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Published by San Francisco Museum of Modern Art/Wexner Center for the Arts, 2013
ISBN 10: 0918471826ISBN 13: 9780918471826
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.
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Published by LE LUDION
ISBN 10: 9055447722ISBN 13: 9789055447725
Seller: medimops, Berlin, Germany
Book
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Published by San Francisco Museum of Modern Art/Wexner Center for the Arts, San Francisco, CA, 2009
ISBN 10: 1933045981ISBN 13: 9781933045986
Book
Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth backed hardcover with dust jacket. The book is in very good condition with lightly bumped corners; very light rubbing to edges; edges of pages with very light shelf wear; overall very lightly used, very clean and tight. Jacket very good with light rubbing and shelf wear; light dirt and a few marks and light dings; overall lightly used.
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Also find Hardcover First Edition Signed
Published by Gent Ludion ; uitgegeven tgv de tentoonstelling Luc Tuymans - Retrospective in het Paleis voor Schone Kunsten Brussel, 2011
Seller: Prentwerk Art Books, Groningen, Netherlands
Condition: In goede staat. Pap., 29 x 24.5 cm, 228p, afbeeldingen in keur. Essays van Helen Molesworth, Joseph Leo Koerner, Ral[h Rugoff en Bill Horrigan. Nederlandse editie.
Published by San Francisco Museum of Modern Art/Wexner Center for the Arts, 2013
ISBN 10: 0918471826ISBN 13: 9780918471826
Book Signed
Paperback. Condition: Fine. Signed by the artist on half-title page. ; 11.57 X 9.76 X 1.02 inches; 228 pages; Signed by Author.
Seller: Dan Pope Books, West Hartford, CT, U.S.A.
First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. FRANCISCO MUSEUM OF MODERN (2009). First edition. First printing. Hardbound. New/New. A pristine unread copy, with acif-free mylar dust jacket protector. SIGNED by author on title page. Smoke free shop. Shipped in sturdy box. This book is not only the most comprehensive survey of Belgian artist Luc Tuymans's career to date, but also the most thorough chronology of his artistic development. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema, & by the lingering effects of WWII; more recent historical preoccupations include the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect & a singular use of cropping, close-up & sequencing - perfect devices with which to undertake his investigation of the pathological, the banal & the conspiratorial. 175 color. 0.0. Signed by Author(s).
softcover, originele uitgeversomslag, 29.2x24.7x2.7 cm , 228pp, geillustreerd z/w. ISBN 9789055447718. De Belgische kunstenaar Luc Tuymans is een van de belangrijkste actieve schilders van dit ogenblik. Zijn unieke schilderstijl en benadering van historische thema's hebben een hele generatie jongere kunstenaars beinvloed. Tuymans houdt zich bezig met de nawerking van de meest traumatische gebeurtenissen van de afgelopen eeuw en gebruikt een gedempt palet om beelden uit films, tv-programma's en gedrukte bronnen uit te werken tot doeken die tegelijk somptueus en subtiel zijn, raadselachtig en ontwapenend sober. Als verre herinneringen balanceren zijn schilderijen tussen logische samenhang en onbegrijpelijkheid en stellen ze onze zekerheden op de proef, niet alleen over wat we zien maar ook over hoe we ernaar moeten kijken. Tuymans is vooral beroemd geworden om zijn vroege werk over de Holocaust; daarna heeft hij zich beziggehouden met onderwerpen als de postkoloniale geschiedenis van Congo, de Amerikaanse reactie op de aanslagen van 11 september, en de rol van de geinstitutionaliseerde godsdienst in een steeds verder geseculariseerde samenleving. Daarbij is hij altijd blijven streven naar het weergeven van het onvoorstelbare om ons zo te wijzen op onze rol als toeschouwers ? en vaak medeplichtigen tegen wil en dank ? van de geschiedenis. 410 g.
Published by Berlin ; München : Dt. Kunstverl., 2011
ISBN 10: 3422070931ISBN 13: 9783422070936
Seller: Antiquariat Buchkauz, Herzogenburg, Austria
Book
kart., Softcover/Paperback. Condition: Gut. 223 S. : zahlr. Ill. ; 30 cm guter bis sehr guter Zustand 147L Sprache: Deutsch Gewicht in Gramm: 1292.
Published by D.A.P. / Distributed Art Publishers, Inc., New York, 2009
Seller: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, U.S.A.
First Edition
Condition: As New. Dust Jacket Condition: As New. Luc Tuymans (illustrator). First Edition. Signed by artist to half title page. Grey cloth boards with debossed text to spine; pictorial dust jacket protected in mylar. Essays by Molesworth, Joseph Leo Koerner, Ralph Rugoff, and Bill Horrigan. Copiously illustrated throughout. No previous owners' names or other markings. 228 pp. 10 x 12 inches.
Published by San Francisco Museum of Modern Art and the Wexner Center for the Arts, in association with D.A.P./Distributed Art Publishers, Inc, San Francisco and Minneapolis, Minnesota, 2009
ISBN 10: 1933045981ISBN 13: 9781933045986
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Tuymans. Hardcover. Fine gray cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Paintings by Luc Tuymans. Edited by Madeleine Grynsztejn and Helen Molesworth. Essays by Helen Molesworth, Joseph Leo Koerner, Ralph Rugoff and Bill Horrigan. Additional contributions by Alison Gass, Prudence Peiffer, Joshua Shirkey and Lanka Tattersall. Includes a catalogue of the exhibition, exhibition history and reviews and a selected bibliography. Designed by Takaaki Matsumoto, Matsumoto Incorporated, New York. 228 pp., with 75 four-color plates and numerous additional illustrations, finely printed in Germany by Cantz. 11-3/4 x 10 inches. Published on the occasion of a major exhibition organized by the San Francisco Museum of Modern Art and the Wexner Center for the Arts, and traveling to the Dallas Museum of Art, the Museum of Contemporary Art, Chicago, and the Centre for Fine Arts, Brussels. New in New dust jacket (opened only for signature). Luc Tuymans' paintings are more photographic than most photographs. His work is deeply rooted in the aesthetics of memory, the stream of media images in our culture, cinema and video, the "photographic" cues that we expect -- the way the edges of light look in an enlarged low-resolution image, the fragmentation in a snapshot, the "physicality" of a Polaroid -- and the apparent randomness of his wide-ranging subject matter (from the Holocaust to the specific pink color of the Financial Times). From the publisher: "Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development." Signed by Author.