Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Anthology Film Archives New York, NY, 1989
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Condition: Fine. Unmailed postcard. [2] pp.; 15.8 x 10.5 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Postcard / announcement published in conjunction with the world premier screening of "rushes" by Peter Moore of Karlheinz Stockhausen's Originale held at Anthology Film Archives, December 17, 1989. Commemorating the silver anniversary of the performances at the 2nd Annual New York Avant Garde Festival, September 1964, held December 17, 1989. Starring Charlotte Moorman, Allan Kaprow, Robert Breer, Robert Delford Brown, Lette Eisenhauer, Allen Ginsburg, Dick Higgins, Alvin Lucier, Jackson Mac Low, Max Neuhaus, Nam June Paik and James Tenney. Featuring a black-and-white publicity still for "Orginale" taken by Peter Moore in 1964.
Published by Cleveland Center for Contemporary Art Cleveland, OH, 1994
ISBN 10: 1880353067ISBN 13: 9781880353066
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
280 pp.; 23 x 18 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994 and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. Texts by David S. Rubin, Marjorie Talalay, Robyn Brentano, and Olivia Georgia. Artists include David S. Rubin, Marjorie Talalay, Robyn Brentano, Olivia Georgia, Laurie Anderson, Eleanor Antin, Janine Antoni, Jacki Apple, Nayland Blake, Bread and Puppet Theater, Peter Schumann, George Brecht, Chris Burden, James Lee Byers, John Cage, Jimmie Durham, Gretchen Faust, Kevin Warren, Karen Finley, John Fleck, Terry Fox, Coco Fusco, Guillermo Gómez-Peña, Pepon Osorio, Bill Gordh and John Malpede, Ann Hamilton, Matt Heckert, Geoffrey Hendricks, Anna Homler, Joan Jonas, Alison Knowles, Suzanne Lacy and Carol Kumata, Christian Marclay, Paul McCarthy, Ana Mendieta, Larry Miller/Fluxus, Meredith Monk, Linda Montano, Bruce Nauman, Lorraine O'Grady, Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry, Pat Oleszko, Yoko Ono, Raphael Montanez Ortiz, Nam June Paik, Adrian Piper, William Pope. L, Liz Prince, Robert Rauschenburg, Carolee Schneemann, Joyce Scott, Stuart Sherman, Theodora Skipitares, Jack Smith, Rikrit Tiravanija, John White, Robert Whitman, Hannah Wilke, Robert Wilson, and photogrpahs by Peter Moore. Includes index of artists, selected bibliography, checklist, and list of performance events. Very Good. Light wear to cover edges and fold at spine. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Published by WNET TV, New York, 1974
Seller: William Allen Word & Image, London, United Kingdom
Condition: Fine. Poster offset printed black on white stock. 330mm x 229mm. Poster advertising a screening of 'Global Groove' on WNET TV (New York), a collaborative video by Nam June Paik and John Godfrey. Designed by Jim McWilliams, the poster features a photograph of Charlotte Moorman and Jam June Paik, taken by Peter Moore. Condition: Fine.
Published by Baxter Art Gallery, California Institute of Technology Pasadena, CA, 1983
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
439 pp.; 27.3 x 20.9 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Fluxus etc. / The Gilbert and Lila Silverman Collection," held September 28 - October 30, 1983. Curated by Jon Hendricks. Introduction by Jay Belloi. Includes facsimiles of instruction drawings for fluxus related works by Ay-O, George Brecht, John Cage, Jack Coke's Farmer's Coop, Ken Friedman, Dick Higgins, Milan Knizak, George Maciunas, Larry Miller, Claes Oldenburg, Yoko Ono, Nam June Paik, Ben Vautier, Yoshi Wada, and Robert Watts. Also includes catalogue of Fluxus editions and related works in the collection by Arthur Koepcke, Takehisa Kosugi, Larry Miller, Serge Oldenbourg, Peter Moore, Benjamin Patterson, and many, many more. Black-and-white illustrations throughout. Includes errata. Front cover by George Maciunas, back cover by Ben Vautier. Good / Very Good. 6.2 cm. dog-ear to top right corner of recto. Rubbing across covers and cover edges. 1 cm. surface tear to top left corner of verso. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.
