9780262072922

Book Description: Mit Pr, 2008. Book Condition: New. Fast Shipping With Online Tracking We Proudly Ship To Military. Bookseller Inventory # LOCK/WR/T936/NEW233594

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Book Description: Book Condition: New. Bookseller Inventory # 5433094-n

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Book Description: MIT Press. Book Condition: New. New. Bookseller Inventory # 0262072920

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Book Description: MIT Press Ltd, United States, 2008. Hardback. Book Condition: New. 229 x 152 mm. Brand New Book with Free Worldwide Delivery. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways--as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function; the official and unofficial art of the former Soviet Union and other former Socialist states, for example, is largely excluded from the field of institutionally recognized art, usually on moral grounds (although, Groys points out, criticism of the morality of the market never leads to calls for a similar exclusion of art produced under market conditions). Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism.He also considers today's mainstream Western art--which he finds behaving more and more according to the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Modern art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself--by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork. Boris Groys is Professor of Philosophy and Art Theory at the Academy for Design in Karlsruhe, Germany, and Global Professor at New York University. He is the author of many books, including The Art of Stalinism and Ilya Kabakov: The Man Who Flew into Space from His Apartment (Afterall Books, 2006). Bookseller Inventory # AAC9780262072922

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Book Description: Hardcover. Book Condition: New. Bookseller Inventory # 113552

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Book Description: MIT Press. Hardcover. Book Condition: New. 0262072920 Brand New. Bookseller Inventory # Z0262072920ZN

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Book Description: MIT Press. Hardcover. Book Condition: New. 0262072920 Brand New. Bookseller Inventory # Z0262072920ZN

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Book Description: 2008. Hardcover. Book Condition: New. 160mm x 19mm x 230mm. 187 pages. 0.440. Bookseller Inventory # 9780262072922

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Book Description: Mit Press Ltd, 2008. Hardback. Book Condition: New. New book. Shipped from UK. Bookseller Inventory # BB-9780262072922

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Book Description: MIT Press Ltd. Hardback. Book Condition: new. BRAND NEW, Art Power, Boris Groys, Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways--as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function; the official and unofficial art of the former Soviet Union and other former Socialist states, for example, is largely excluded from the field of institutionally recognized art, usually on moral grounds (although, Groys points out, criticism of the morality of the market never leads to calls for a similar exclusion of art produced under market conditions). Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art--which he finds behaving more and more according to the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Modern art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself--by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork. Boris Groys is Professor of Philosophy and Art Theory at the Academy for Design in Karlsruhe, Germany, and Global Professor at New York University. He is the author of many books, including The Art of Stalinism and Ilya Kabakov: The Man Who Flew into Space from His Apartment (Afterall Books, 2006). Bookseller Inventory # B9780262072922

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