Three Gothic Novels: The Castle of Otranto; Vathek; Frankenstein - Softcover

9780140430363: Three Gothic Novels: The Castle of Otranto; Vathek; Frankenstein
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Walpole's The Castle of Otranto, Beckford's Vathek, and Shelley's Frankenstein

The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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From the Back Cover:
One of the most interesting phenomena in the history of literature, the Gothic novel—which flourished from about 1765 to 1825—still has much to offer to the modern reader. Supernatural thrills, adventure and suspense, colorful settings, and, in the better examples, literary quality are all present. Unfortunately, true Gothic novels (not simply modern detective stories called "Gothic") are extremely rare books, and have never been as available as they should be.The first member in this collection, Horace Walpole's TheCastle of Otranto, published as a Christmas book for 1764, was the first and one of the greatest members of the genre. It has also been one of the most influential books in history. It motivated the Gothic revival in the arts, and it probably did more to usher in the early-19th-century Romanticism than any other single work. It also served as the model in plot, characterizations, settings, and tone for  hundreds, perhaps thousands of successors.Vathek, by the eccentric British millionaire William Beckford, is generally considered to be the high point of the Oriental tale in English literature. Certainly no one has ever written (in any European tongue) a story which better unifies the stirrings of Gothic romanticism with the color, poetry, and vivacity of the original Arabian Nights.The third novel in this collection, John Polidor's Vampyre, emerged from the same soirées of ghost-story telling in Geneva that produced Mary Shelley's Frankenstein. The first full-length vampire story in English, it initiated a very important literary chain that also leads up to the present. Included with Polidori's novel is Lord Byron's little-known Fragment, from which Polidori (who was Byron's physician in Switzerland) plagiarized his plot.These three novels (and the fragment) are still well worth reading. Generations of readers have found thrills and horrors in Walpole's fine work, while Vathek cannot be excelled in its unusual mixture of the bizarre, cruel irony, and masterful narration. Polidori's thriller still conveys chills, and the Fragment makes us all wish that Byron had completed his novel.
Unabridged republication of all four texts: second edition (with prefaces) of The Castle of Otranto, and Sir Walter Scott's Introduction; Vathek in Samuel Henley's translation, with full notes; first edition of The Vampyre, with the introductory section; Byron's Fragment. Edited and introduced by E. F. Bleiler.
About the Author:
Mario Praz (1896-1982) was Professor of English Language and Literature at the University of Rome. The most celebrated of his many other books is The Romantic Agony.

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