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1.
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Book Description: In Venezia Antonio Zatta 1757-1758, 1758. 5 volumes. (4 volumes bound in 5 as preferred). First Edition and first edition of the complete works. Magnificently and profusely illustrated in each volume with very fine full page copperplate engravings and exquisite decorations throughout, including a great profusion of finely executed large engraved head and tail -pieces. (See collation below). Also with engraved titles to each volume, the first of which is printed in red and black. 4to, splendid and proper original bindings of Italian polished calf over marbled boards, the spines with raised bands bordered in gilt, central gilt ornamental devices within the compartments. Lettered in gilt on tan morocco lettering labels. Vol.I: half-title, frontispiece engraving, engraved title, portrait engraving of Elisabetta Petrowna, noble statement dedicatory, engraved portrait of Dante , 12 pp unnumbered, engraved portraits leaf, engraved scene with Dante, I -XLVIII; I - CCCCVIII (including Catalogo De’ Signori Associati) numbered, 35 very fine copperplate engravings, as called for. Vol.II: CCCCXIII numbered pages comprising the half-title, the engraved title-page, 33 other very fine copperplate engraving + Catalogo. . Vol.III: CCCCLII - (2 ff.) -103 pages numbered, (1), engraved title-page and 33 very fine copperplate engravings. Vol.IV: engraved title-page, half-title, XII - (1) - 408 numbered pages, 4 engraved plates. Vol.V: Engraved title-page, (1) - 264; (I) - LXXXIV - (1)pages numbered, + 3 engraved illustrated plates and an engraved folding plan. Collated complete textually and with the 114 plates. A fine and fresh set in an very pleasing state of preservation, the calf bindings attractive and in excellent original state, only light evidence of age, the text-blocks crisp, clean and unpressed, the engraved plates all in fine condition, bright and clean and with strong impressions. RARE AND IMPORTANT. THE FIRST EDITION OF THE COMPLETE WORKS OF DANTE AND THE GREATEST ILLUSTRATED DANTE EVER CONCEIVED. Zatta’s Dante, a supreme production of the press and one of the great Italian illustrated books of the 18th century, also represents the first complete offering of Dante’s work. It is considered the most perfect and complete of Dante ever printed. And generally speaking, it is considered the most beautiful edition of Dante ever produced. Most copies were bound in period vellum and have suffered significantly. This copy, bound in rare period calf over boards has survived in a fine state of preservation. "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture of divine justice is entirely unclouded by Dante’s own political prejudices, and his language never falls short of what he describes." PMM. Bookseller Inventory # 23600

2.

La Divina commedia]. Le Terze rime di Dante.

DANTE, Durante ou Dante degli Alighieri, dit;
Bookseller: thomas-scheler
(paris, FR, France)
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Book Description: Lyon Balthazard de Gabiano 1503, 1503. Petit in-8 (149 x 95 mm) de 244 ff.n.ch. (a-z8, A-F8, G12) ; maroquin rouge, dos à nerfs, compartiments de filets à froid ornés aux petits fers, guirlande dorée renaissance avec fleurons d'angle et filets à froid en encadrement sur les plats, dentelle intérieure, filet sur les coupes, coiffes guillochées, tranches dorées sur marbrure (Niedrée, 1846). G. Heilbrun, Le Premier caractère italique en France. Balthazar de Gabiano à Lyon et les contrefaçons des éditions aldines, cat. n° 45, vers 1975, n° 14 : cet exemplaire ; Renouard (Alde), 307.9 ; Adams, D-84 ; Baudrier, VII, 11 ; S. von Gültlingen, I, p. 64, n° 13. Première contrefaçon de l'édition aldine de 1502. Cette impression lyonnaise, presque aussi rare que son illustre modèle vénitien – le premier Dante "portatile" –, reproduit le texte établi par l'humaniste italien Pietro Bembo (1470-1547) sur le manuscrit envoyé par Boccace à Pétrarque vers 1352 (Vat. 3199). Le texte publié par Bembo "eut un rôle fondateur pour la langue italienne et pour la culture de la Renaissance" (J. Balsamo), au point d'être réimprimé avec le commentaire de Cristoforo Landino (1481), qui se fonde pourtant sur une tradition manuscrite différente. "It was as if the poem had never been printed before : the 15th-century vulgate was swept aside. Bembo's text was to become the basis for every subsequent edition of the Divine Comedy until the late 19th century. The result was a linguistic restoration of the work to Dante's own pre-humanistic age. While Bembo's edition represented a radical improvement of the text from an objectively philological perspective, it also had the effect of revealing the distance between Dante and the rhetorical sensibilities of the High Renaissance, whose idol was increasingly the urbane and psychologically exquisite Petrarch" (cf. "Renaissance Dante in print", cat. d'exposition en ligne). Quant au titre, Le Terze rime, il ne sera repris que par les contrefaçons contemporaines de l'édition aldine, celui de Divina commedia s'imposant dès l'édition vénitienne de 1555. L'imprimeur du volume, Baldassarre Gabiano, né à Asti (Piémont) dans la deuxième moitié du XVIe siècle, s'installa à Lyon vers 1502 et y pratiqua l'art typographique avec l'aide de son oncle et de quelques membres de la famille Aliprandi, se spécialisant notamment dans la réalisation d'élégantes copies d'éditions aldines. Gabiano, qui avait ouvert en Avignon une librairie gérée par Vincenzo Portonari, revint en 1517 à Asti, où il mourut peu après. Dans les années 1970, Georges Heilbrun a consacré à Gabiano un catalogue précurseur qui rassemblait 30 ouvrages imprimés par le typographe piémontais. "Pour faire ces contrefaçons tentantes, il fallait être hors d'atteinte. Ce fut le cas de divers libraires originaires du Piémont mais associés à des marchands vénitiens, qui depuis la fin du XVe siècle avaient fondé la Compagnie lyonnaise d'Ivry (ou Ivrée). Les volumes d'Alde dès leur parution furent reproduits à Lyon dans le même format à ligne pour ligne, ce qui évitait des frais de composition. Le caractère qu'ils avaient fait graver, très proche de celui de Venise était agréable à l'œil et donnait des pages plus lisibles, car Alde, dans son souci de reproduire exactement l'écriture, n'avait pas ménagé les ligatures dont l'accumulation nuit à la clarté". Marge supérieure un peu courte, mais bel exemplaire, très bien relié par Niedrée. Provenance : Nicolas Yemeniz, avec son ex-libris (cat. 1867, n° 1537). Bookseller Inventory # 13831

