9780300101171

Book Description: Yale University Press, 2004. Hardcover. Book Condition: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 359-1108shipped with USPS tracking and delivery confirmation, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!. Bookseller Inventory # 0811230289

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Book Description: Yale Univ Pr, Cumberland, Rhode Island, U.S.A., 2004. Hard Cover. Book Condition: New. Dust Jacket Condition: New. 8vo - over 7¾" - 9¾" tall. Contains 144 b/w illustrations. Bookseller Inventory # 001216

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Book Description: Yale University Press, 2004. Hardcover. Book Condition: New. New Book. Item delivered via UPS in 7-9 business days. Tracking available by request. Bookseller Inventory # CCWW17383

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Book Description: Yale University Press, 2004. Hardcover. Book Condition: New. Dust Jacket Condition: New. New. No remainder marks. ; 144 pages. Bookseller Inventory # 20296

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Book Description: YALE University Press. Book Condition: New. New. Bookseller Inventory # 0300101171

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Book Description: YALE UNIV PR, 2004. Hardback. Book Condition: New. New book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # KB-9780300101171

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Book Description: Cumberland, Rhode Island, U.S.A.: Yale Univ Pr, 2004. Hardcover. Book Condition: New. Bookseller Inventory # 5900

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Book Description: Yale University Press, United States, 2003. Paperback. Book Condition: New. 310 x 231 mm. Brand New Book with Free Worldwide Delivery. A stimulating survey of how the Bauhaus and the modernist revolution have shaped graphic design. This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Distinguished book designer and author Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, Laszlo Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples--some of which have not been previously reproduced--clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression--a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today. Engagingly written and handsomely illustrated, this volume is a valuable resource for designers and book lovers everywhere. Bookseller Inventory # AAS9780300101171

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Book Description: 2004. Hardcover. Book Condition: New. 231mm x 19mm x 240mm. 160 pages. 0.807. Bookseller Inventory # 9780300101171

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Book Description: Yale University Press. Paperback. Book Condition: new. BRAND NEW, Bauhaus, Modernism and the Illustrated Book, Alan Bartram, A stimulating survey of how the Bauhaus and the modernist revolution have shaped graphic design. This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Distinguished book designer and author Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, Laszlo Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples--some of which have not been previously reproduced--clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression--a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today. Engagingly written and handsomely illustrated, this volume is a valuable resource for designers and book lovers everywhere. Bookseller Inventory # B9780300101171

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