexta edicion. With Lorcas own illustrations, also in color. Soft morocco boards with Lorcas name printed in gilt on front board and gilt lettered spine. No dust jacket, as issued. Endpapers and other ilustrations, of which some in color. 2000 Gramm Sprache: Deutsch. Original Ganzleder, Titelvergoldung. Ohne Schutzumschlag.
Published by Tibidabo Ediciones
ISBN 10: 8486421896ISBN 13: 9788486421892
Seller: Iridium_Books, DH, SE, Spain
Book
Paperback. Condition: Used - Good.
Published by Grupo Zaj/ The Sonda Group 1967-68, Madrid, 1967
Seller: William Allen Word & Image, London, United Kingdom
Condition: Near Fine. Sonda sesión 1-5, Avant Garde music performance program/booklets printed by Grupo Zaj, 1967 1968. All performances were made in collaboration with Juventudes Musicales and held at the Institute of Italian Culture in Madrid except for sesión IV, which was at the French Institute. Each program consists of 4 pages a folded sheet printed black on white glossy paper with title and performer, photograph of performer, list of works played and and examples of a musical score from the musical performance on the back cover. Inside each booklet is a coloured card invitation printed on both sides with performances, composers and performers printed on each side. The typeface and printing style suggests that these booklets were printed by Grupo Zaj. Zaj being primarily a Fluxus musical movement and all but one performance includes the work of Ramon Barce who founded Grupo Zaj with Juan Hidalgo. The compositions played are virtually all Fluxus works from Spain, America and elsewhere. The booklets appear to be some of the earliest work by the Sonda group, which is referenced in a PhD entitled Performing a Political Shift: Avant-Garde Music in Cold War Spain by Enrique Sacau-Fereria, Oxford University c.2006, available online. The groups activities are cited as starting in 1967 through to 1974. Also included is a stamped addressed envelope to Tjeerd Deelstra which the programmes were sent in. Deelstra ran a Fluxus shop in Rotterdam in the 1960s and early 1970s.Sonda sesión I, Jorge Zulueta, pianistaIncludes performances of works by Juan Carlos Paz, Stockhausen, Charles Ives, Ramón Barce, Mauricio Kagel and others.18 November 1967Sonda sesión II, Carlos Santos, pianistaIncludes performances of works by John Cage, Gordon Mumma, Morton Feldman, Tshi Ichiyanagi, José Luis de Delás, Carmelo Bernaola, Ramón Barce, Walter Marchetti, Tomás Marco, Juan Hidalgo and others.17 January 1968Sonda sesión III, Pedro Espinosa, pianistaIncludes performances of works by Ernesto Rubin de Cervin, Barce, Miguel Ángel Coria, Agustín González and Tomás Marco.12 June 1968Sonda sesión IV, Joaquín Parra, pianistaIncludes performances of works by B. Bartok, R. Halffter, F, Llácer Plá and Charles Ives.27 November 1968Sonda sesión V, Vincente Sempere flauta and Eduardo Polonio, pianoIncludes performances of works by Juan Guinjoan, Ramón Barce, Tomás Marco, Alexandre Hrisanide and Eduardo Polonio.9 December 1968Condition: Near Fine.
Published by Officinas Graphicas Alba 1935-1935, Rio de Janeiro, 1935
Seller: William Allen Word & Image, London, United Kingdom
Condition: Very Good only. 4 rare journals. 9 were published in total these being from the second phase. Large format extra postage may be required. Anno 1, Number 1, July 1934.Cecilia Meirelles, Jorge de Lima, Fransico Karan, Padua de Almeida Mario de Andrade poems on page 3; a beautiful Cecilia Meirelles illustration on page 13; a Juana de Ibarbourou commissioned page amongst many other contributions. The first issue begins with a critical appreciation entitled Dois Perfis of Ronald de Carvalho by Andrade Muricy; on page 5 poems by five important Chilean avant- garde poets, including Rosamel de Valle, Pablo Neruda, Gerardo Seguel, Vicente Huidobro, Ruben Azocar.Condition: All pages present. Some foxing to covers, rust to staples (no bleeding), toned newsprint pages, some chipping and creasing to the front cover, minor chipping to the bottom edge of the back cover, some loss along the fold of the spine, but still intact; pages have separated from the cover but are all present, and apart from minor chipping to edges and 5 mm closed tear to edge of 3 pages Very Good. Overall Very Good.Anno 1, Number 3, September 1934.With poems by the Brazilian avant-garde poets Murilo Mendes (credited as the progenitor of the Brazilian Surrealist movement, and previously a contributor to the seminal Brazilian avant-garde publication Revista de Antropofagia) and Bastos Gadea on page 4; poems by Abgar Renault on page 7; poems by Murillo Araujo, Egydio Squeff ad A.D. Tavares Bastos on page 9.Condition: All pages present. Some foxing to covers, rust to staples (no bleeding), toned newsprint pages, some chipping to the edges of the pages, and one closed tear to page 12 at the top. Covers intact, some pages are loose from the staples, top staple is attached to some pages. Overall Very Good.Anno 1, Number 5, December 1934.With poems by important Brazilian avant-garde poets Gilka, Silveira Netto, Onestaldo De Pennafort, Murillo Mendes, Abgar Renault and Nunes Pereira. Page 9 features Mendes poem Meu Novo Olhar" which is dated 15/9/1934.Condition: All pages present. Some tanning/toning to covers, covers and pages are separated at the fold of the spine, no staples (all pages present) minor chipping to edges, toning to pages, Overall Very Good.Anno 1, Number 9, May 1935.Last issue of the run of the journal. Includes a manifesto of the Festa group, printed on pages 1-2, and continued on page 12. Includes poetry in French by Jules Supervielle on page 5; a specially commissioned page of poetry by the famousUruguayan poet Juana de Ibarbourou on page 7; on page 9 El Pueblo , a poem by the Venezuelan poet J. Ramon Heredia; Mai by the Brazilian poet Mario de Andrade on page 11.Condition: All pages present. Tanning and toning to covers, some chipping to edges, rusting to staples (no bleeding), toning to pages, chipping to the outer edge of the pages, with some closed tears, separation of covers along the fold.