3.

LA DIVINA COMMEDIA

BINDINGS - MARIUS MICHEL). (MINIATURE BOOK). DANTE ALIGHIERI
(McMinnville, OR, U.S.A.)
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Book Description: Ulrico Hoepli, Milano, 1878. Hardcover. ONE OF 1,000 COPIES. A Little Inlaid Bibliopegic Jewel, OfferingRemarkable Technique, Charm, and Condition. 54 x 32 mm (2 1/8 x 1 1/4"). 4 p.l., 499, [1] pp. ONE OF 1,000 COPIES. SUPERB CONTEMPORARY TAN MOROCCO INTRICATELY INLAID IN THE "FLORE ORNAMENTALE" STYLE BY MARIUS MICHEL (stamp-signed on front doublure), covers and spine with black inlaid morocco frames outlined in gilt enclosing a pattern of interlocking vines, leaves, and irises, all outlined in gilt and accented with gilt circlets, RED MOROCCO DOUBLURES with French fillet borders, all edges gilt. Contained in a custom-made (very probably original) velvet-lined case of dark brown morocco, the upper cover and sides adorned with gilt lozenges and flowers. With engraved frontispiece portrait of the author. The type cast by Giacomo Gnocchi of Milan, set by Giuseppe Geche, printed by Luigi Baldan, and corrected by Luigi Busato. Bondy, p. 95; Spielman 114. A SPLENDID COPY OF AN EXCEPTIONALLY CHARMING ITEM, with virtually no signs of use even to the case. This is a little bibliopegic gem, at once one of the most renowned miniature books ever produced and a striking inlaid miniature binding by one of the great French workshops of the Belle Epoque. Spielman thought the type (known as "flies' eyes" and measuring about two-point) was "the smallest ever employed." Whether that claim remains true, the Grolier Club's "Miniature Books: 4,000 Years of Tiny Treasures" reported that working with this type, which is scarcely visible to the naked eye, "is said to have injured the eyesight of both the compositor and corrector. It took one month to print 30 pages, and new types were necessary for every new forme." The amazing technical achievement of the printing is echoed here by the binding, in which we see a beautiful demonstration of the then-revolutionary "Flore Ornamentale" design. The elder Marius Michel had produced distinguished work in the prevailing historical style for two decades, beginning in Paris in 1849. He was joined in the business by his son Henri (also known as "Marius Michel"), who believed passionately "that bookbinding needed a new vocabulary of ornamentation in order to express the mood and spirit of contemporary authors." He found in the 1878 International Exposition a convenient and appropriate forum through which to promote the revolutionary style of decorative ornaments based on nature, a style he called "La Flore Ornamentale." He was at first viewed as impudent and rebellious, and his work was objected to on theoretical grounds as being too much like "art," and too little like a product of the binder's craft. But "the young man's fervent convictions, as well as his superb technical skills, as both a binder and a gilder, won him an increasing number of supporters. By 1885 his designs were seen as a viable alternative to traditional bindings for certain books." Other binders began to imitate his approach, but Marius Michel the Younger was the "undisputed leader of the new movement, [his] incomparable technique, harmonious selection of color, and infinite variety of plant motifs [placing] his work above those of his contemporaries." (Duncan & De Bartha) The design and finishing of this binding set it far above what one usually finds on a miniature book, and its unsurpassable condition and irresistible charm make this a compellingly attractive item. Bookseller Inventory # ST11966

4.

