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1.

Rupavali

Nandalal Bose
Bookseller: Alden Books
(New York, NY, U.S.A.)
Quantity Available: 4
ISBN: 8175221003

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Book Description: Visva-Bharati. Book Condition: New. pp. vii + 9 Reprint A book of model line-drawings of this type is expected to be of use to all students of art as also to other students. While making copies of these drawings it should be borne in mind that in order to represent in a picture the forms, expressions and gestures occurring in nature, it is essential to impart appropriate rhythm into them. The pictures given in this book are drawn after ancient Indian masterpieces, and a regular practice in copying them will gradually develop a sense of rhythm and also increase the ability* to delineate it. It is possible to make an exact reproduction of the e. Bookseller Inventory # 06179156

2.

Rupavali

Bose Nandalal
Bookseller: Majestic Books
(London, ,, United Kingdom)
Quantity Available: 4
ISBN: 8175221003

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Book Description: Visva-Bharati. Book Condition: New. pp. vii + 9 A book of model line-drawings of this type is expected to be of use to all students of art as also to other students. While making copies of these drawings it should be borne in mind that in order to represent in a picture the forms, expressions and gestures occurring in nature, it is essential to impart appropriate rhythm into them. The pictures given in this book are drawn after ancient Indian masterpieces, and a regular practice in copying them will gradually develop a sense of rhythm and also increase the ability* to delineate it. It is possible to make an exact reproduction of the e. Bookseller Inventory # 7670025

3.

Gitanjali and Fruit-Gathering; With Illus. by Nandalal Bose [And Others] (Paperback)

Rabindranath Tagore
(Gloucester, ., United Kingdom)
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Book Description: Rarebooksclub.com, United States, 2013. Paperback. Book Condition: New. 246 x 189 mm. Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: .but mine will hang upon thy breast. Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace. IT is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky. It is this sorrow of separation that gazes in silence all night from star to star and becomes lyric among rustling leaves in rainy darkness of July. It is this overspreading pain that deepens into loves and desires, into sufl erings and joys in human homes; and this it is that ever melts and flows in songs through my poet s heart. WHEN the warriors came out first from their master s hall, where had they hid their power? Where were their armour and their arms? They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master s hall. VVhen the warriors marched back again to their master s hall where did they hide their power? They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master s hall. DEATH, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home. The night is dark and my heart is fearful--yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door. I will worship him with folded hands, and with tears. I will worship him placing at his feet the treasure of my heart. He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn. Bookseller Inventory # APC9781236799630

4.

Gitanjali and Fruit-Gathering; With Illus. by Nandalal Bose [And Others] (Paperback)

Rabindranath Tagore
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Rarebooksclub.com, United States, 2013. Paperback. Book Condition: New. 246 x 189 mm. Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: .but mine will hang upon thy breast. Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace. IT is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky. It is this sorrow of separation that gazes in silence all night from star to star and becomes lyric among rustling leaves in rainy darkness of July. It is this overspreading pain that deepens into loves and desires, into sufl erings and joys in human homes; and this it is that ever melts and flows in songs through my poet s heart. WHEN the warriors came out first from their master s hall, where had they hid their power? Where were their armour and their arms? They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master s hall. VVhen the warriors marched back again to their master s hall where did they hide their power? They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master s hall. DEATH, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home. The night is dark and my heart is fearful--yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door. I will worship him with folded hands, and with tears. I will worship him placing at his feet the treasure of my heart. He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn. Bookseller Inventory # APC9781236799630

5.

Orientations 2008 Chinese Stone Sculpture, Japanese Lacquer

Magazines & Periodicals
Bookseller: THECATALOGSTAR.COM
(Melleran, ., France)
Quantity Available: 1
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Book Description: Orientations - "The monthly magazine for collectors and connoisseurs of Asian Art", March 2008, Articles on:, The Wall Paintings of Nyag Lhakhang Kharp, From Basement to Mountain Site: Reflections on 'Treasures Rediscovered, 'Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University', Designed for Pleasure: Paintings of the Floating World, Suzuki Harunobu and the Art of Allusion, Zeshin Redux, Beyond the Bengal School: Nationalism and Cultural Regeneration in the Art of Nandalal Bose, Growing Up with Nandalal Bose, An Interview with Pratapaditya Pal, Weight: 563g. Bookseller Inventory # 23136

6.

