From Publishers Weekly:
This plodding, academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre ( The Unfinished Quest of Richard Wright ) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history." Photos not seen by PW.
Copyright 1991 Reed Business Information, Inc.
From Library Journal:
This book breaks new ground in social and literary history. Fabre re-creates an important moment of African American literary history and sheds new light on the historical origin of the atmosphere that peaked during the Harlem Renaissance in France. Beautifully documented and comprehensive in size and scope, it tracks down every possible source. Essentially, we see here the writers we expect to see from W.E.B. DuBois to James Baldwin, along with many other largely forgotten authors. Essential for academic libraries.
- Gayle S. Leach, Wayne State Univ., Detroit
Copyright 1991 Reed Business Information, Inc.
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