Divina Commedia Illustrazioni Di Dali.

DANTE ALIGHIERI
(Beverly Hills, CA, U.S.A.)
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Book Description: Salani Arti E. Scienze, 1964. Salvador Dali's La Divina Commedia Limited to 2,900 Copies DALI, Salvador, [illustrator]. DANTE ALIGHIERI. La Divina Commedia. Illustrazioni Di Dali. Salani: Arti E. Scienze, [1964]. Six folio volumes. Measures 340 mm x 260 mm. Original cream printed paper wrappers. Each volume with own wraparound chemise. Comprising of 100 woodcuts in color, on Rives. Volume 2 of Purgatorio, Inferno, and Paradiso each with a justification sheet, copy number 1,295 from the edition of 2,900. (There was also a signed edition of 150). Printed by Stamperia Valdonega di Verona and Raymond Jacquest. Each sheet with a deckled edge below, loose, as published. Original matching slipcases. A fine set. HBS 66375. $8,500. Bookseller Inventory # 66375

5.

LA DIVINA COMMEDIA

BODONI IMPRINT). DANTE ALIGHIERI
(McMinnville, OR, U.S.A.)
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Book Description: Nel Regal Palazzo, Parma, 1796. Hardcover. The Bodoni Dante in Remarkably Fine Condition and in a Lovely New Binding. 318 x 235 mm (12 1/2 x 9 1/4"). Three volumes. Edited by Giovanni Jacopo Dionisi. The Large Quarto Edition (there was a folio edition published the same year). VERY FINE REPLICA BINDINGS OF DEEP BLUE STRAIGHT-GRAIN MOROCCO, HANDSOMELY GILT, by Courtland Benson, raised bands, covers gilt with a wide frame of interlocking drawer handle tools accented with small flowers, inner floral roll frame with oblique tulip cornerpieces, raised bands, spine panels with elaborate gilt fleuron centerpiece, gilt titling, marbled endpapers, top edges gilt, others untrimmed. Brooks 654; Koch I, 12. Except for faint pinpoint foxing on the title page of the second volume and trivial smudges here and there, AN ESPECIALLY FINE, FRESH COPY WITH VAST MARGINS, and in unworn, particularly attractive, and convincing retrospective bindings. This is an especially tall copy--with leaves measuring 305 x 230 mm.--of the quarto edition of Bodoni's Dante, considered by Brooks to be as beautiful as the folio version (which he described as "Bellissima"). The same elegant format and typeface are used, and the two editions differ only in pagination. The most celebrated European printer of his era, Giambatista Bodoni (1740-1813) worked for more than 20 years at the royal press in Parma before obtaining permission to set up his own private press in 1791. Brooks says, "He took his printing in all its branches very seriously, laboured incessantly to perfect his type, had a fine artistic sense, . . . and produced books not only of a very high standard, but also showing a remarkably distinct individuality. . . . The result of his labours is a long list of books which . . . reach a very high, many of them the highest, level of technical excellence." Editor Giovanni Jacopo Dionisi based the text of the present edition on the manuscript of Filippo Villani, who had been appointed as the Florentine public reader of the "Divine Comedy" in 1392. Neither version of the Bodoni Dante is common in the marketplace: ABPC records just five copies, both folio and quarto, at auction since 1975, and only one since 1988. Although the bindings are new, they are faithful to the period and executed with great skill and very considerable aesthetic success. The Large Quarto Edition (there was a folio edition published the same year). Bookseller Inventory # ST12438b

6.

La divina commedia. Illustrazioni di Dalì

Dante Alighieri
(Cambiago, MI, Italy)
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Book Description: Salani, Firenze, 1964. Cartonato. Le tre cantiche sono illustrate da 100 tavv. a colori, create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani. Tiratura di 2900 esemplari. Numero di tavole: 0 pp.0 altezza 0 larghezza 0 Esemplare in 6 volumi in ottimo stato. Ogni volume è in cofanetto. Bookseller Inventory # NARCIT1000028-3717

7.

La Divina Commedia. Illustrazioni di Dali'.

Dante Alighieri
(PISTOIA, PT, Italy)
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Book Description: Arti e Scienze, Salani 1964, 1964. In 4° gr., 6 voll., br. edit. incamiciate e inserite in legature rigide sciolte, ogni volume in cofanetto orig. decorato con motivi geometrici a colori e oro, testo in fascicoli sciolti. Splendida edizione illustrata da 100 tavv. a colori create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani e confezionata dalla Legatoria Torriani di Milano. La ns. copia fa parte della tiratura di 2900 esempl. numerati a mano (es. 454). Perfetta conservaz. Bookseller Inventory # 24-0012

8.

