Jane Austen's Textual Lives: From Aeschylus to Bollywood - Hardcover
Through three intertwined histories Jane Austen's Textual Lives offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three.
Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way.
Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.
Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way.
Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.
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About the Author:
Kathryn Sutherland is Professor of Bibliography and Textual Criticism at the University of Oxford. She was previously Professor of Modern English Literature at the University of Nottingham.
Review:
"Much more interesting than most of the critical studies."--Elizabeth Helsinger, Studies in English Literature
"Sutherland brings formidable experience as an editor and textual scholar to the challenge of reading Austen. Throughout, Sutherland demonstrates a keen and lively theoretical understanding of the implications of textual scholarship, particularly in her careful analysis of the manuscript evidence.... Sutherland admirably chronicles two centuries of scholarship on Austen and ambitiously suggests new directions for it. Highly recommended."--Choice
Kathryn Sutherland is Professor of Bibliography and Textual Criticism at the University of Oxford. She was previously Professor of Modern English Literature at the University of Nottingham.
"Much more interesting than most of the critical studies."--Elizabeth Helsinger, Studies in English Literature
"Sutherland brings formidable experience as an editor and textual scholar to the challenge of reading Austen. Throughout, Sutherland demonstrates a keen and lively theoretical understanding of the implications of textual scholarship, particularly in her careful analysis of the manuscript evidence.... Sutherland admirably chronicles two centuries of scholarship on Austen and ambitiously suggests new directions for it. Highly recommended."--Choice
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- PublisherOxford University Press
- Publication date2005
- ISBN 10 0199258724
- ISBN 13 9780199258727
- BindingHardcover
- Number of pages408
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Jane Austen's Textual Lives: From Aeschylus to Bollywood
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Oxford University Press
(2005)
ISBN 10: 0199258724
ISBN 13: 9780199258727
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