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Because she must rely on published interviews, Williams is constricted in her analysis of how Vickers developed his highly individual interpretations of his roles. Tellingly, a singing actress who could meet Vickers on his own terms, Teresa Stratas, offers the most revealing descriptions of how the singer worked. Through accumulation of details (Benjamin Britten twice walked out on Vickers's Peter Grimes; elsewhere we learn that Vickers found embellished Handel "old fashioned"), Williams gives us a sense of what made Vickers wild and gripping onstage. Birgit Nilsson contributed the lovely foreword. --William R. Braun
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