LA DIVINA COMMEDIA di Dante.

DANTE ALIGHIERI
(Trevignano Romano, RM, Italy)
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Book Description: Milano, Ulrico Hoepli, 1878 (Padova, f.lli Salmin)., 1878. (mm. 52x34), 1 c.b. + cc. 4 nn. + pp. 500, con un ritratto di Dante inciso in antip. Legatura coeva in pieno marocchino scuro, dorso a cinque scomparti con titoli in oro. Sguardie marmorizzate, tagli colorati in rosso. Lievissima abrasione al dorso, altrimenti molto ben conservato. Uno dei 1000 esemplari del celebre "Dantino" stampato a Padova, dai fratelli Salmin, per U.Hoepli. "Antonio Farina de Plaisance, qui fut parmi les plus habiles graveurs que l'Italie ait jamais eut, gravait en 1834 les poinçons de corps 2 sur 3 points d'un caractére microscopique, qui a été fondu seulement en 1850 pour le compte de Giacomo Gnocchi. Après des efforts inutiles pour l'utiliser, le caractère passa aux frères Salmin de Padoue, qui l'employère à imprimer en 1878 mille exemplaires du fameux Dantino, livre qui est généralement appelé Le Plus Petit Livre du Monde à cause plutot de la petitesse du caractère que des dimensions de la page" (Fumagalli, Lexicon, pag. 276). Cfr. anche Mikrobiblion n. 77. Bookseller Inventory # 81202

9.
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Book Description: Livorno: Tommaso Masi & Co., with the types of Bodoni, 1807, 1807. 3 volumes, octavo (214 × 142 mm). Bound by C. Lewis (signed in blind at foot of front pastedown, vol. 1) in contemporary green straight-grain morocco, covers with wide vine borders in gilt enclosed by two-line blind borders, spines with wide raised bands, first and last compartments richly gilt, others gilt-lettered direct, decorative gilt roll to turn-ins, yellow ochre endpapers, gilt edges. A little rubbing to extremities, occasional light foxing, an excellent copy. Portrait of Dante engraved by Raffaello Morghen after Stefano Tofanelli as frontispiece to vol. 3, engraved diagram of Inferno by R. Spadaccini. Ownership inscription of Mary Bligh, the gift of her uncle Edward, 1819 to front free endpaper in vol. 1; inscriptions of John Taylor Coleridge, 1838, to other volumes. A handsomely bound set of the Leghorn edition of Gaetano Poggiali (1753–1814): "Edizione molto pregiata per la correzione e la nitidezza procurata dal celebre bibliofilo" (Gamba). The first volume contains the Inferno, the second Purgatorio and Paradiso, and the third volume has Poggiali's life of Dante and commentary. A fourth volume of additional commentary ("Le annotazioni alle due ultime cantiche") was published later, in 1813. Charles Lewis (1786–1836) was "unquestionably London's leading binder, patronized by all the great collectors of the day" (ODNB): William Beckford called him "the true Angel of binding." This set from the library of Sir John Taylor Coleridge (1790–1876), judge, nephew of the poet Samuel Taylor Coleridge, with his inscriptions to the front blanks recording the price of the set at one guinea, Montague Place, 1 January 1838. Coleridge had gained an appetite for Italian literature on his grand tour in 1814. Gamba 400. Bookseller Inventory # 62187

10.
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Book Description: IMPRESOR-LUGAR: En Venecia, en Vinegia por Gabriel Giolito de Ferrari, y fratelli. Editado por Lodovico Dolce. 1555, (en el final MDLIII)DESCRIPCIÓN FÍSICA: [33], 598 p. (retrato de Dante, 5 entalladuras en texto.). Texto en italiano. Dedicación y firma autógrafa de José Zorrilla.ENCUADERNACIÓN: PERGAMINO. Lomo con cinco nervios y tejuelo para autor y título: DANTE COMEDIA. Guardas al agua. 12º. 150 mm. CONSERVACIÓN: Excelente estado. Texto limpio y obra cuidada. Reforzamiento experta del papel en la página de portada. Primera edición enla queapareceel reconocido medallón con retrato de Dante mirando haciala izquierda, al pie de la ilustración el soneto IN LODE DI DANTE por su primer biógrafo Giovanni Boccaccio. Bellas capitulares y grabados en madera. Obra corregida con la revisión de los antiguos textos de la obra de il Sommo Poeta, aportando apostillas marginales.Rareza bibliográfica de una de las obras maestras de la literatura universal. Fue propiedad de José Zorrila (Valladolid, 1817-Madrid, 1893) que regaló a su amigo, el tercer duque de Almenara Alta, D. José María de Martorell y Fivaller dedicando, firmando y fechando este obsequio en la página de cortesía, en Madrid, enero, 30 - 1879. Al señor duque dela AlmenaraAlta, su amigo José Zorrilla. Año: 1555 Edición: Posterior. Bookseller Inventory # L2002

11.