Published by CAST Productions/ Cornell University, New York, 1972
Seller: William Allen Word & Image, London, United Kingdom
Poster and programme announcing a performance presented by CAST Productions and the Andrew Dickson White Museum at Cornell University, NYC, April 30, 1972. Offset litho poster, printed in black on white stock. 71x50.6cm.The poster features the classic Moorman/ Paik image and the image is also on the front of the programme. It features a large central photograph of a television displaying Charlotte Moorman performing Nam June Paik s composition, "TV Bra for Living Sculpture", bordered above and below with eight smaller images of televisions in repeat, each one displaying Moorman and Paik together. Photographs by Peter Moore. Folded in three for mailing, with handwritten label addressed to kinetic artist and co-founder of Group Zero Otto Piene affixed to verso (the glue from which has bled through to the recto). Slight creasing to margins, o/w Near Fine.The programme consists of a single folded sheet reproducing the poster on one panel, with three mimeographed sheets loosely inserted printing biographical notes on Moorman and Paik and a list of the works performed (which included compositions by Yoko Ono, Joseph Beuys, John Cage, and Nam June Paik). Fine.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.
Published by Annual Avant Garde Festival of New York [Charlotte Moorman] New York, NY, 1971
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.
Publication Date: 1964
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Condition: Near fine. Nam June Paik, Robot Opera, 1964. 280 x 220mm. Offset lithograph on paper in original rubber-stamped envelope. Unsigned. Offset lithograph is illustrated with a Peter Moore photograph of Robot K-456 and is folded twice for mailing. Condition: Near fine.
Published by Köln Liebig, Vostell, 1964. Typos Verlag Frankfurt. Erste und einzige Ausgabe., 1964
First Edition
Softcover. 4°. Schwarz-weiß illustrierter Original-Schutzumschlag, am Buchrücken unten und oben mit säurefreiem Filmoplast hinterlegt. Einfache Original-Broschur, geklammert. Leicht lichtgebräunt. Eingeklammert 32 doppelblattgroße, gefaltete und 21 einfache Blätter. Unpaginiert, gedruckt auf verschiedenen Arten Papier und Zellstoff mit vielen schwarz-weißen Bildern. Das erste weiße Blatt mit einer Tüte mit Aufdruck: use this brouwn. Texte teils englisch, spanisch, französisch und deutsch. Innen wie außen sauber, genau überprüft. Gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Herzlichen Dank für Ihre Bestellung! FL0495-317835.
Published by New York, 25. August 1965., 1965
23,7x16,3 cm. Nam June Paik bearbeitete den "Schwan" aus dem "Carneval des animaux" zum Happening mit Charlotte Moorman. Als Variationen sind dabei die Verschiebung der Rollen der Beteiligten zu verstehen. Mitten im Spiel der Komposition legt die Musikerin ihr Instrument zur Seite und steigt in ein mit Wasser gefülltes Ölfass, spielt das Stück, nach einer kurzen Unterbrechung, im durchnässten Abendkleid, nach der Europatournee in durchsichtiges Plastik gehüllt, zu Ende. Das dabei entstehende platschende Geräusch steht im Gegensatz zu den gleitenden Tönen der Komposition. "Variations on a Theme by Saint-Saëns has become emblematic of Paik and Moorman's performative collaborations, perhaps because she brilliantly deployed two of his action-music strategies: surprise and disappointment". (John Rothfuss, Topless Cellist, S. 116). Das Stück wurde im Februar 1965 in Philadelphia uraufgeführt. Mit über 50 Aufführungen wurde es das meist gespielte Stück der Künstlerin. Die vorliegende Aufnahme wurde anlässlich des 2. Festival of the Avant Garde gemacht. Sprache: n.
Published by New York, 4. Oktober 1965., 1965
17,5 x 23 cm. Eine der schönsten Arbeiten von Moorman und Paik, die kurzentschlossen die 1955 entstandene Komposition von John Cage zu einem Happening erweiterten. Paik baute sich in Moormans Interpretation als "Human Cello" ein. Die Cellistin legte ihr Instrument zur Seite und Paik, der sich während der Musik auf der Bühne auszog, kniete sich zwischen die Knie der Musikerin und spannte, mit beiden Händen auf dem Rücken eine Cellosaite die von Moorman als lebendiges Instrument bespielt wurde. Paik verstand die Aktion als Hommage und Spiegelung von Man Rays berühmter Fotoarbeit "Le violon d'Ingres". Cage sprach sich klar gegen die Interpretation von Moorman/Paik aus, die den musikalischen Wert der Komposition zerstöre. Sprache: n.