Indian Art Through The Ages

Government of India (Hrsg.)
(Köln, NRW, Germany)
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Book Description: Sree Saraswaty Press Ltd. Calcutta, 1951. Leinen. Book Condition: Gut. Dust Jacket Condition: Kein Schutzumschlag. en (illustrator). 8°. Revised and enlarged. Überarbeitete und erweiterte Auflage. Mit zahlreichen zum Teil ganzseitigen s/w und 37 farbigen Abbildungen. Einband etwas berieben, Besitzvermerk auf dem Vorsatz, sonst ein gutes Exemplar. 136 S. Bookseller Inventory # n1094

7.

The Santiniketan Murals

Arun Kumar Nag,Jayanta Chakrabarti,K. G. Subramanyan,R. Siva Kumar
Bookseller: BookVistas
(New Delhi, DEL, India)
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Book Description: Seagull Books, 1995. Hardcover. Book Condition: New. . (illustrator). First edition. . Santiniketan holds a unique position in the cultural history of India, as the embodiment of a concept and an ideal which was part of what is largely regarded as a cultural renaissance in the early part of the century. The cultural leader and artists who committed themselves to Santiniketan felt a need to view all the arts and crafts as a single connected panorama in order to revitalize the roots of their traditions. They wanted to see art as part of daily life, not just in museums, picture galleries or the audience halls of the affluent. They also wanted to keep alive the priceless methods and techniques that had contributed to forming the distinct personality of the country`s age-old visual tradition of murals. As a result they turned Santiniketan into a rich open air museum of modern Indian art with several in situ murals, some of which are landmarks of Indian art history. This monograph is an effort to bring these murals before a wider public and to describe their background. It contains a general survey of the murals, detailed descriptions of the major works and their historical background, and brief discussions on techniques and themes. It has reproductions in black and white and colour, a catalogue of works, and a bibliography. Altogether, it promises to be a useful source book on the early efforts in Santiniketan to relate art to architecture and environment, focusing especially on the pioneering works by Nandalal Bose and Benodebehari Mukherjee. It also presents the few murals done in more recent years by contemporary artists like K.G. Subramanyan and Somnath Hore which, despite their novel image, are in the same spirit as the earlier ones. Printed Pages: 162. Bookseller Inventory # 4564

8.

Story of Indian Art

S.K. Bhattacharya
(New Delhi, DELHI, India)
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Book Description: Atma Ram. Hardbound. Book Condition: As New. Contents: 1. Social roots of art-Lascaux, Altamira, Font-de Guamme, Serjeac, North Africa, South-West Africa, India-Hoshangabad, Benekal, Mirzapur, Likhniya. 2. Ancient India-Indus valley civilization, extension of Indus valley-Lothal and Ropar, parallelism in eastern India. 3. Iconography of Jainism. 4. Indian religious systems, Vedas and social organisation of the Aryans, Buddhism and the Jatakas, Jainism and their kernel of ideas, local cults. 5. Buddhism-Mauryan art and architecture, Sunga art and architecture, early Andhra art and architecture. 6. Gandharan art and architecture. 7. The Kushan period. 8. Gupta period- Mathura, Sarnath and Madhyadesa. 9. The art and architecture of the Deccan-Chalukyan period, Badami, Art of Rashtrakutas, Art of Vijayanagar. 10. Art of South India Pallava Temples, art of Cholas, art and architecture of Hoysalas, art under the Pandyas. 11. The art of Palas and Senas in Bengal and Bihar. 12. A systematic survey of Amaravati, Karli, Elephanta, Bhaja, Aihole, Khajuraho, Konarak, Mamallapuram, Bagh, Sittanvasal. 13. Manuscript illuminations on palm leaves and paper. 14. A study of miniature painting in India-Rajput, Mughal, Pahari schools of painting, the painting of music. 15. Folk art of India. 16. Beginning of modern art movement in India. 17. Notes on modern art and India. 18. Modern Indian art 1900-1925. 19. Artists of today: M.L. Dutta Gupta; Dhanraj Bhagat; Biren De; F.N. Souza; K.S. Kulkarni; Gunen Ganguli; Chintamani Kar; K.K. Hebbar; Nandalal Bose and Om Prakash. 20. The national scene in art. Bookseller Inventory # 10164

9.