La Divina Commedia. Illustrazioni di Dalì.

Alighieri Dante
(Brescia, BS, Italy)
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Book Description: Arti e Scienze, Salani, 1964. Rilegato. Book Condition: ottimo. 3 voll. in-4° (cm 31,8x25), 471, 9 n.n. + 63 tavole a colori fuori testo; XII, 610, 2 n.n.; 1.000 illustrazioni su tavole fuori testo + 92 n.n. d’indici. Legatura editoriale in mezza pelle marrone con titolo oro impresso al dorso. Prima edizione italiana, riveduta e ampliata dall'autore prima della sua morte. Esemplare privo di cofanetto editoriale ma in ottime condizioni. Bookseller Inventory # 13713

12.

La Divina Commedia

Alighieri, Dante
(Verona, VR, Italy)
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Book Description: Sonzogno, 1924. rilegatura artistica. Book Condition: in ottime condizioni. Doré, Gustave (illustrator). 4° - da 28 a 38 cm. Rilegatura artistica in mezza pelle con quattro nervature al dorso e impressioni in oro, piatti riccamente decorati con intarsio in pelle su fronte e due immagini rappresentative interne ed esterne ai piatti. Anno indicativo 1924-1930. Pezzo unico da collezione firmato sul retro del piatto dal Maestro Rilegatore Fusari Andrea. Bookseller Inventory # 000003

13.
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Book Description: 1963. Torino: Collana Letteraria Documento. Cetra. (First edition). Square stout small folio with eighteen 33 1/3 long playing records in three separate long playing thick card illustrated record boxes with end caps housing six LP's and a book each in the three parts, "Inferno", "Purgatorio" and "Paradiso", of Dante Alighieri's "La Divina Commedia". Each LP is housed in a mylar sleeve and then each in an illustrated paper LP sleeve. All LP's are fine with no surface markings whatsoever and appear to have been played possibly only one time. The spine of the slipcase for "Inferno" has a light crease else all elements fine in the clothbound thick slipcase with an image of Dante on both side panels with a silk ribbon removal pull also fine. The printed book, in Italian, of each part, is included and laid into the slipcase with it's companion volume. Overall a spectacular copy of this massive and exhaustive reading by Albertazzi, d'Angelo, Fou and Millo of Dante's "The Devine Comedy". Rare. Bookseller Inventory # 1011073

14.
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Book Description: Presso Antonio Fulgoni, Roma, 1791. Full Vellum. Book Condition: Very Good. 4to - over 9¾" - 12" tall. Quarto, three volumes, 502, 523, 541 pp, plus preliminaries, bound in full vellum with gilt titling on the spines (vellum moderately soiled and worn, consistent with a book of this vintage; covers a bit bowed, due to the shrinkage of the vellum; all edges marbled, top edges soiled; small 20th century bookplate on front pastedown of each; older inked owner's name to front pastedown of each; 20th century ink inscriptions on ffep of each; moderately soiled and/or foxed throughout; waterstains to upper page edges of two volumes [II: ca 144 leaves; III ca. 254 leaves]). Printed on laid watermarked paper (watermark indecipherable to me). Title page illustrations with two medallions in all three volumes plus three different copperplate engravings (one in each volume). Seemingly the first Divine Comedy printed in Rome. RARE. (This is a multi-volume set and may require additional shipping charges. Please contact me for details.) 4to - over 9¾" - 12" tall. Bookseller Inventory # 8614

15.

La Divina Commedia (coi disegni di Sandro Botticelli). 3 parts. in 1 vol

BOTTICELLI. – Dante Alighieri
(ZŘrich, ., Switzerland)
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Book Description: Berlin, Officina Serpentis, (November) 1925., 1925. Printed in red and black. With 86 orig. woodcuts after Sandro Botticelli and 107 (3 full-page) typographical woodcuts, printed in red, all by Bruno Rollitz, the initials after drawings by H. Th. Hoyer. 1 blank leaf, 115 unn. leaves, 1 blank leaf. Folio. Contemp. vellum with calligraphic front title and 2 clasps. One of 200 copies (no. 151) on Hahnemühle hand-made paper with the initials printed in red of a total limited edition of 265. The most sumptuous work of the press which took five years to be completed. The three parts were delivered successively in issues (Purgatorio, Paradiso, Inferno). Thus complete copies are not so numerous. – Backe/Köppen 110; cf. Rodenberg 114 (cantico secondo and terzo only); Gertraud Meyer, Die Tieffenbachs und ihre Officina Serpentis, in: Imprimatur N.F. XI (1984), p. 182ff. – Heraldic ex libris "Schafroth/Oberholzer" on first paste-down. A fine copy. Bookseller Inventory # 9528

