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Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes 'unstuck in time' after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.

Slaughterhouse-Five is not only Vonnegut's most powerful book, it is also as important as any written since 1945. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it unique poignancy -- and humor.

"What I...applaud is the marvelous comic scenes with the British prisoners of war; the control in the war scenes; the understated bitterness with which he handles the American soldiers....When Vonnegut stops preaching and is funny, I take him very seriously."

Daniel Stern, Washington Post Book World, 04/13/1969

"Serious critics have shown some reluctance to acknowledge that Vonnegut is among the best writers of his generation. He is, I suspect, both too funny and too intelligent for many, who confused muddled earnestness with profundity. Vonnegut is not confused. He sees all too clearly....Only Billy's time-warped perspective could do justice to the cosmic absurdity of his life, which is Vonnegut's life and our lives."

Robert Scholes, New York Times Book Review, 04/06/1969

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