Gitanjali and Fruit-Gathering (Paperback)

Rabindranath Tagore
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Kessinger Publishing, United States, 2007. Paperback. Book Condition: New. Nandalal Bose Surendranath Kar, Abanin Dranath Tagore (illustrator). 229 x 152 mm. Brand New Book ***** Print on Demand *****.This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world s literature. ***** Print on Demand *****. Bookseller Inventory # APC9781430462200

10.

Gitanjali and Fruit-Gathering (Paperback)

Rabindranath Tagore
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Kessinger Publishing, United States, 2010. Paperback. Book Condition: New. Nandalal Bose Surendranath Kar, Abanin Dranath Tagore (illustrator). 152 x 229 mm. Brand New Book ***** Print on Demand *****. ***** Print on Demand *****. Bookseller Inventory # APC9781163093405

11.

Visual Rhapsody

Dabashis Chanda
Bookseller: BookVistas
(New Delhi, DEL, India)
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Book Description: Niyogi Offset, 2005. Hardcover. Book Condition: New. . (illustrator). First edition. 23 x 29 cm. When art meets art and stirs one`s sensibilities it creates a fusion, which often yields eternal joy which is not easy to explain in words. `Visual Rhapsody`, edited by Debashis Chanda and published by Niyogi Offset (Publishing Division) is one such fusion and contains a bouquet of vibrant colours, all in black and white, in the form of drawings/paintings and poems by 22 Bengali painters and one sculptor. Their visual creative images are accompanied by their poetic creations as well. It reminds readers of past greats like Rabindranath Tagore and Abanindranath, who indulged in both painting and poetry. Among those featured in the book are: Nandalal Bose, Hemendranath Mazumdar, Nikhil Biswas, Jogen Chowdhury, Sunil Das, Rabin Mondal (all painters) and the famous sculptor Pradosh Dasgupta. They are the artists who have mastered the art of expression in more than one form of expression. The works pertain to a period from 1942 to 2005. It is interesting to note that the eldest was born in 1882, and the youngest in 1971. `Visual Rhapsody` is a unique effort to include many painter-poets in a single volume. The book contains over 95 paintings/drawings and over 80 poems by the painters. Editor Debashis Chanda laments: `I personally have knowledge of at least 15 other painters, who write or used to write poetry regularly, but I couldn`t accommodate all of them in my little boat`. Visual Rhapsody presents a fusion of various forms of art and establishes an interrelationship between painting and poetry. It proves that when artists use different art forms, they tend to infuse fresh power in their creations. Look at Hemendranth Mazumdar`s painting of a belle: `with braided locks tumbling down her bare back, In a sari soaking wet, Homeward bound.` The painter in Mazumdar, when asked as to why he demands a high price for his painting has this to say: The artist laughs and tells the buyer: "Yes, it`s true that in the world Countless women take A bath every single day, But tell me how long can they keep Such youthful bloom" "Look at the heroine in my painting, Even if centuries go by, She will always be a girl in bloom." Or Concentrate on Rabin Mondal`s 2005 drawing showing a face as he sings: "If silence has a signature, It`s you, your quietitude." Sankha Ghosh says, " each art form has its own varied ways of approaching the Eternal Truth. Only ways and techniques are different. The difference between the poet and painter is that one uses form and colour, while the other plays with words as tools of expression. In Visual Rhapsody artists use both media and thus, by complementing each other, extend the scope and visibility of their creations. Here is a book that is a feast for the eyes and soul. It offers a glimpse of eternal bliss! Contents:- 1. Sankha Ghosh : Foreword 2. Debashis Chanda : Before the Beginning 3. Nandalal Bose 4. Hemendranath Mazumdar 5. Pradosh Dasgupta 6. Nikhil Biswas 7. Sovon Som 8. Rabin Mondal 9. Prokash Karmakar 10. Ganesh Haloi 11. Ramananda Bandyopadhyay 12. Jogen Chowdhury 13. Sunil Das 14. Indranath Bandyopadhyay 15. Shuvaprasanna 16. Tapas Konar 17. Samir Aich 18. Sanjay Bhattacharyya 19. Sanjay Ghosh 20. Parag Roy 21. Samindranath Mazumdar 22. Tanmoy Mridha 23. Aridam Chattopadhyay 24. Mithu Sen 25. Eleena Banik Printed Pages: 144. Bookseller Inventory # 1044

12.