16.
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Book Description: Presso Antonio Fulgoni, Roma, 1791. 502+ 523+ 541 pages p. Title page illustrations with two medallions and one engraving in each volume. With a fine owners bookplate on inside frontboards and smaller name on titelpages Bound in 3 contemporaty half calf with golddecoration and titellabels with goldtext on spines. With minor general wear to all bindings. 1 spine repaired. Bookseller Inventory # 14011408

17.
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Book Description: Chance du Bibliophile., Milano., 1959. 3 voll., in 4°, p. vitellino rosso, pp. 442 + 433 + 467, l'opera è arrichita da ben 100 tavv. a colori di Amos Nattini. Edizione speciale tirata in 999 copie, esempl. n. 863. Cofanetto in pesante cartonatura marmorizzata. Ottimo e raro. Bookseller Inventory # 22434

Book Description: 0. Druck der Officina Serpentis in 200 Exemplaren. Die gesamten Holzschnitte des Buches, 86 Faksimileholzschnitte nach den Zeichnungen Botticellis und 108 typographische Holzschnitte, sind die fünfjährige Arbeit von Bruno Rollitz. Das umfangreichste und schwierigste Werk der Presse. Komplett sehr selten. Schönes Exemplar. - Backe 110. - Rodenberg 114 u 516. Schauer Bd. II,76. Bookseller Inventory # 8516AB

19.

La Divine Comédie (La divina commedia)

Alighieri, Dante
(Schenectady, NY, U.S.A.)
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Book Description: Jacques Beltrand, Paris, 1922. Hardcover. Limited/Numbered Edition. Three volumes: xii, 319pp, 320pp, 313pp. Edition published to celebrate the six hundredth anniversary of Dante's death and limited to 225 numbered copies, this being copy #190. Full vellum with gilt decorations and rules on covers, gilt lettering on spines, gilt inside dentelles; top edges gilt, others uncut, marbled endpapers. Printed on Arches paper with a "1321 Dante 1921" watermark. Illustrated with numerous wood engravings by Jacques Beltrand and his brothers Camille and Georges based on the drawings by Sandro Botticelli. Text in Italian and French. Translation from the Italian by André Pératé. Covers are a bit soiled and spines slightly darkened. Internally clean. A wonderful and well preserved set in a simple and stylish binding. ; Folio. Bookseller Inventory # 12894

20.

La Divina Commedia

ALIGHIERI DANTE
Bookseller: Libreria SEAB
(Bologna, BO, Italy)
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Book Description: Bologna, Per Gamberini e Parmeggiani 1819/21, 1819. Volumi 3 in 4°, mezza pelle coeva con tit. e fregi oro su tasselli al dorso. Pp. 8 n.n+ 238+ 4 n.n.+ 244+ 6 n.n.+ 212. Il testo è ornato da 101 tavole in rame di G. G. Macchiavelli che le intagliò in Roma fin dal 1806, con grande maestria. Edizione pubblicata per cura dell'Abate Filippo Macchiavelli e stimata da Ugo Foscolo "utile a chiunque attende allo studio più che alle dispute intorno al poema". Vita di Dante descritta da Paolo Costa. Discorso della prima e principale allegoria del poema, del Conte G. Marchetti. Qualche piccola giallitura ma buon esemplare. Mambelli 122. Bookseller Inventory # 73728

Book Description: REGIA SCUOLA TIPOGRAFICA E DI ARTI AFFINI DI TORINO NELLA STAMPERIA QUATTROCENTESCA DEL BORGO MEDIEVALE, TORINO, 1911. Pergamena. Book Condition: in ottime condizioni. In-folio Piccolo. Elegante legatura in piena pergamena; ai piatti anteriori, nome dell'autore manoscritto a penna con capolettera miniati e rialzati in oro, ai bordi superiori e inferiori delle legature intreccio di strisce di pelle allumata, alla moda delle legature quattrocentesche, che si prolungano a formare lacci di chiusura. I volume: 251 carte non numerate, con prefazione di Corrado Corradino, riproducenti in facsimile la prima edizione della Divina Commedia pubblicata a Foligno nel 1472. II volume: frontespizio con titolo e bella marca tipografica stampata in rosso, 2 carte non numerate di indicazioni, 92 tavole fuori testo riproducenti immagini quattrocentesche della Divina Commedia, 21 riproducono i disegni del Botticelli dell'edizione del 1481, 68 riproducono le silografie dell'edizione di Brescia del 1487 e 3 le incisioni a piena pagina dell'edizione venete del 1491. Opera tirata a soli 200 esemplari in occasione dell'Esposizione di Torino del 1911. Mambelli cita che ne fu venduto un esemplare nel 1927 a 1.500 lire e un altro esemplare nel 1929 (Olschki) a ben 300 lire oro. L'opera si presenta in perfette condizioni, in barbe, dalla legatura molto curata. Cfr. MAMBELLI G., "Gli annali delle edizioni dantesche [.]", Bologna 1931, n. 551. Bookseller Inventory # 000226

