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Published by Williams College Museum of Art, 2000
ISBN 10: 0913697257ISBN 13: 9780913697252
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. illustrated edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Williams College Museum of Art, 2000
ISBN 10: 0913697257ISBN 13: 9780913697252
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. illustrated edition. Used book that is in clean, average condition without any missing pages.
Published by Williams College Museum of Art, 2000
ISBN 10: 0913697257ISBN 13: 9780913697252
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Williams College Museum of Art, 2000
ISBN 10: 0913697257ISBN 13: 9780913697252
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by University of Pennsylvania Press February 2000, 2000
ISBN 10: 0913697257ISBN 13: 9780913697252
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Trade Paperback. Condition: Used - Very Good. Introjection marks the first mid-career survey of the internationally recognized video artist Tony Oursler. Plumbing popular and punk culture for the twisted icons that structure our collective unconscious, Oursler creates fragmentary images and scenes that might belong to the hallucinations of a delinquent adolescent on a bad trip. The viewer is left to imagine what ungodly narrative was frozen in time to create such surreal, but somehow uncomfortably familiar, mayhem. Though darkly humorous, his work, known to most for his use of sculptural rag dolls onto which he projects the video image of a human face, delves deeply into the question of how the twinned forces of sex and violence, gender and power function in our culture. This catalogue traces the evolution of Oursler's career from early single channel videos through his current mixed-media installations and experiments in digital media. Combining sculpture, video, performance, and text, Oursler's work addresses complex contemporary issues with empathy, insight, and wit. Also included are four critical essays, two interviews, an essay by the artist as well as a comprehensive exhibition history and bibliography. Very nice clean, tight copy free of any marks.