Articles on Lalit Kala Akademi, Including. Svetoslav Roerich, Mulk Raj Anand, Kapila Vatsyayan, M. F. Husain, Jamini Roy, Nandalal Bose, S. H. Raza, Benode Behari Mukherjee, Paritosh Sen, A. Ramachandran, RAM Kinker Baij, C. Sivarama Murti

Hephaestus Books
Bookseller: Deastore
(Roma, ROMA, Italy)
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Book Description: Hephaestus Books, 2011. Book Condition: New. Language: english. Print On Demand. Bookseller Inventory # 20938311

13.

Articles on Fellows of the Lalit Kala Akademi, Including. Svetoslav Roerich, Mulk Raj Anand, Kapila Vatsyayan, M. F. Husain, Jamini Roy, Nandalal Bose, S. H. Raza, Benode Behari Mukherjee, Paritosh Sen, A. Ramachandran, RAM Kinker Baij

Hephaestus Books
Bookseller: Deastore
(Roma, ROMA, Italy)
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Book Description: Hephaestus Books, 2011. Book Condition: New. Language: english. Print On Demand. Bookseller Inventory # 20298930

14.

Articles on Alumni of Government College of Art & Craft, Kolkata, Including. Abanindranath Tagore, Zainul Abedin, Quamrul Hassan, Jamini Roy, Nandalal Bose, Paresh Maity, Anil Kumar Dutta, Ganesh Pyne, Lain Singh Bangdel, Somnath Hore

Hephaestus Books, Hephaestus Books
Bookseller: Deastore
(Roma, ROMA, Italy)
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Book Description: Hephaestus Books, 2011. Book Condition: New. Language: english. Print On Demand. Bookseller Inventory # 20300115

15.

Gitanjali and Fruit-gathering

Tagore, Rabindranath, 1861-1941,Yeats, W. B. (William Butler), 1865-1939,Tagore, Abanindranath, 1871-1951, illus,Bose, Nandalal, illus
(New Delhi, N/A, India)
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Book Description: ReInk Books, 2013. Paperback. Book Condition: New. Reprinted from 1918 edition. NO changes have been made to the original text. Each page is checked manually before printing. Illustrations, Index, if any, are included in b/w. Fold-outs, if any, are not part of the book. It is not a set, only a single book/volume. This paperback book is SEWN perfect bound, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of paperback binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal paperbacks. This book is printed on demand on acid-free paper.(Original publisher, New York, The Macmillan Company) 335 pages. Bookseller Inventory # 451286815

16.

Gitanjali And Fruit-Gathering

Rabindranath Tagore
Bookseller: BuySomeBooks
(Las Vegas, NV, U.S.A.)
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Book Description: Paperback. Book Condition: New. Nandalal Bose Surendranath Kar (illustrator). This item is printed on demand. Paperback. This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. This item ships from La Vergne,TN. book. Bookseller Inventory # 9781430462200

17.

Rupa-Ikshana: Development of Indian Art and Culture (Autobiography of O.C. Gangoly)