Book Description: Roma: Nella Stamperia de Romanis. Con Licenza de' Superiori. [Vol. I] MDCCCXV. [Vol. 2] MDCCCXVI. [Vol. III] MDCCCXVI. [Vol. IV] MDCCCXVII., , 1815. FOUR VOLUMES. Quarto, 265x195mm. In original tan half-calf bindings, a little scuffed, with marbled sides. Five raised bands on spines with decorative blind roll outline and gilt roll on the bands; black lettering pieces and volume number gilt. Vol. I Inferno, 1815: inner front hinge cracked; li, [1], 486, [2] pages; signatures: *-5*4, 6*6, A-Z4, 2A-2Z4, 3A-3P4, the final leaf is blank; with plate facing p.1. Vol. II Purgatorio, 1816: [2], iii-vii, [1], 519, [1] pages; signatures: [4], A-Z4, 2A-2Z4, 3A-3T4; small tear, possibly a paper fault, in lower margin of 2T4 far away from text; with plate facing p.1. Vol. III Paradiso, 1816: inner front hinge starting; [4], v-vii, [1], 522 pages; signatures: [4], A-Z4, 2A-2Z4, 3A-3T4, V1; with plate facing p.1. Vol. IV Le Principali Cose Appartenenti alla Divina Commedia, 1817: inner front hinge starting; [2], iii-viii, [2], 3-132, [2], 3-116, [1], 118-167, [3], 171-184, [2], 3-58, [1], 60-164 pages; signatures: a4, A-P4, Q6; A-Z4, A-U4, [2]; with plate facing p.1. Well laid out with broad margins. An exceptionally crisp, clean and tight set. (Digital photographs will be sent on request.). Bookseller Inventory # 14393

23.

LA DIVINA COMMEDIA. IMMAGINI DI AMOS NATTINI.

DANTE ALIGHIERI.
Bookseller: LIBRERIA ACHILLE
(TRIESTE, TS, Italy)
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Book Description: Milano, Chance du Bibliophile, 1959-61, 1959. Note illustrative di Dino Provenzal. 3 volumi in-4,legatura in tutta pelle editoriale,cofanetti editoriali cartonati e marmorizzati, pp.442,443,467 e 100 tavv. a colori di Amos Nattini. Buon esemplare. Bookseller Inventory # ff47e584fb5458f1c19f75636f5aa181

24.
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Book Description: London, 1928. Book Condition: near fine. Edition limited to 1475 copies, folio, pp. [4], 324, [3]; full original orange vellum; near fine copy, with no fading of the spine, as is common with this book. The Italian text was edited by Marion Casella of the University of Florence with the English version of H.F. Cary, 34 double- page and 8 full-page illustrations after the drawings by Sandro Botticelli. One of the premiere productions of the press. Dreyfus, 50. Bookseller Inventory # 30015

25.

La Divina Commedia manoscritta da Boccaccio.

DANTE ALIGHIERI.
(riva del garda, TN, Italy)
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Book Description: Negli Occhi Santi di Bice,, Roveta, 1820. Tre volumi di cm. 25, pp. 612 (8) complessive. Antiporta incisa con la raffigurazione di Dante, Petrarca e Boccaccio, graziosa marca tipografica che rappresenta un elefantino. Brossura originale con cornici e titoli a stampa. Qualche leggero alone limitato alle brossure, peraltro esemplare genuino e marginoso, ben conservato ed a fogli chiusi. Edizione eseguita sul celebre manoscritto autografo del Boccaccio e postillato dal Petrarca (cui il codice sarebbe appartenuto - cod. Vaticano 3199) e del quale l'editore Fantoni trasse copia fedele a Parigi prima che il codice venisse restituito. Cfr. De Batines,148 e Mambelli (126): "Edizione che fu eseguita con precisione che Karl Witte chiamò diplomatica". Rara ed assai stimata edizione. Bookseller Inventory # 44624

26.
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Book Description: Fratelli Alinari, Editori, Firenze, 1902- 1903., 1903. Tre tomi rilegati in un unico vol. n 4° (cm.35); 1 c.bianca, pp. XVI, 1 c. n.n., pp. 140; 1 c.bianca, 2 cc. n.n., pp. 146; 2 c.bianche, 2 c. n.n., pp. 166, 1 c.bianca. Numerose ill. su tavv. a p.p. n.t. ed alcune f.t. su cartoncino protetto da velina, come da indici alla fine di ciascun volume, che li elencano con il nome dell'autore (A. Martini, D. Cambellotti, L. Balestrieri, A. Sartorio, P. Nomellini, P. Chiesa). Finali e testate incise. Solida legatutra coeva in pieno cuoio, con titoli impressi a secco al piatto ant., sbalzi e gigli in rilievo ai piatti, fermagli alla maniera medievale costituiti da due liste di cuoio che terminano con un piccolo uncino metallico da agganciarsi all'orlo della coperta. Qualche lievissima abrasione alla leg., altrimenti molto ben conservato e completo di tutte le tavole. Bookseller Inventory # 81205

