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Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Book
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Book
Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Yale University Press October 1994, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Seller: Colorado's Used Book Store, Englewood, CO, U.S.A.
Book
Trade Paperback. Condition: Good. Light edge and cover wear. Unmarked pages. Several pages has highlighting. Small crease to top corner. All Orders Shipped With Tracking And Delivery Confirmation Numbers.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Book
Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: Good. A common theme of western American art--from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O'Keeffe--is the transformation of the land through European-American exploration and resettlement. In this handsome book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured Indians caught up in a process of dramatic change while later artists showed them frozen outside of time; when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences--through large edition prints, book illustrations, or theatrical exhibitions--significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region's landscape in the twentieth century.Publication of this book will coincide with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, Oklahoma, opening at the Buffalo Bill Historical Center in Cody, Wyoming.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Book
Hardcover. Condition: new. New. Fast Shipping and good customer service.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Wizard Books, Long Beach, CA, U.S.A.
Book
Hardcover. Condition: new. New.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.95.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Hardcover. Condition: new. New Copy. Customer Service Guaranteed.
Published by Yale University Press, U.S.A., 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Book
Condition: Very Good. Dust Jacket Condition: Very Good. Larger 8vo pp. 217, "Published in conjunction with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, this book takes an interdisciplinary look at the art of the American West. In seven essays illustrated with examples from the exhibit, contributors from the fields of history, art history, and American studies examine?. book.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: New. A common theme of western American art--from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O'Keeffe--is the transformation of the land through European-American exploration and resettlement. In this handsome book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured Indians caught up in a process of dramatic change while later artists showed them frozen outside of time; when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences--through large edition prints, book illustrations, or theatrical exhibitions--significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region's landscape in the twentieth century.Publication of this book will coincide with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, Oklahoma, opening at the Buffalo Bill Historical Center in Cody, Wyoming.
Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Seller: Solr Books, Skokie, IL, U.S.A.
Book
Condition: New.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: Save With Sam, North Miami, FL, U.S.A.
Book
Hardcover. Condition: New. Brand New!.
Published by Yale University Press, 1994
ISBN 10: 0300057318ISBN 13: 9780300057317
Seller: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Book
Condition: New. New. In shrink wrap. Looks like an interesting title! 1.7.
Published by Yale University Press, 1992
ISBN 10: 0300057229ISBN 13: 9780300057225
Seller: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Book
Condition: New. New. In shrink wrap. Looks like an interesting title! 1.95.