Sudha Bose
Bookseller: BookVistas
(New Delhi, DEL, India)
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Book Description: Sundeep Prakashan, 1991. Hardcover. Book Condition: New. . (illustrator). First edition. 19 x 26 cm. The present volume gives a lucid description of O.C. Gangoly who was a pioneer of Indian art. The method and style which he tried to adopt in Indian art has brightened India`s image in the world of art. O.C. Gangoly`s sincere feelings for Indian art have been presented in this volume like the blood circulation in the pulse. O.C. Gangoly was an Attorney by profession but his devotion to art has made him an international figure. He was very close to the famous Tagore family especially to the late Abanindranath Tagore who was a great exponent of Indian art in the pre-independence era. O.C. Gangoly had remained kith and kin with the revival and expression of art in India. In modern India, as Jagadish Bose, Meghnad Shah, P.C. Roy, Ramendra Sundar, Ramanujam, Krishnan, Venkat Raman, etc., remain pillars of development in science, so also in the development of art in the modern India, and linking up of ancient medieval Indian art and international art, its related philosophy and review, men like Nandalal Bose and with them Ardhendu Kumar Gangoly`s name came up. This book, which O.C. Gangoly has presented is both a history and literature. He has given his impression about the artists, men who came into his contact or were close to him, for this autobiography has got a lucid and spontaneous style. Due to involvement of O.C. Gangoly with the art activities during transitional phase of Indian art history with literary value, this book has historical value too. Introduction 1. Life in my childhood 2. Early fascinations 3. Schooling years 4. School days and initiation to art 5. Formative years in college 6. Growing fascination for art 7. Recreation in garden hous 8. Attorneyship and Sir John 9. Exposure to Indian art 10. The leading attorneys 11. The clientele 12. Famous barristers, judges 13. Abanindranath Tagore 14. Society of oriental art 15. Suresh Samajpati and attack against new style 16. Pioneers of modern Indian art 17. Paintings of Jyotirindranath and Rabindranath Tagore 18. Indian art exhibitions in foreign countries 19. Rupam and personalities 20. The writers of Rupam 21. Art critics and art collectors 22. Prominent patrons of fine arts in Calcutta 23. Mr. Agarwal and Dr. Randhawa 24. Indian art lover capt. Wiloby and Dhangopal Mukherjee 25. Archaeological survey and archaeologist friends 26. Art and culture of Beneras and Puri 27. My style of painting and brother Alindra 28. My speeches 29. My art collections 30. Evolution and development of my study 31. Influence of Indian art style on my life 32. National library, Asiatic society and university 33. Cultural associations 34. Modern art Printed Pages: 317. Bookseller Inventory # 3136

18.

Gitanjali And Fruit-Gathering

Rabindranath Tagore
Bookseller: BuySomeBooks
(Las Vegas, NV, U.S.A.)
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Book Description: Paperback. Book Condition: New. Nandalal Bose Surendranath Kar (illustrator). This item is printed on demand. Paperback. This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. This item ships from La Vergne,TN. book. Bookseller Inventory # 9781163093405

19.

Gitanjali and Fruit-gathering

Tagore, Rabindranath, 1861-1941,Yeats, W. B. (William Butler), 1865-1939,Tagore, Abanindranath, 1871-1951, illus,Bose, Nandalal, illus
(Delhi, DELHI, India)
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Book Description: 2013. Hardcover. Book Condition: new. 335 It is Hard Cover reprint edition of the book published long back (1918)with isbn and coloured dust cover. We processed it for making more readable. We understand the importance of these books to the world so we planned to bring them back to print for the readers in the best possible manner. Print on Demand Language: eng. Bookseller Inventory # 1111002206828

20.

Krishna s Cosmos: The Creativity of an Artist, Sculptor Teacher (Paperback)

Ratnottama Sengupta
(Gloucester, ., United Kingdom)
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Book Description: Grantha Corporation, United States, 2008. Paperback. Book Condition: New. 215 x 280 mm. Brand New Book. A young student at Shantiniketan was studying a tree, to unravel how the petals part. Walking past him, Nandalal Bose said: If you persist, the tree will accept you in its shade and even let you walk in. That had set off Krishna Reddy on his artistic quest. Later, the exploration of nature beyond the limitations of the visible world developed into a spiritual curiosity about the cosmos that in turn led to devising ways to overcome technical difficulties in creating icons of distilled beauty which reduced the appearances of objects to their pure and essential forms. This creativity is in itself a process of learning for the artist and his students alike. It enables an observer to peer into the innermost essence of things and ponder on the universe in constant upheaval. The inward life of the cosmos itself is brought before us all through his viscosity prints. Krishna Reddy worked a revolution in printmaking by discovering this method of printing numerous colours from a single metal plate. Experiments in the possibilities of simultaneous colour printing remained unpredictable until Krishna analysed the oil contents of inks and effected ways of controlling that. The impact was a reliable viscosity print: graphic artists could now work with the intensity of tones and range of colours in a single print. That, along with the spirituality of his art, makes Krishna Reddy a legend in his lifetime. Shantiniketan is only one of 250 universities to have him as an artist in residence. A museum in Bangalore devotes a wing to his prints. Paris and London, Ljubljana and Venice, Australia and Argentina, Morocco and China, biennales and triennales boast his retrospectives. Solo shows, multiple workshops, lectures, publications, portfolios-Krishna Reddy s life is buzzing with activity. For Krishna, it is not enough to produce his art; one is responsible for sharing one s knowledge, too. This book is an attempt to portray this artist with a message. It is, as we said, a study in the creativity of a master. Bookseller Inventory # AAG9781890206543

