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It is 1962 when Edward and Florence, 23 and 22 respectively, marry and repair to a hotel on the Dorset coast for their honeymoon. They are both virgins, both apprehensive about what's next and in Florence's case, utterly and blindly terrified and repelled by the little she knows. Through a tense dinner in their room, because Florence has decided that the weather is not fine enough to dine on the terrace, they are attended by two local boys acting as waiters. The cameo appearances of the boys and Edward and Florence's parents and siblings serve only to underline the emotional isolation of the two principals. Florence says of herself: "...she lacked some simple mental trick that everyone else had, a mechanism so ordinary that no one ever mentioned it, an immediate sensual connection to people and events, and to her own needs and desires...."
They are on the cusp of a rather ordinary marital undertaking in differing states of readiness, willingness and ardor. McEwan says: "Where he merely suffered conventional first-night nerves, she experienced a visceral dread, a helpless disgust as palpable as seasickness." Edward, having denied himself even the release of self-pleasuring for a week, in order to be tip-top for Florence, is mentally pawing the ground. His sensitivity keeps him from being obvious, but he is getting anxious. Florence, on the other hand, knows that she is not capable of the kind of arousal that will make any of this easy. She has held Edward off for a year, and now the reckoning is upon her.
McEwan is the master of the defining moment, that place and time when, once it has taken place, nothing will ever be the same after it. It does not go well and Florence flees the room. "As she understood it, there were no words to name what had happened, there existed no shared language in which two sane adults could describe such events to each other." Edward eventually follows her and they have a poignant and painful conversation where accusations are made, ugly things are said and roads are taken from which, in the case of these two, the way back cannot be found. Late in Edward's life he realizes: "Love and patience--if only he had them both at once--would surely have seen them both through." This beautifully told sad story could have been conceived and written only by Ian McEwan. --Valerie Ryan
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Quantity Available: 1
Book Description: Jonathan Cape, 2007. Hardcover. Book Condition: New. No Jacket. 1st Edition. Booker shortlisted. This is the Waterstone's 25th anniversary edition which was issued for internal distribution only. Blue boards with seagulls , contained in a matching blue slipcase. These were limited in number and have a thank you statement from Ian McEwan to the staff at Waterstones printed on a special tip in page. The number of books produced is not known but would be limited in number. They were also not signed, but this copy has been signed by Ian McEwan at the Cheltenham Literary Festival. The book is in fine unread condition and the slipcase is very near fine with the slightest of pushing to the top corner - a barely noticeable flaw.**************SHIPPED IN A BOX WITH PLENTY OF PROTECTION. Signed by Author(s). Bookseller Inventory # 584932
Quantity Available: 1
Book Description: London: Jonathan Cape/ London Review Bookshop, 2007. Hardcover. Book Condition: New. 1st Edition. Hardcover: patterned paper covered boards, quarter bound in blue-gray leather. Top edge dark blue. In matching blue-gray cloth slipcase. Designed by Andrew Stilwell. No. XLVI of only 50 copies thus, numbered and SIGNED by the author on the limitation page. Mint. (Delivery Confirmation number sent for domestic orders.). Signed by Author(s). Bookseller Inventory # 38716
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