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Published by Univ Of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Published by University of Chicago press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: INDOO, Avenel, NJ, U.S.A.
Book
Condition: New. Brand New.
Published by Univ Of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by University of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: WYEMART LIMITED, HEREFORD, United Kingdom
Book
Paperback. Condition: Very Good. Creased Cover Dented Corners All items inspected and guaranteed. All Orders Dispatched from the UK within one working day. Established business with excellent service record.
Published by University of Minnesota Press, 2004
Seller: LiLi - La Liberté des Livres, CANEJAN, France
Couverture rigide. Condition: Bon. University of Minnesota Press (illustrator).
Published by Univ Of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Univ Of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Univ Of Minnesota Press, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by University of Minnesota Press, Minnesota, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Paperback. Condition: new. Paperback. Offers a new model for interpreting popular national culture through Uruguay's carnival theater troupes. The murgas are troupes of performers, musicians, writers, and creators who, during Montevideo's Carnival, perform on the tablados, temporary stages built in the neighborhoods of Uruguay's capital city each year. Throughout the period of Uruguay's subjection to a brutal dictatorship and in the following era of "democratization, " the murgas, envisioned originally as popular theater, were transformed into a symbol of social resistance, celebrated by many and perceived by others as menacing and subversive. Focusing on the cultural practices of the lower classes and more specifically on the processes and productions of the murgas, Gustavo Remedi's Carnival Theater is a deeply thoughtful consideration of Uruguayan society's identity crisis and subsequent redefinition in the wake of the authoritarian-bureaucratic-technocratic regimes of the 1960s. A revealing work of cultural criticism, the book proposes a new set of criteria for the interpretation and critique of national culture. Focusing on the cultural practices of the lower classes and on the processes and productions of the murgas, "Carnival Theater" is a deeply thoughtful consideration of Uruguayan society's identity crisis and subsequent redefinition in the wake of the authoritarian-bureaucratic-technocratic regimes of the 1960s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by University of Minnesota Press, Minnesota, 2004
ISBN 10: 0816634556ISBN 13: 9780816634552
Seller: CitiRetail, Stevenage, United Kingdom
Book
Paperback. Condition: new. Paperback. Offers a new model for interpreting popular national culture through Uruguay's carnival theater troupes. The murgas are troupes of performers, musicians, writers, and creators who, during Montevideo's Carnival, perform on the tablados, temporary stages built in the neighborhoods of Uruguay's capital city each year. Throughout the period of Uruguay's subjection to a brutal dictatorship and in the following era of "democratization, " the murgas, envisioned originally as popular theater, were transformed into a symbol of social resistance, celebrated by many and perceived by others as menacing and subversive. Focusing on the cultural practices of the lower classes and more specifically on the processes and productions of the murgas, Gustavo Remedi's Carnival Theater is a deeply thoughtful consideration of Uruguayan society's identity crisis and subsequent redefinition in the wake of the authoritarian-bureaucratic-technocratic regimes of the 1960s. A revealing work of cultural criticism, the book proposes a new set of criteria for the interpretation and critique of national culture. Focusing on the cultural practices of the lower classes and on the processes and productions of the murgas, "Carnival Theater" is a deeply thoughtful consideration of Uruguayan society's identity crisis and subsequent redefinition in the wake of the authoritarian-bureaucratic-technocratic regimes of the 1960s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.