21.
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Book Description: Ostfildern: Hatje Cantz., 2013. Kartoniert. Book Condition: Sehr gut. 172 Seiten, mit graphischen Darstellungen. Illustrierter Originalkartonband, 1 Ecke etwas angestoßen, insgesamt in sehr gutem, sauberem Zustand. - Neu entdeckt: gesellschaftliche Parallelen, kulturelle Verwandtschaften und gemeinsame Visionen der westlichen Nachkriegsmoderne und des postkolonialem Indiens. Die Bauhausausstellung in Kalkutta 1922 war im internationalen Kunstbetrieb ein einmaliges Ereignis ein Aufeinandertreffen künstlerischer wie intellektueller Verwandtschaften. Die westliche Moderne, die nach dem Ersten Weltkrieg auf der Suche nach geistiger und künstlerischer Erneuerung war, traf auf ihr indisches Pendant, das sich von den kolonialen Zwängen kulturell emanzipiert hatte. Werke von Paul Klee, Lyonel Feininger und Johannes Itten sowie von weiteren Bauhauskünstlern wurden bei diesem ersten internationalen Auftritt des Bauhauses neben Arbeiten moderner indischer Künstler wie Nandalal Bose, Sunayani Devi sowie Abanindranath und Gaganendranath Tagore präsentiert. Die Publikation zeigt auf, wie es zu dieser außergewöhnlichen Begegnung kam und stellt die damalige Ausstellung als exemplarischen Fall für eine Kunstgeschichte vor, die, statt über westöstliche Transmissionen zu berichten, über gemeinsame Visionen schreibt. Ausstellung: Bauhaus Dessau 27.3. 30.6.2013 (Verlagsanzeige) Sprache: de Gewicht in Gramm: 550. Bookseller Inventory # 46497

22.

Gitanjali and Fruit-Gathering (Hardback)

Rabindranath Tagore
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Kessinger Publishing, United States, 2007. Hardback. Book Condition: New. Nandalal Bose Surendranath Kar (illustrator). 234 x 161 mm. Brand New Book ***** Print on Demand *****.This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. ***** Print on Demand *****. Bookseller Inventory # APC9780548165553

23.

Krishna s Cosmos: The Creativity of an Artist, Sculptor Teacher (Paperback)

Ratnottama Sengupta
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Grantha Corporation, United States, 2008. Paperback. Book Condition: New. 215 x 280 mm. Brand New Book. A young student at Shantiniketan was studying a tree, to unravel how the petals part. Walking past him, Nandalal Bose said: If you persist, the tree will accept you in its shade and even let you walk in. That had set off Krishna Reddy on his artistic quest. Later, the exploration of nature beyond the limitations of the visible world developed into a spiritual curiosity about the cosmos that in turn led to devising ways to overcome technical difficulties in creating icons of distilled beauty which reduced the appearances of objects to their pure and essential forms. This creativity is in itself a process of learning for the artist and his students alike. It enables an observer to peer into the innermost essence of things and ponder on the universe in constant upheaval. The inward life of the cosmos itself is brought before us all through his viscosity prints. Krishna Reddy worked a revolution in printmaking by discovering this method of printing numerous colours from a single metal plate. Experiments in the possibilities of simultaneous colour printing remained unpredictable until Krishna analysed the oil contents of inks and effected ways of controlling that. The impact was a reliable viscosity print: graphic artists could now work with the intensity of tones and range of colours in a single print. That, along with the spirituality of his art, makes Krishna Reddy a legend in his lifetime. Shantiniketan is only one of 250 universities to have him as an artist in residence. A museum in Bangalore devotes a wing to his prints. Paris and London, Ljubljana and Venice, Australia and Argentina, Morocco and China, biennales and triennales boast his retrospectives. Solo shows, multiple workshops, lectures, publications, portfolios-Krishna Reddy s life is buzzing with activity. For Krishna, it is not enough to produce his art; one is responsible for sharing one s knowledge, too. This book is an attempt to portray this artist with a message. It is, as we said, a study in the creativity of a master. Bookseller Inventory # AAG9781890206543

24.
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Book Description: Bodhi Art,, Singapore, 2005. Card Wraps. Book Condition: Very Good Condition. First Edition. Elephant Folio - 11 1/2 x 15 Inches. White card wraps with color illustration on cover. Very good condition, the cover has a few very minor rub marks on it. Texts by Nancy Adajania, Ranjit Hoskote. 34 works illustrated in full color with captioned text on facing page. Well over 30 photo illustrations of the artist at work. About 95 pages. Bookseller Inventory # 5593

25.

