Is all Christian art fundamentally blasphemous? That was the question posed aggressively by the Christian iconoclasts of the eighth century in a bitter controversy. The resounding answer 'No' from John of Damascus helped to secure the future of art in the service of Christ. Without his brilliant defense, both profound and at times earthy, we might well have had no icons, murals, and mosaics in churches to elevate and enrich our spirits. This fresh and complete translation, by a distinguished patristic scholar, of John's three treatises on the divine images shows us the issue at stake both then and now. Professor Louth places all of us who care about them in his debt.
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Andrew Louth is Professor of Patristics and Byzantine Studies at the University of Durham and the preeminent scholar on St John of Damascus.
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Book Description Paper Back. Condition: New. Perhaps no name is more synonymous with the subject of early Christian art than the eighth-century monk, John of Damascus. Renowned in both East and West for his profound yet clearly-expressed theology, St. John remains our most accessible defender of Christ glorified in His Church, and this desire is foundational to each of the treatises presented here. He is careful to explain what is meant by 'image' and 'worship,' and he makes a distinction between different forms of veneration. Without St. John's contribution, the political and social concerns of the late Byzantine Empire could have eclipsed the humble beauty and proper use of art in Christian life. Christian iconography is not idolatrous, says St. John, but biblical and an integral part of our apostolic heritage. (A new translation, by the leading scholar of Damascus in the English-speaking world). Seller Inventory # 5305
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