The literary sensation of the year, a book that redefines both family and narrative for the twenty-first century. A Heartbreaking Work of Staggering Genius is the moving memoir of a college senior who, in the space of five weeks, loses both of his parents to cancer and inherits his eight-year-old brother. Here is an exhilarating debut that manages to be simultaneously hilarious and wildly inventive as well as a deeply heartfelt story of the love that holds a family together.
A Heartbreaking Work of Staggering Genius is an instant classic that will be read in paperback for decades to come. The Vintage edition includes a new appendix by the author.
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Dave Eggers is a terrifically talented writer; don't hold his cleverness against him. What to make of a book called A Heartbreaking Work of Staggering Genius: Based on a True Story? For starters, there's a good bit of staggering genius before you even get to the true story, including a preface, a list of "Rules and Suggestions for Enjoyment of This Book," and a 20-page acknowledgements section complete with special mail-in offer, flow chart of the book's themes, and a lovely pen-and-ink drawing of a stapler (helpfully labeled "Here is a drawing of a stapler:").
But on to the true story. At the age of 22, Eggers became both an orphan and a "single mother" when his parents died within five months of one another of unrelated cancers. In the ensuing sibling division of labor, Dave is appointed unofficial guardian of his 8-year-old brother, Christopher. The two live together in semi-squalor, decaying food and sports equipment scattered about, while Eggers worries obsessively about child-welfare authorities, molesting babysitters, and his own health. His child-rearing strategy swings between making his brother's upbringing manically fun and performing bizarre developmental experiments on him. (Case in point: his idea of suitable bedtime reading is John Hersey's Hiroshima.)
The book is also, perhaps less successfully, about being young and hip and out to conquer the world (in an ironic, media-savvy, Gen-X way, naturally). In the early '90s, Eggers was one of the founders of the very funny Might Magazine, and he spends a fair amount of time here on Might, the hipster culture of San Francisco's South Park, and his own efforts to get on to MTV's Real World. This sort of thing doesn't age very well--but then, Eggers knows that. There's no criticism you can come up with that he hasn't put into A.H.W.O.S.G. already. "The book thereafter is kind of uneven," he tells us regarding the contents after page 109, and while that's true, it's still uneven in a way that is funny and heartfelt and interesting.
All this self-consciousness could have become unbearably arch. It's a testament to Eggers's skill as a writer--and to the heartbreaking particulars of his story--that it doesn't. Currently the editor of the footnote-and-marginalia-intensive journal McSweeney's (the last issue featured an entire story by David Foster Wallace printed tinily on its spine), Eggers comes from the most media-saturated generation in history--so much so that he can't feel an emotion without the sense that it's already been felt for him. What may seem like postmodern noodling is really just Eggers writing about pain in the only honest way available to him. Oddly enough, the effect is one of complete sincerity, and--especially in its concluding pages--this memoir as metafiction is affecting beyond all rational explanation. --Mary ParkFrom the Back Cover:
"For 40 years readers have been waiting around on J. D. Salinger to send down a new manuscript from high atop his reclusive Vermont mountain. Well, the vigil is over and we can forget about hearing from Salinger. He's been replaced by a stunning new writer. His name is Dave Eggers." — Tampa Tribune
"Like any good trip, it's not the destination, but what's around the bend that counts. [And Eggers] takes us on a trip where he throws his hat out the window, rather than into the ring--to a place between autobiography and fiction, a place just off a bumpy road where truth is perhaps most comfortable. Exhilarating! Stunning! Heartbreaking! A Heartbreaking Work of Staggering Genius amazes constantly." — The Globe and Mail
"Eggers unfailingly captures the reader with gorgeous conviction." —Lynn Crosbie, The Toronto Star
"A virtuosic piece of writing, a big, daring, manic-depressive stew of a book that noisily announces the debut of a talented — yes, staggeringly talented — new writer." — Michiko Kakutani, The New York Times
"Scathingly perceptive and hysterically funny.... Eggers reveals a true, and truly broken, heart." — People
"Eggers crafts something universal here, something raw and real and wonderful that transcends any zeitgeist and manages to deal trenchantly with 'big issues' that often prove too daunting for younger writers: mortality, youth, the artifice of writing, the Zen of Frisbee. This is laugh-out-loud funny and utterly unforgettable." — San Francisco Chronicle
"Eggers evokes the terrible beauty of youth like a young Bob Dylan, frothing with furious anger--. A comic and moving witness that transcends and transgresses formal boundaries." — Washington Post
"A brave work, and not a little heartbreaking." — National Post
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