The Bauhaus in Calcutta

(Fürstenberg, OT Blumenow, BB, Germany)
Quantity Available: 1

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Book Description: Hatje Cantz, 2013. Taschenbuch/Paperback. Book Condition: Gebraucht. Gebraucht -- Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet, Besorgungsartikel, mit längerer Auslieferungszeit von 3 Tagen. - Die Bauhausausstellung in Kalkutta 1922 war im internationalen Kunstbetrieb ein einmaliges Ereignis ein Aufeinandertreffen künstlerischer wie intellektueller Verwandtschaften. Die westliche Moderne, die nach dem Ersten Weltkrieg auf der Suche nach geistiger und künstlerischer Erneuerung war, traf auf ihr indisches Pendant, das sich von den kolonialen Zwängen kulturell emanzipiert hatte. Werke von Paul Klee, Lyonel Feininger und Johannes Itten sowie von weiteren Bauhauskünstlern wurden bei diesem ersten internationalen Auftritt des Bauhauses neben Arbeiten moderner indischer Künstler wie Nandalal Bose, Sunayani Devi sowie Abanindranath und Gaganendranath Tagore präsentiert. Die Publikation zeigt auf, wie es zu dieser außergewöhnlichen Begegnung kam und stellt die damalige Ausstellung als exemplarischen Fall für eine Kunstgeschichte vor, die statt über westöstliche Transmissionen zu berichten, über gemeinsame Visionen schreibt. Ausstellung: Bauhaus Dessau 27.3.-30.6.2013 0 pp. Deutsch. Bookseller Inventory # INF1100164689

26.
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Book Description: Hard Bound. Book Condition: New. (Size: 21 x 27 cms), ( col. Illus. 79 Figs & Maps 28) The present monograph, Tradition and Modernity in Indian Arts, is an exhaustive study of the concepts of tradition and modernism in visual arts of painting and sculpture. It tries to unveil the untouched and lesser known facets of Indian artistic tradition during the first half of the twentieth century. The author has discussed the efforts of groups of thinkers, social workers and artists for the search of identity and idiom of Indian artistic tradition and its transformation into modern. The work starts with the hypothesis that tradition and modernity are not opposed to each other but parts of a continuous process. It explodes the general view that Indian artistic tradition was lost before the advent of British education. The emergence of Bengal School and its attaining the status of a national modern school of painting has been illustrated with supportive arguments. This work highlights the role of the pupils of Abanindranath and Nandalal Bose as promoters and transformers of Indian tradition into modern throughout India. It also succinctly deals with the interaction of these artists with other art centres at Bombay, Delhi and Madras. The common thread between them was that artists at all centres resisted intervention of the British Government in art education. Some of the centres were inclined to adhere to tradition. Others opposed it in the beginning but after experimentation in Western idiom of art reverted to their roots and enriched Indian tradition by assimilating in it the western techniques of art. The book presents a comprehensive picture of the status and developments in painting and sculpture and other graphic arts in India during the first half of the twentieth century. It contains 79 coloured illustrations and 28 black and white figures. 8173053901 xvii+226 Yr. of Pub.2010. Bookseller Inventory # 142169

27.

Gitanjali and Fruit-Gathering (Hardback)

Rabindranath Tagore
(Gloucester, UK, United Kingdom)
Quantity Available: 10

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Book Description: Kessinger Publishing, United States, 2010. Hardback. Book Condition: New. Nandalal Bose Surendranath Kar (illustrator). 152 x 229 mm. Brand New Book ***** Print on Demand *****. ***** Print on Demand *****. Bookseller Inventory # APC9781163470558

28.