27.
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Book Description: London Presso di R. Zotti 1819-1820, 1820. 3 volumes. The second of Zotti’s two rare Italian editions printed in England, revised and with expanded notes and commentary. With an engraved portrait frontispiece of Dante in volume one. 8vo, full contemporary dark calf, the boards with a rolled frame in blind, the spines gilt tooled flat bands creating compartments with either gilt lettering or central gilt tooled devices, fine marbled endpapers and blind stippled turn-ins and board edges. lii, 463; 455; 491 pp. A fine and beautiful set, internally as fresh, clean and solid as could be found, appearing nearly unused and beautifully preserved. The contemporary calf bindings very handsome and proper, also beautifully preserved, one hinge of volume three quite tender, easily repairable. RARE, OF ZOTTI’S TWO PRINTINGS OF DANTE THE TOTAL NUMBER LISTED IN LIBRARY HOLDINGS IS ONLY 43 COPIES, AND THIS EDITION BEING ONLY 23 OF THOSE. Of these listed, some are incomplete and most do not have the portrait of Dante. Zotti, an Italian printer living in London but publishing in Italian was an important figure in the importation of Italian literature into the English speaking world. It is in no way surprising that this, Zotti’s second edition of Dante, was printed the same year as the first complete modern English translation. Zotti’s Dante includes important notes and commentary, Zotti’s introduction, and a ‘Vita’ edited from that of Girolamo Tiraboschi. Bookseller Inventory # 25071

28.
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Book Description: casa editrice: TREC EDIZIONI PREGIATE anno: 1990 città: ROMA, 1990. LEGATURE IN PELLE O SIMILPELLE EDITORIALE MARRONE CON COFANETTI E TITOLI IN ORO. QUESTA EDIZIONE E' STAMPATA NELL'OFFICINA CARTE VALORI DELL'ISTITUTO POLIGRAFICO E ZECCA DELLO STATO, SU CARTA SPECIALE FILIGRANATA PER INCISIONI ROSASPINA APPOSITAMENTE FABBRICATA DALLE CARTIERE MILIANI-FABRIANO. EDIZIONE STAMPATA IN 1990 ESEMPLARI, LA NOSTRA E' LA COPIA N. 1490 CON FIRMA ORIGINALE DI ERNESTO TRECCANI numero pagine: 206+230+214 formato: 45X33 stato conservazione: BUONO illustrazioni: DORE', RIVISITAZIONE CON I COLORI DI ERNESTO TRECCANI. Bookseller Inventory # 8631

29.

DIE GOTTLICHE KOMODIE Hölle Fegefeuer Paradies La Divina Commedia Inferno Pugatorio Paradiso

DANTE ALIGHIERI, TOTH Karl, BAYROS Franz von
(Dulverton, SOM, United Kingdom)
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Book Description: Vienna: Amalthea Verlag, 1921., 1921. Limited numbered edn (688 of 1100) signed on front prelm of vol I by Prince Philipp von Hessen. 3 vols. Tall 8vo. Original uniform gilt lettered quarter vellum on gilt stamped paper-laid boards, top edge gilt, marbled endpapers (tiny nick to headcap of vol II and some small marks to boards - otherwise a bright VG set). Pp. xliv + 428 [&] 434 [&] 441, illus with 60 coloured plates with captioned tissue-guards by Franz von Bayros and with silk page-markers (no inscriptions). German and Italian text on facing pages. Bookseller Inventory # 75590

30.

La Divina Commedia.

Dante Alighieri:
(D-83080 Oberaudorf, ., Germany)
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Book Description: Istituto Poligrafico dello Stato,, Rom, 1965. Ca. 43 x 30,5 cm. 3 Bände. Rom, Istituto Poligrafico dello Stato, 1965. Ca. 43 x 30,5 cm. 150 S., (2) Seiten, mit 34 farbigen Tafeln; 144 S., (2) Seiten, mit 33 farbigen Tafeln; 198 S., (2) Seiten, mit 33 farbigen Tafeln. Original-Ledereinbände mit Rücken- und Deckelgoldprägung. Im Original-Holzschuber mit illustriertem Leinenüberzug. Exemplar 149/1000. Nel VII Cenetenario della nascita di Dante Alighieri. Testo e sommari curati da Luigi Pietrobono. Miniature scelte e commentate da Sergio Samek Ludovici. In italienischer Sprache. Rücken etwas bestoßen. Schönes breitrandiges Exemplar dieser bibliophilen Ausgabe. Sprache: Italienisch Original-Ledereinbände mit Rücken- und Deckelgoldprägung. Im Original-Holzschuber mit illustriertem Leinenüberzug. Bookseller Inventory # 32749AB

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