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9780199537518

Four Major Plays (Oxford World's Classics)

García Lorca, Federico Author

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In his four last plays ( Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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About the Author:

Nicholas Round is Hughes Professor of Hispanic Studies at the University of Sheffield. His published and performed translations of Spanish and Portuguese theatre range from the 17th-century comedia to the 1950s. John Edmunds founded the Department of Theatre, Film, and Television Studies at the University College of Wales, Aberystwyth, and was Director from 1973 to 1985. Four of his translations of plays by Racine and Moliere have been broadcast on BBC Radio Three. He performs in `spoken word' recital programmes.

Language Notes:

Text: English (translation)
Original Language: Spanish

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García Lorca, Federico Author
Published by Oxford University Press, United Kingdom (2009)
ISBN 10: 0199537518 ISBN 13: 9780199537518
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Book Description Oxford University Press, United Kingdom, 2009. Paperback. Book Condition: New. 192 x 128 mm. Language: English Brand New Book. I have made a terrible discovery .I have not yet been born .I live off borrowed substance; what I have within me is not mine. In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba s abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on old and wrong moralities , fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca s theatre, finely conveyed here in John Edmunds s fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Bookseller Inventory # AOP9780199537518

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García Lorca, Federico Author
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ISBN 10: 0199537518 ISBN 13: 9780199537518
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Book Description Oxford University Press, United Kingdom, 2009. Paperback. Book Condition: New. 192 x 128 mm. Language: English Brand New Book. I have made a terrible discovery .I have not yet been born .I live off borrowed substance; what I have within me is not mine. In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba s abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on old and wrong moralities , fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca s theatre, finely conveyed here in John Edmunds s fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Bookseller Inventory # AOP9780199537518

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Book Description Oxford University Press, 2009. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: In his four last plays Federico Garca Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. Contains: Blood Wedding; Yerma; The House of Bernarda Alba; Dona Rosita the Spinster. Bookseller Inventory # ABE_book_new_0199537518

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Book Description 2009. Paperback. Book Condition: New. 127mm x 20mm x 193mm. Paperback. 'I have made a terrible discovery .I have not yet been born .I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 288 pages. 0.204. Bookseller Inventory # 9780199537518

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Book Description Oxford University Press, 2008. paperback. Book Condition: New. *** NEW COPY *** TITLE SHIPPED FROM UK *** Binding paperback In his four last plays, Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930's - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. 'I have made a. Bookseller Inventory # 0199537518

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Book Description Oxford University Press. Paperback. Book Condition: new. BRAND NEW, Four Major Plays, Federico Garcia Lorca, Nicholas G. Round, John Edmunds, 'I have made a terrible discovery .I have not yet been born .I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Bookseller Inventory # B9780199537518

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