Krishna's Cosmos: The Creativity of an Artist, Sculptor & Teacher

Ratnottama Sengupta
(Southport, MSY, United Kingdom)
Quantity Available: > 20

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Book Description: Grantha Corporation. Paperback. Book Condition: new. BRAND NEW, Krishna's Cosmos: The Creativity of an Artist, Sculptor & Teacher, Ratnottama Sengupta, A young student at Shantiniketan was studying a tree, to unravel how the petals part. Walking past him, Nandalal Bose said: "If you persist, the tree will accept you in its shade and even let you walk in." That had set off Krishna Reddy on his artistic quest. Later, the exploration of nature beyond the limitations of the visible world developed into a spiritual curiosity about the cosmos that in turn led to devising ways to overcome technical difficulties in creating icons of distilled beauty which reduced the appearances of objects to their pure and essential forms. This creativity is in itself a process of learning for the artist and his students alike. It enables an observer to peer into the innermost essence of things and ponder on the universe in constant upheaval. The inward life of the cosmos itself is brought before us all through his viscosity prints. Krishna Reddy worked a revolution in printmaking by discovering this method of printing numerous colours from a single metal plate. Experiments in the possibilities of simultaneous colour printing remained unpredictable until Krishna analysed the oil contents of inks and effected ways of controlling that. The impact was a reliable viscosity print: graphic artists could now work with the intensity of tones and range of colours in a single print. That, along with the spirituality of his art, makes Krishna Reddy a legend in his lifetime. Shantiniketan is only one of 250 universities to have him as an artist in residence. A museum in Bangalore devotes a wing to his prints. Paris and London, Ljubljana and Venice, Australia and Argentina, Morocco and China, biennales and triennales boast his retrospectives. Solo shows, multiple workshops, lectures, publications, portfolios-Krishna Reddy's life is buzzing with activity. For Krishna, it is not enough to produce his art; one is responsible for sharing one's knowledge, too. This book is an attempt to portray this artist with a message. It is, as we said, a study in the creativity of a master. Bookseller Inventory # B9781890206543

29.
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Book Description: Ostfildern: Hatje Cantz, 2013. Kartoniert. Remissionsstempel. Book Condition: Sehr gut. 212 Seiten, 132 Abbildungen, Englisch. Illustrierter Originalkartonband in nahezu neuwertigem Zustand, Remissionsstempel im Unterschnitt. - Neu entdeckt: gesellschaftliche Parallelen, kulturelle Verwandtschaften und gemeinsame Visionen der westlichen Nachkriegsmoderne und des postkolonialem Indiens. Die Bauhausausstellung in Kalkutta 1922 war im internationalen Kunstbetrieb ein einmaliges Ereignis – ein Aufeinandertreffen künstlerischer wie intellektueller Verwandtschaften. Die westliche Moderne, die nach dem Ersten Weltkrieg auf der Suche nach geistiger und künstlerischer Erneuerung war, traf auf ihr indisches Pendant, das sich von den kolonialen Zwängen kulturell emanzipiert hatte. Werke von Paul Klee, Lyonel Feininger und Johannes Itten sowie von weiteren Bauhauskünstlern wurden bei diesem ersten internationalen Auftritt des Bauhauses neben Arbeiten moderner indischer Künstler wie Nandalal Bose, Sunayani Devi sowie Abanindranath und Gaganendranath Tagore präsentiert. Die Publikation zeigt auf, wie es zu dieser außergewöhnlichen Begegnung kam und stellt die damalige Ausstellung als exemplarischen Fall für eine Kunstgeschichte vor, die, statt über westöstliche Transmissionen zu berichten, über gemeinsame Visionen schreibt. Ausstellung: Bauhaus Dessau 27.3.–30.6.2013. (Verlagsanzeige) Sprache: en Gewicht in Gramm: 600. Bookseller Inventory # 45049

30.

Nandalal Bose

Malik, Keshav, [text]
Bookseller: Keoghs Books
(Nailsworth, GLO, United Kingdom)
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Book Description: Published by The National Gallery of Modern Art , New Delhi, 1997. , portfolio containing 5 loose colour plates and 1 leave of text, the other illustration is on the front cover of portfolio First Edition , plates in very good condition, portfolio has some creasing, in good+ condition , colour pictorial card portfolio 43 x 30 cm approx. Paperback. Bookseller Inventory # 43334

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