9780262062220

Book Description: The MIT Press, 2001. Hardcover. Book Condition: New. New, still in publisher's original shrinkwrap. Artists. Pasadena's finest independent new and used bookstore. Bookseller Inventory # 73232

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Book Description: Book Condition: New. BRAND NEW. Bookseller Inventory # ZZZZ3021

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Book Description: MoCA, LA, MIT Press, 2001. Hard Cover. Book Condition: New. Dust Jacket Condition: New. Gordon, Douglas (illustrator). New hardcover in dust jacket, still in publisher's shrinkwrap. Bookseller Inventory # 021932

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Book Description: The MIT Press, 2001. Hardcover. Book Condition: New. New in shrink wrap. Hardcover and dust jacket. Ships daily. Bookseller Inventory # 81274552

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Book Description: MIT Press, 2001. Hardcover. Book Condition: New. New, mint condition. Orders are despatched from our UK warehouse next working day. Bookseller Inventory # 75015

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Book Description: MIT Press. Book Condition: New. New, This item can not be shipped Internationl. Bookseller Inventory # 0262062224

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Book Description: MIT Press, 2001. Hardcover. Book Condition: New. New and in stock. Book. Bookseller Inventory # 0262062224

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Book Description: Mit Pr, 2001. Hardcover. Book Condition: Brand New. illustrated edition. 200 pages. 11.75x9.25x0.75 inches. In Stock. Bookseller Inventory # 0262062224

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Book Description: M.I.T. Press, Cambridge, 2001. Hardcover. Book Condition: New. Dust Jacket Condition: New. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulatedóslowed down, mirrored by the use of split screen or dual projection, or had its soundtrack alteredóto emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darlingís essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordonís literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal lifeófor example, the ongoing List of Names lists all the people he has met in a given period of timeó-and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists." Text: Fergusson Russel, Darling Michael. cm 23,5x30,5; pp. 183; COL; hardcover with dust jacket, new, still in shrinkwrap. Bookseller Inventory # AM-6725

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Book Description: MIT Press, Cambridge MA, 2001. Cloth. Book Condition: New. Dust Jacket Condition: Fine Condition. 198 pp., 120 illustrations 80 in color. First edition. Still in the publisher's shrinkwrap. Published on the occasion of the exhibition from the Museum of Contemporary Art, Los Angeles CA September 1, 2001-January 20, 2002, Vancouver Art Gallery, British Columbia, March 9-June 16 2002, Museo Tamayo Arte Contemporáneo, Mexico, March 13-June 22, 2003, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 12-May 19, 2004. Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum. Bookseller Inventory # 010189

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